On-site Access: Accessible by appointment in the Study Room / Subject Terms: dogs (animals) and men

1. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Found!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Flying Pack

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Who-o-p!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Figures Looking out to Sea

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 7/16 inches (18.4 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Carisbrooke Castle, Isle of Wight

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Romantic Landscape - Peasants at the Foot of a Castle on a Crag

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 11 1/8 inches (38.1 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Queen Elizabeth Gate

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of Bath from Spring Gardens

Creator:: Thomas Hearne, 1744–1817
Date:: 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Landscape with Hay Cart before a Cottage

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Figures and Animals in a Vineyard

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1829
Materials & Techniques:: Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876
Date:: 1856
Materials & Techniques:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Highland Hospitality

Creator:: John Frederick Lewis, 1804–1876
Date:: 1832
Materials & Techniques:: Watercolor, gouache, gum, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 x 29 7/8 inches (56.2 x 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 5/8 inches (13.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Figures taking the Waters at the Spa at Scarborough

Creator:: James Green, 1771–1834
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and gray ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fish Market, Hastings

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1824
Materials & Techniques:: Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Woodcutter and His Family

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Street Scene in Granada on the Day of the Bullfight

Creator:: John Frederick Lewis, 1804–1876
Date:: 1833
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Garden of Thomas Sandby's House at Englefield Green near Windsor

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1800
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/4 inches (29.5 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Steine, Brighton

Creator:: John Nixon, ca. 1760–1818
Date:: 1787
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 6 3/4 inches (9.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Loading Sacks into a Cart

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Harwich, Essex

Creator:: William Daniell, 1769–1837
Date:: ca. 1820
Materials & Techniques:: Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Landscape with Sportsman and Guns

Creator:: John Henry Müntz, 1727–1798
Date:: 1779
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 13/16 × 11 15/16 inches (22.4 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Interior of a Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Lover

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 11 1/4 inches (23.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. The Guitar Player

Creator:: Print made by Gerhard Bockman, 1686–1773
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 15/16 x 10 15/16 inches (43.1 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Rural Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Monstrosities of 1827

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 × 14 5/8 inches (25.1 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.1 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Rue du Gros Horloge

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743
Date:: ca. 1685
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Italian Fair

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1923
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 9/16 x 8 3/4 inches (16.7 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

50. Bologna

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 7 3/8 inches (26.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

51. Foxhunting: Drawing Covert

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "Landscape Scenery", No. 10: Scenes with Wood-Cutters

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 5/8 inches (16.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 5/16 inches (18.3 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Foxhunting: Full Cry

Creator:: George Alken, 1794–active 1837
Date:: between 1827 and 1837
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 3/16 inches (18.3 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View of the Piazza Navona in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A View of the Piazza del Popolo in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/2 x 12 5/8 inches (24.2 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A View of Campo Vaccino at Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/4 x 12 1/2 inches (24.8 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Evening

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 5/8 inches (33 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Scene outside the Half-Moon Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Time and Death and Goody Barton

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/16 x 8 3/8 inches (13.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Diners in a Chop Shop

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 6 5/8 inches (11.3 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Angling Party

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite, border with pen and gray brown ink line on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 10 3/16 inches (17.5 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "Then go, bid the huntsmen wake them with their horns"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. The Harvesters

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Country Amusement - Bull Baiting

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Monstrosities of 1822 - Pt. 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Specimens of Waltzing

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1817
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 13/16 inches (24.7 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Eight colour prints

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Oriental Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Making a Cast at a Fault

Creator:: Print made by Thomas Burford, ca. 1710–after 1774
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. La rue des Prouvaires et l'église saint Eustache, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Relief

Creator:: William Dickinson, 1746–1823
Date:: 1781
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 × 13 3/8 inches (29 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Ominum Gatherum No. 6

Creator:: Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Green Park

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Prize Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. 120 Degrees, Tigris

Creator:: Print made by Charles William Cain, 1893–1962
Date:: ca. 1926
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 13 13/16 inches (24.9 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

94. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bedford from the North

Creator:: Print made by Henry Burn, active 1845
Date:: ca. 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A View of the Royal Palace at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/16 x 12 13/16 inches (23.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Subject Terms dogs (animals)

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Search Results

1. The Meet

2. Found!

3. The Flying Pack

4. Who-o-p!

5. Over the Bank, Exmoor

6. The First Stage of Cruelty

7. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

8. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

9. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

10. Figures Looking out to Sea

11. Carisbrooke Castle, Isle of Wight

12. Romantic Landscape - Peasants at the Foot of a Castle on a Crag

13. The Queen Elizabeth Gate

14. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

15. View of Bath from Spring Gardens

16. Landscape with Hay Cart before a Cottage

17. Figures and Animals in a Vineyard

18. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

19. Highland Hospitality

20. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

21. Figures taking the Waters at the Spa at Scarborough

22. Fish Market, Hastings

23. Woodcutter and His Family

24. A Street Scene in Granada on the Day of the Bullfight

25. High Street at Bushey, Hertfordshire

26. A View of Several Palaces at Naples at Sun Rise

27. The Garden of Thomas Sandby's House at Englefield Green near Windsor

28. The Steine, Brighton

29. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

30. Loading Sacks into a Cart

31. Harwich, Essex

32. Landscape with Sportsman and Guns

33. View on Exmoor

34. Interior of a Stable

35. The Lover

36. The Guitar Player

37. Eight Rural Subjects

38. Rural Scenes

39. Monstrosities of 1827

40. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

41. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

42. The Ceiling in the Banqueting House at Whitehall

43. Château des Comtes de Flandre, Ghent

44. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

45. Rue du Gros Horloge

46. Vue Generale de l'Eglise de l'Abbaye de Tournus

47. Tobias and the Angel

48. Grouse Shooting

49. Italian Fair

50. Bologna

51. Foxhunting: Drawing Covert

52. The Kill

53. "Landscape Scenery", No. 10: Scenes with Wood-Cutters

54. "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds

55. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

56. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

57. Foxhunting: Full Cry

58. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

59. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

60. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

61. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

62. A View of the Piazza Navona in the City of Rome

63. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

64. A View of the Piazza del Popolo in the City of Rome

65. A View of Campo Vaccino at Rome

66. Evening

67. Harvesters in Landscape in Sussex

68. Scene outside the Half-Moon Inn

69. Time and Death and Goody Barton

70. Diners in a Chop Shop

71. Bradwell Lodge, Bradwell Quay, Essex

72. The Angling Party

73. "Then go, bid the huntsmen wake them with their horns"