Materials & Techniques: aquatint / Collection: Prints and Drawings / Period: 19th century

1. Junction of Severn and Wye

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View of the Pont St. Michael, taken from the Pont Neuf

Creator:: Etched by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A General View of Paris, taken from Chaillot 1803.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Creator:: Attributed to John Hassell, 1767–1825
Date:: 1810
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bacharach and View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Albanian Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Bacharach

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Constantinople

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 1/16 x 4 13/16 inches (5.3 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 13/16 x 4 15/16 inches (4.6 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Little Red Riding Hood

Creator:: Print made by imitator of George Baxter, 1804–1867
Date:: after 1856
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Italian Peasants - Tryoliean Waltz.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on cream card
Dimensions:: Image: 4 5/16 x 6 3/8 inches (11 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hamlet

Creator:: Print made by Charles Ansell, ca.1752–active 1790
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Military Costumes of the Reign of King Henry VI, 1447

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1812
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Costume of the Reign of King Henry III, 1250

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1814
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1815
Materials & Techniques:: Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Elizabeth Alexander

Creator:: Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:: 1806
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

45. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

47. West India Docks

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

48. Pass-Room Bridewell

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

49. Water Engine, Cold-Bath-Field's Prison

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

50. Dining Hall, Asylum

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

51. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Christ Church Cathedral, Oxford

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Landscape

Creator:: Marie C. Prestel, 1747–1794
Materials & Techniques:: Sepia aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 26 5/16 inches (50.2 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Iris

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Creator:: Print made by Charles Rosenberg, active 1828–1848
Date:: 1837
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Harwich

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1841
Materials & Techniques:: Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1857
Materials & Techniques:: Aquatint, hand-colored on thick, smooth, beige wove paper
Dimensions:: Sheet: 22 7/16 × 30 3/8 inches (57 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A First Rate after a Storm

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 9/16 inches (26.6 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Seventy-four in a Fresh Gale

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 16 5/8 inches (26.9 x 42.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Tivoli

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1800
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. View of the New Country Prison at Abingdon, Berkshire

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: undated
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Carlinan Mill, Iverary, Scotland

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of the Port of Liverpool

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 26 5/16 inches (53.3 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Miracle of Purun Bhagat

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

70. The Undertakers

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

71. Glen Crowe, Western Highlands, Scotland

Creator:: after unknown artist
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Great Western leaving Bristol for New York

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1840
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 28 5/8 inches (56.2 × 72.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1839
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/16 × 33 inches (64.3 × 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Frigate in a Calm

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 16 7/16 inches (26.9 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: after 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Sloop of War in a Light Breeze

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 7/16 inches (26.7 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: Print made by James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 3/16 × 16 1/16 inches (38.5 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Mr. B seeking the Bubble reputation - Plate 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. View of the Village of Chaillot and &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques aquatint

Collection Prints and Drawings

Period 19th century

Search Results

1. Junction of Severn and Wye

2. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

3. The Watermill Above the Bridge at Charenton

4. Crofton Hall, Yorkshire

5. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

6. View of the Pont St. Michael, taken from the Pont Neuf

7. View of the City with the Louvre & Taken from Pont Marie

8. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

9. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

10. A General View of Paris, taken from Chaillot 1803.

11. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

12. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

13. View of the Gate of St. Denis Taken from the Suburbs.

14. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

15. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

16. Views of the Pantheon, taken from the Arsenal

17. View of St. Cloud and Mt. Calvary taken from Pont de Seve

18. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

19. George Pritchard, Her Britannic Majesty's Consul

20. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

21. Bacharach and View near Bingen

22. Albanian Scenes

23. Bacharach

24. Constantinople

25. Ben Nevis

26. Highland Dancers

27. Double Hairpin Set

28. Gems of the Great Exhibition No. 4: The Foreign Department

29. The Great Exhibition: Exterior View from the Southwest

30. Little Red Riding Hood

31. Pomare, Queen of Tahiti

32. View near Bingen

33. Italian Peasants - Tryoliean Waltz.

34. The Death of Ananias

35. Hamlet

36. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

37. Military Costumes of the Reign of King Henry VI, 1447

38. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

39. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

40. View of the Palace and Village of Choisi, on the Banks of the Siene

41. Fools; or Jesters

42. Costume of the Reign of King Henry III, 1250

43. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

44. Elizabeth Alexander

45. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

46. Saint Stephen's, Walbrook

47. West India Docks

48. Pass-Room Bridewell

49. Water Engine, Cold-Bath-Field's Prison

50. Dining Hall, Asylum

51. View of the Village of Chaillot & C. taken from Pont de la Concorde

52. Returning from a Review...Paris

53. Inn Yard at Calais

54. Christ Church Cathedral, Oxford

55. Peterborough Cathedral

56. The Great Cloister, Cassiobury

57. Landscape

58. Cowdray Ruins

59. Iris

60. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

61. Harwich

62. Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.

63. A First Rate after a Storm

64. A Seventy-four in a Fresh Gale

65. Tivoli

66. View of the New Country Prison at Abingdon, Berkshire

67. Carlinan Mill, Iverary, Scotland

68. View of the Port of Liverpool

69. The Miracle of Purun Bhagat

70. The Undertakers

71. Glen Crowe, Western Highlands, Scotland

72. The Great Western leaving Bristol for New York

73. The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze