On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Subject Terms: men

901. A Mail Coach in a Hilly Landscape

Creator:: William Makepeace Thackeray, 1811–1863
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 5/8 × 8 7/8 inches (6.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

902. Sir William Worthy and Patie

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

903. Madge and Bauldy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

904. Bauldy, Symon and Sir William Worthy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

905. Glaud and Peggy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

906. Sir William Worthy's Blessing

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

907. The Smith's Yard

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1895
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 x 7 3/8 inches (27.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

908. Tilbury

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1887
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 6 15/16 inches (8.3 × 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

909. Black Lion Wharf

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1859
Materials & Techniques:: Etching and drypoint on thin, slightly textured, beige China paper
Dimensions:: Sheet: 9 1/8 × 14 inches (23.1 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

910. Patie Rebukes Roger

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

911. Glaud and Symon

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

912. Conversazione

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, graphite and white gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

913. A Conversazione

Creator:: Print made by Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 1/2 x 6 7/8in. (11.4 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

914. Window in St. Dunstan's in the West, London

Creator:: Print made by J. Blore
Date:: 1834
Materials & Techniques:: Lithograph with hand-coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 5/8 x 5 1/2 inches (21.9 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

915. The Queen's English: An Iillustration in "Punch", Aug. 11, 1877

Creator:: Charles Samuel Keene, 1823–1891
Date:: ca. 1877
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

916. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

917. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

918. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

919. "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 5/16 inches (18.3 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

920. Knight Falling From His Horse at a Squire's Tilt

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

921. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

922. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

923. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

924. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

925. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

926. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

927. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

928. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

929. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

930. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

931. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

932. The Leicestershire Hunt - The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

933. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

Creator:: Edward Allen Everitt, 1824–1882
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 8 13/16 inches (32.9 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

934. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

935. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

936. Van Dyck et Son Protecteur le Comte de Bristol

Creator:: Leopold Flameng, 1831–1911
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 13/16 × 11 1/4 inches (25 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

937. View of Tonbridge During the Late Election

Creator:: Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

938. A Punca Bearer

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

939. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

940. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

941. Studies of Heads

Creator:: attributed to Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 1/8 × 4 1/2 inches (18.1 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

942. Lamentation

Creator:: unknown artist
Date:: 19th century
Materials & Techniques:: Graphite and white chalk on moderately thick, slightly textured, gray wove paper, pasted on thick, smooth, gray card
Dimensions:: Mount: 10 5/8 × 9 inches (27 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

943. Being Pulled by a Crowd

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 3 1/4 inches (10.2 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

944. A Fashion in 1845

Creator:: unknown artist
Date:: ca. 1845
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, blue card
Dimensions:: Mount: 16 × 11 1/2 inches (40.6 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

945. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

946. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:: Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

947. Ponte Pietra, Verona

Creator:: circle of John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 8 7/8 inches (14.6 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

948. View between the Roofs of King's College Chapel

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1836
Materials & Techniques:: Etching on moderately thick, textured, brown wove paper
Dimensions:: Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

949. Landscape with Windmill

Creator:: Cornelius Varley, 1781–1873
Date:: 1853
Materials & Techniques:: Watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 12 1/4 inches (16.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

950. Landscape in the Lake District

Creator:: unknown artist
Date:: ca. 1813
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 inches (21 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953

951. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

952. Study for Bacchanal

Creator:: Giulio Aristide Sartorio, 1860–1932
Date:: ca. 1894
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 1/4 x 6 5/8 inches (21 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

953. Proposal for a Happy New Year

Creator:: unknown artist
Date:: after 1850
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper, mounted on thick, smooth, light blue card
Dimensions:: Mount: 16 × 11 5/8 inches (40.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

954. The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896
Date:: 1854
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

955. Seran Raja's Palace

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

956. The Holy Tree of Metereeah

Creator:: Print made by David Roberts, 1796–1864
Date:: 1856
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/16 x 7 13/16 inches (29 x 19.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

957. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:: Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

958. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

959. The Conversion of the Proconsul

Creator:: Print made by George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

960. Eastern Letter Writer

Creator:: Richard Dadd, 1817–1886
Date:: 1863
Materials & Techniques:: Watercolor with brown ink on medium, smooth, beige wove paper
Dimensions:: Frame: 19 1/8 × 14 3/8 inches (48.6 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

961. Aquatic Landscape; Men with Boats and Fishtraps

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

962. Caryatids at the Erechtheum

Creator:: James Robertson, ca. 1810–after 1881
Date:: ca. 1853
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 3/8 × 9 7/8 inches (28.9 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

963. Kew Bridge

Creator:: Victor A. Prout, active 1835–1877
Date:: 1862
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 11 1/4 inches (11.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

964. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

965. Ross Castle, Mouse Island, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

966. Eagles' Nest Mountain

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

967. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

968. The Purple Mountains, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

969. Looking South From the Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

970. Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

971. Bull Mountain and the Hare's Bridge

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

972. Augur's Lake, Gap of Dunloh

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

973. Augur's Lake, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

974. The Market Place

Creator:: Nicholas Condy, 1793–1857
Date:: 1846
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, white wove paper
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

975. Othello and Desdemona, 'Othello', Act V, Scene II

Creator:: attributed to Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

976. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

977. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

978. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

979. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

980. Landscape with Lime-Kiln and Workmen

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1808
Materials & Techniques:: Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

981. Arcadian Landscape with Shepherds

Creator:: Joshua Cristall, 1768–1847
Date:: 1814
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 11/16 inches (12.7 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

982. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

983. Nicholas Robinson: Two Portrait Studies, Facing Front and Facing Left

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 3 1/2 inches (14 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

984. Kenmare Road Tunnel, Killarney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

985. Man of War Rock, Upper Lake Killarney, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

986. Preparatory Design for a Stained Glass Window, Virgil and Horace

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately textured, cream wove paper
Dimensions:: Sheet: 22 5/8 x 22 5/8 inches (57.5 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Alan F. Hockstader

987. The Adam and Eve Tavern, Old Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1878
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 14 3/4 inches (24.8 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

988. Dundry Tower, Leigh Wood, Hotwell House, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/8 x 12 5/16 inches (26.3 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

989. War !!! Commencement of Hostilities --Combined movement of the Allied Powers.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 17 1/8 inches (30.3 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

990. Study of Women and Men Saying Grace, Before a Meal

Creator:: Sir Hubert von Herkomer, 1849–1914
Date:: undated
Materials & Techniques:: Graphite, black chalk and pen and black ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

991. A Gathering at Fulham Palace

Creator:: George Richmond, 1809–1896
Date:: between 1843 and 1845
Materials & Techniques:: Iron gall ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard J. Mammana Jr., Yale MAR 2012, in memory of Cynthia McFarland

992. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

993. A Will O' The Wisp

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/8 x 17 1/4 inches (30.1 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

994. A Graceful Speciman of The Retort Courteous

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

995. Little Red-Riding Hood's Meeting with the Wolf

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 x 11 15/16 inches (44.7 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

996. Leap Frog, Down Constitution Hill

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 1/16 inches (30.5 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

997. Chatham Dockyard from Upnor

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

998. Pegwell Bay (?)

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 13 1/2 inches (19.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

999. Coast Scene

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 × 9 5/8 inches (17.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Thomas M. Folds

1000. Kenilworth Castle

Creator:: Attributed to Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

YCBA Collections Search

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Period 19th century

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901. A Mail Coach in a Hilly Landscape

902. Sir William Worthy and Patie

903. Madge and Bauldy

904. Bauldy, Symon and Sir William Worthy

905. Glaud and Peggy

906. Sir William Worthy's Blessing

907. The Smith's Yard

908. Tilbury

909. Black Lion Wharf

910. Patie Rebukes Roger

911. Glaud and Symon

912. Conversazione

913. A Conversazione

914. Window in St. Dunstan's in the West, London

915. The Queen's English: An Iillustration in "Punch", Aug. 11, 1877

916. The North Country Mails at The Peacock Inn, Islington

917. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

918. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

919. "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds

920. Knight Falling From His Horse at a Squire's Tilt

921. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

922. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

923. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

924. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

925. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

926. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

927. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

928. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

929. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

930. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

931. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

932. The Leicestershire Hunt - The Death

933. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

934. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

935. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

936. Van Dyck et Son Protecteur le Comte de Bristol

937. View of Tonbridge During the Late Election

938. A Punca Bearer

939. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

940. New Steine and Rock Gardens

941. Studies of Heads

942. Lamentation

943. Being Pulled by a Crowd

944. A Fashion in 1845

945. George Fox and the Dead Cromwell

946. The Healing of the Lame Man

947. Ponte Pietra, Verona

948. View between the Roofs of King's College Chapel

949. Landscape with Windmill

950. Landscape in the Lake District

951. L'Adieu

952. Study for Bacchanal

953. Proposal for a Happy New Year

954. The Reconciliation of the Montagues and the Capulets

955. Seran Raja's Palace

956. The Holy Tree of Metereeah

957. The Death of Ananias

958. The Healing of the Lame Man

959. The Conversion of the Proconsul

960. Eastern Letter Writer

961. Aquatic Landscape; Men with Boats and Fishtraps

962. Caryatids at the Erechtheum

963. Kew Bridge

964. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

965. Ross Castle, Mouse Island, 4 September 1841

966. Eagles' Nest Mountain

967. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

968. The Purple Mountains, 6 September 1841

969. Looking South From the Black Stream Bridge, 6 September 1841

970. Ash Valley Lake in the Gap of Dunloh, September 1841

971. Bull Mountain and the Hare's Bridge

972. Augur's Lake, Gap of Dunloh

973. Augur's Lake, Gap of Dunloh, 6 September 1841