Materials & Techniques: etching (printing process) and stipple engraving / Image Use: Free to Use

Print made by George Stubbs, 1724–1806

Labourers

1789

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

Print made by William Bernard Cooke, 1778–1855

Weymouth

1814-1826

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

William Dickinson, 1746–1823

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

1791

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

Print made by William Nelson Gardiner, 1766–1814

January

1788

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by John Bell, 1811–1895

And This Was Caesar

between 1838 and 1850

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Isaac Cruikshank, 1764–1811

Young Ladies

1795

Print made by William Henry Simmons, 1811–1882

The Departure (Second Class)

1857

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by John Condé, 1765–1794

Melania

1792

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Francesco Bartolozzi, 1728–1815

Raising of Lazarus

Francesco Bartolozzi, 1728–1815

Adoration of the Magi

Francesco Bartolozzi, 1728–1815

The Adoration of the Shepherds

Francesco Bartolozzi, 1728–1815

The Adoration of the Shepherds

Francesco Bartolozzi, 1728–1815

Virgin and Child and Tobias and the Archangel Raphael

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

James Fittler, 1758–1835

Benjamin West, P.R.A

1817

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Hannah Sparke, Widow

1785

Francesco Bartolozzi, 1728–1815

The Snuff Box, Calais

1799

James Gillray, 1756–1815

The Death of the Great Wolf

1795

Frederick James Havell, 1801–1840

The Stone Bow, Lincoln

1836

Frederick James Havell, 1801–1840

Lincoln from the Castle

ca. 1836

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Francesco Bartolozzi, 1728–1815

Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

1789

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

James Fittler, 1758–1835

Mail Coach

ca. 1787

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Print made by Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1793

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

ca. 1793

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

Print made by unknown artist

Richard Cosway

1788

George Siegmund Facius, 1750–1804

George III

1791

Print made by George Cooke, 1781–1834

Humphry Repton, Esq

1820

Print made by Samuel Freeman, 1773–1857

Sir Robert Ker Porter

undated

Edward Harding, 1755–1840

Christopher Sharp, Cambridge

1793

Print made by John Kirby Baldrey, active 1750–1821

Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

1798

Print made by Thomas Anthony Dean, 1801–1860

Portrait of Lawrence When a Boy

1831

Print made by A. Birrell, ca.1770–ca. 1820

Sir Peter Lely

undated

Print made by unknown artist

Sir Godfrey Kneller

undated

Print made by Thomas Cook, 1744–1818

William Hogarth

1809

Print made by Robert Cooper, ca. 1800–1836

Julius Caesar Ibbetson

undated

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c

1781

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Samuel Freeman, 1773–1857

Henry Tresham, R. A

1809

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Charles E. Wagstaff, 1808–

The Marriage of Her Most Gracious Majesty Queen Victoria

1844

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Francesco Bartolozzi, 1728–1815

Adam and Eve in Paradise

1790

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

Francesco Bartolozzi, 1728–1815

Vignette: Lettered "Bono Eventui"

undated

Francesco Bartolozzi, 1728–1815

Title Page: Bartolozzi's Works

1796

Print made by Francesco Bartolozzi, 1728–1815

Portrait of Joseph Haydn

1791

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Francesco Bartolozzi, 1728–1815

Sir James Wishart

between 1794 and 1798

Richard Gaywood, active 1650–1680

Portrait of Louis XIV, King of France and Navarre

undated

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Francesco Bartolozzi, 1728–1815

Winter

1789

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by Francesco Bartolozzi, 1728–1815

Samuel Johnson

1785

Isaac Jehner, 1750–c.1806

William Canynges

undated

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by Joseph Brown, 19th century

James Gillray

1848

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by Francesco Bartolozzi, 1728–1815

Night

undated

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by David Allan, 1744–1796

Alan Ramsay Scotus

1808

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by William Faithorne, ca. 1620–1691

Portrait of Francis Moore

ca. 1663

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissors, and Razors to Grind

1795

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

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