A Morning at Tattersalls (with further sketches in left margin folded over)
undated
5
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
6
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
7
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
8
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
9
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
10
Robert Polhill Bevan, 1865–1925
The Kill
undated
11
after Joseph Mallord William Turner, 1775–1851
The Trout Stream
12
after Joseph Mallord William Turner, 1775–1851
Les Fetes de la Moisson
13
Joseph Mallord William Turner, 1775–1851
Huntsmen in a Wood
14
after Joseph Mallord William Turner, 1775–1851
North-West Front, Cassiobury, with Hounds and Huntsmen
15
George Romney, 1734–1802
Studies of Horses
undated
16
George Romney, 1734–1802
Sketches for a Man with a Horse
undated
17
George Romney, 1734–1802
Frolicking Goat: Three Sketches
undated
18
George Bryant Campion, 1796–1870
Hastings Races
undated
19
Thomas Sully, 1783–1872
Two Hunters and Two Dogs in Winter Scene
undated
20
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
21
Arthur James Stark, 1831–1902
Stable Boy on a Pony
undated
22
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
23
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
24
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
25
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
26
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
27
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
28
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
29
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
30
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
31
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
32
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
33
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
34
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
35
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
36
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
37
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
38
Edward Duncan, 1803–1882
Pheasant Shooting
1825
39
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
40
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
41
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
42
Samuel Howitt, 1756–1822
Going to Cover
undated
43
Samuel Howitt, 1756–1822
Full Cry
undated
44
Samuel Howitt, 1756–1822
The Check
undated
45
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
46
Samuel Howitt, 1756–1822
Going out of Kennel
undated
47
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
48
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
49
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
50
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
51
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
52
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
53
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
54
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
55
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
56
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
57
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
58
James Seymour, 1702–1752
A Boar Hunt
undated
59
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
60
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
61
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
62
Francis Barlow, 1622–1704
Hare Hunting
undated
63
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
64
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
65
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
66
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
67
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
68
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
69
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
70
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
71
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
72
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
73
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
74
James Ward, 1769–1859
Delivering a Calf
undated
75
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
76
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
77
John Wootton, 1682–1764
The Meet
undated
78
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
79
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
80
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
81
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
82
Benjamin West, 1738–1820
Rider Galloping to Left
undated
83
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
84
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
85
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
86
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
87
Henry Thomas Alken, 1785–1851
A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
1821
88
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
89
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
90
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
91
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
92
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
93
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
94
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
95
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'