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Remove constraint Materials & Techniques: wove paperCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
1
- Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
- 1972
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Over the Bank, Exmoor
- ca. 1895
4
- Huntsman and Hounds
- ca. 1896
5
- Tintern Abbey
- 1835
6
- A Cow Lodge with a Mossy Roof
- ca. 1829
7
- The Valley of Dolwyddelan
- undated
8
- Landscape Sketch
- undated
9
- The Crescent Moon
- undated
10
- Mount Siabod from Tyn-y-Coed near Capel Curig
- undated
11
- An Ancient Barn at Shoreham
- undated
12
- View from Rook's Hill, Kent
- 1843
13
- Cornfields with Barn, Shoreham
- ca. 1829
14
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
15
- A Barn with a Mossy Roof, Shoreham
- undated
16
- Conway Castle
- 1836
17
- A Cottage among Trees, Shoreham
- undated
18
- The Primitive Cottage, Shoreham
- undated
19
- A Recollection of the New R.A
- 1837
20
- A View on the Orwell
- undated
21
- Brighton Beach Looking West
- undated
22
- Stoke Poges Church
- 1834
23
- Dawn
- between 1831 and 1832
24
- Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
- between 1795 and 1806
25
- Human Skeleton, Anterior View
- 1795 to 1806
26
- Human Skeleton, Lateral View
- 1795 to 1806
27
- Tiger Body, Lateral View
- 1795 to 1806
28
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
29
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
30
- Leopard Body, Lateral View
- 1795 to 1806
31
- Fowl Head and Neck, Lateral View
- 1795 to 1806
32
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
- 1795 to 1806
33
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
34
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
35
- Monkey Standing, Anterior View
- 1795 to 1806
36
- Human Skeleton, Lateral View
- 1795 to 1806
37
- Human Skeleton, Posterior View
- 1795 to 1806
38
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
39
- Fowl Skeleton, Lateral View (Study for the key figure to Table V)
- 1795 to 1806
40
- Human Skeleton, Lateral View
- 1795 to 1806
41
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
42
- Tiger Skeleton, Lateral View
- 1795 to 1806
43
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
44
- Fowl Body, Lateral View (Study for key figure to Table X)
- 1795 to 1806
45
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
46
- Horses Fighting
- undated
47
- Grotesque Female Head
- undated
48
- Tours: Sunset: Looking Backwards
- between 1826 and 1830
49
- Rome from Monte Mario
- ca. 1818
50
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
51
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
52
- View near Palermo
- 1847
53
- The Capo Sant' Angelo, Amalfi
- ca. 1885
54
- Wied Zurrik (Malta)
- 1848
55
- Albania
- between 1848 and 1849
56
- Bavella, Corsica
- ca. 1868
57
- Catania
- 1847
58
- Amada, 9:30 am, 12 February 1867
- 1867
59
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
60
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
61
- Oasis Village
- 1854
62
- Jericho, 7 May 1858
- 1858
63
- New Harbour, Malta
- 1866
64
- Siracusa, 12. June 1847
- 1847
65
- The Pontine Marshes above Terracina
- ca. 1880
66
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
67
- Turin, Italy
- after 1872
68
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
70
- The Entrance Front of Hayley's House at Eartham
- 1801
71
- Joseph and Potiphar's Wife
- 1803 to 1805
72
- Pity
- ca. 1795
73
- The Parable of the Wise and Foolish Virgins
- ca. 1825
74
- Machinery for the Manufacture of Paper
- ca. 1810
75
- Totnes from the Seymour Hotel
- 1838
76
- Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
- undated
77
- From the Church Hill, Ambleside
- 1816
78
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
79
- John Keats
- 1816
80
- Figure studies
- undated
81
- Mount Soratte from Civita Castellana
- 1816
82
- Horse and Pony
- undated
83
- Three Horses and Stable Lad
- undated
84
- Scene with Horse and Rider
- undated
85
- The Devil's Bridge, Kirkby Lonsdale
- undated
86
- Inattention
- 1808
87
- Farmyard Animals: Tribulation
- 1797
88
- St. Botolph's Cambridge, and Corpus Christi College
- after 1849
89
- An unidentified Gothic Mansion: Side View of the House with Garden
- undated
90
- Horses and Wagon Outside a Cottage
- undated
91
- Distant view of Llandrillo
- 1805
92
- Country Folk with a Child, Beside a River
- undated
93
- Four Galloping Horses
- undated
94
- River Landscape with Figures
- undated
95
- Giant Oaks
- undated
96
- Polecat
- ca. 1817
97
- Black-backed Jackal
- ca. 1817
98
- Design for a Monument to the Duke of Wellington
- undated
![James Wyatt [One of] Five Designs for a Church](https://media.collections.yale.edu/thumbnail/ycba/cf43aa4b-565f-4f7b-a7d7-338d05984580)
99
- [One of] Five Designs for a Church
- undated
100
- Variant Designs for the Somerset Monument: Elevation
- undated