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Materials & Techniques etching (printing process)

Image Use Free to Use

Subject Terms women

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

James Mitan Turin from the Portico of the Superga Church

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock Rural Scenes

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Bradshaw & Blacklock Set of Needle-Box Prints

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Vincent Robert Alfred Brooks Ten Needle-Box Prints

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Bradshaw & Blacklock Set of Needle-Box Prints

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock Swiss Costumes

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

David Allan Pilgrims Paying Their Devotion in St. Peters at Rome

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

unknown artist The Methodist Tailor Caught in Adultery

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Matthew Darly Statue Hall or the Modern Register Office

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Robert Smirke Taming of the Shrew

Robert Smirke, 1752–1845

Taming of the Shrew

1821

Axel Herman Haig An Old Hanse Town

Print made by Axel Herman Haig, 1835–1921

An Old Hanse Town

undated

Jacques Bouillard Franciscus Bartolozzi

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Robert Charles Goff Coffee House and Mosque Entrance, Cairo

Robert Charles Goff, 1837–1922

Coffee House and Mosque Entrance, Cairo

undated

Richard Earlom A Landscape with Cattle

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

unknown artist Messrs. Morgan & Sanders, Catherine St., Strand

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Henry Heath Ominum Gatherum, Second Series, No. 3

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 3

undated

Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

Thomas Higham Red-Scar, the Residence of William Cross, Esquire

Thomas Higham, 1796–1844

Red-Scar, the Residence of William Cross, Esquire

1832

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

William Ellis Bordesley Hall, the Seat of John Taylor, Esq.

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Francesco Bartolozzi The Virgin

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

William Ellis The House of George Humphrys, Esq., Spark Brook

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

Charles Heath Tower Hill

Charles Heath, 1785–1848

Tower Hill

1825

Charles Heath Green Park

Charles Heath, 1785–1848

Green Park

1825

John Cousen Manse and Church of Cults, the Birthplace of Wilkie

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

John Eginton The Affectionate Daughter

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Louisa Augusta Greville Five People Praying

Louisa Augusta Greville, 1743–active 1762

Five People Praying

1760

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Choquer

Print made by George Arnald, 1763–1841

Choquer

1821

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Choquer

Print made by George Arnald, 1763–1841

Choquer

1821

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Frederik Christiaan Bierweiler De Kruisiging

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Kruisiging

ca. 1820

Frederik Christiaan Bierweiler De Begraving

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Begraving

ca. 1820

Francesco Bartolozzi Morning

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794