<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

Period 19th century

Remove constraint Period: 19th century

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
David Allan Alan Ramsay Scotus
Print made by David Allan, 1744–1796
Alan Ramsay Scotus
1808
David Allan Bauldy and Mause
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
David Allan Peggy and Patie
Print made by David Allan, 1744–1796
Peggy and Patie
1808
Frederick Rosenberg The Mail Coach in a Flood
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
Thomas Girtin View of the City with the Louvre taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin A General View of Paris taken from Chaillot
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont St. Michael taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
Thomas Girtin A View of Pont Neuf, the Mint and etc.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin View of the Village of Chaillot and etc. taken from Pont de la Concorde.
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Henry Papprill British Queen Steam Ship
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
J. Hill A Frigate in a Calm
J. Hill, active 19th century
A Frigate in a Calm
1811
J. Hill A First Rate after a Storm
J. Hill, active 19th century
A First Rate after a Storm
1811
J. Hill A Seventy-four in a Fresh Gale
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
Richard Gilson Reeve The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
Richard Gilson Reeve, 1803–1889
The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
1839
J. Hill A Sloop of War in a Light Breeze
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
Frederick Christian Lewis the Elder Tivoli
Frederick Christian Lewis the Elder, 1779–1856
Tivoli
1800
Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated
Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
Frederick Christian Lewis the Elder View of Old Aberdeen, Including King's College and the Cathedral
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
Augustus Charles Pugin Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
John Bluck Fire in London
John Bluck, active 1791–1831
Fire in London
1808
Augustus Charles Pugin The Opening of the Waterloo Bridge on the 18th June 1817
Augustus Charles Pugin, 1762–1832
The Opening of the Waterloo Bridge on the 18th June 1817
1818
William Daniell A View of the East India Docks
William Daniell, 1769–1837
A View of the East India Docks
1808
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the City with the Louvre &c. taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
George Cruikshank Mr. B seeking the Bubble reputation - Plate 5
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
George Cruikshank Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
George Cruikshank Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
Henry Papprill This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
William Daniell A View of the East India Docks
Print made by William Daniell, 1769–1837
A View of the East India Docks
1808
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
Thomas Rowlandson Dr. Syntax and his Counterpart
Thomas Rowlandson, 1756–1827
Dr. Syntax and his Counterpart
1820
Thomas Rowlandson Billingsgate Market
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
John Bluck The Hall and Stair Case, British Museum
John Bluck, active 1791–1831
The Hall and Stair Case, British Museum
1808
John Bluck On the Thames near Battersea
John Bluck, active 1791–1831
On the Thames near Battersea
1809
unknown artist Carlinan Mill, Iverary, Scotland
unknown artist
Carlinan Mill, Iverary, Scotland
1811
John Hill North-West Front, Cassiobury
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
John Hill The Great Cloister, Cassiobury
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
John Hill North-West Front, Cassiobury
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
John Grant Rocket Practice in the Marshes
John Grant, Died 1873
Rocket Practice in the Marshes
1845
John Grant Royal Horse Artillery, 1843
John Grant, Died 1873
Royal Horse Artillery, 1843
1843
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Robert Havell View of the Old Corn Market and Tuns Inn, Guildford
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
Richard Gilson Reeve The Victoria Steam Ship at Hull
Richard Gilson Reeve, 1803–1889
The Victoria Steam Ship at Hull
ca. 1837
William Johnstone White Representation of the Festival for the Return of Peace
William Johnstone White, active 1804–died c.1870
Representation of the Festival for the Return of Peace
1815
Matthew Dubourg Snipe Shooting
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
Augustus Charles Pugin The Hall, Carlton House
Augustus Charles Pugin, 1762–1832
The Hall, Carlton House
1808
Francis Jukes Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
unknown artist The Famous Lincolnshire Ox
Print made by unknown artist
The Famous Lincolnshire Ox
1823
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802