"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
202
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
203
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
204
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
205
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
206
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
207
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
208
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
209
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
210
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
211
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
212
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
213
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
214
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
215
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
216
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
217
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
218
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
219
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
220
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
221
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
222
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
223
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
224
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
225
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
226
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
227
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
228
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
229
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
230
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
231
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
232
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
233
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
234
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
235
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
236
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
237
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
238
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
239
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
240
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
241
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
242
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
243
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
244
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
245
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
246
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
247
Print made by Day & Co., 1824–1913
New Steine and Rock Gardens
1839
248
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
249
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
250
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
251
Print made by John Bluck, active 1791–1831
Clare Hall
1814
252
Thomas Rowlandson, 1756–1827
Mother Bundle in a Rage or Too late for the Stage
ca. 1809
253
Thomas Rowlandson, 1756–1827
Dr. Syntax Attends the Execution
1820
254
James McNeill Whistler, 1834–1903
Île de la Cité, Paris
1859
255
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
256
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
257
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
258
John Gantz, 1772–1853
Building and Repairing Masoola Boats
1828
259
John Preston Neale, 1771/80–1847
Welsh Fair
1813
260
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
261
John Linnell, 1792–1882
Horses in a Paddock
1811
262
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
263
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
264
Robert Hills, 1769–1844
A Village Snow Scene
1819
265
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
266
unknown artist
A Forest Road
undated
267
Richard Bridgens, active 1838
St. Ann's, The Governor's Residence (Trinidad)
1838
268
James Hakewill, 1778–1843
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
269
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
270
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
271
Print made by Richard Parkes Bonington, 1802–1828
Eglise de St. Jean a Lyons
ca. 1824
272
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
273
after George Baxter, 1804–1867
Prince Albert
after 1855
274
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
275
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
276
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
277
James Hakewill, 1778–1843
Mill Yard, Holland Estate, St. Thomas in the East
between 1820 and 1821
278
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
279
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
280
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
281
Charles Heath, 1785–1848
Tower Hill
1825
282
Edward Francis Finden, 1791–1857
Yarmouth, Norfolk
1837
283
Print made by Day & Co., 1824–1913
North West View, Lincoln's Inn
between 1845 and 1850
284
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
285
Print made by William Day, 1764–1807
The High Street, Southampton
1828
286
George C. Finden, 1811–1885
A Mythological Battle
1853
287
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
288
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
289
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
290
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
291
John Grant, Died 1873
Royal Horse Artillery, 1843
1843
292
Elizabeth Thompson, Lady Butler, 1846–1933
Cavalrymen Mounting Near a Fort
1865
293
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
294
Hablot Knight Browne, 1815–1882
I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Undated
295
Print made by Henry Burn, active 1845
Bedford from the North
ca. 1840
296
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
297
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
298
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
299
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
300
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country