Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
12
Robert Bateman, 1842–1922
The Pool of Bethesda
1877
Not on view
13
Jacques-Laurent Agasse, 1767–1849
Tiger in a Cave
ca. 1814
Not on view
14
Attributed to Benjamin Barker, 1776–1838
West Country Landscape
ca. 1810
Not on view
15
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
16
Charles West Cope, 1811–1890
Home Dreams
1869
Not on view
17
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
18
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
19
Thomas Churchyard, 1798–1865
Landscape with Trees and a Figure
ca. 1840
Not on view
20
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
21
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
22
Edward Lear, 1812–1888
Sorrento, 2 August 1838
1838
23
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
24
Edward Lear, 1812–1888
Reggio
1847
25
Edward Lear, 1812–1888
Bassenthwaite
1836
26
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
28
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
29
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
31
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
32
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
33
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
34
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
35
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
36
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
37
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
38
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
39
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
40
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
41
Thomas Hearne, 1744–1817
Cottage
undated
42
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
43
William Wyld, 1806–1889
View of Gibraltar
undated
44
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
45
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
46
Henry Monro, 1791–1814
A Wooded Track
1813
47
Francis Barlow, 1622–1704
Hare Hunting
undated
48
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
49
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
50
Print made by George Cruikshank, 1792–1878
Mr Crump's Extreme Politeness
undated
51
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
52
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
53
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
54
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
55
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
56
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
57
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
58
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
59
unknown artist
60
Thomas Daniell, 1749–1840
Sketches
undated
61
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
62
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
63
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
64
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
65
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
66
Print made by Thomas Bewick, 1753–1828
The Mastif Fox
1909
67
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
68
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
69
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
70
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
71
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
72
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
73
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
74
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
75
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
76
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
77
Print made by Gabriel Charton, active 1810
Paysanne d'Ukraine; Juive
ca. 1810
78
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
79
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
80
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
81
Sir Francis Seymour Haden, 1818–1910
Encombe Woods, no. 2
1881-1882
82
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
83
Print made by William Havell, 1782–1857
Landscape with Trees, Girl Crossing a Footbridge
1804
84
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
85
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
86
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
87
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
88
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
89
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
90
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
91
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 1 (small plate)
1860
92
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
93
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
94
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
95
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
96
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
97
William Woollett, 1735–1785
Solitude
1778
98
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
99
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
100
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master