Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
6
Bernard Lens III, 1682–1740
Figures Walking in a Landscape
undated
7
unknown artist
Fishing Cove near Columbo
undated
8
unknown artist
A Bridge in Wales
undated
9
William Taverner, 1703–1772
An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
undated
10
Thomas Bowles, ca. 1712–died 1753
A View of Florence from the Convent of Capuchins at Montugi
undated
11
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the City of Naples
undated
12
William Kent, ca.1686–1748
Design for a Pavilion in a Deer Park
ca. 1735
13
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
14
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
15
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
16
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
17
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
18
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
19
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
20
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
21
attributed to James Barry, 1741–1806
The Cave of the Cumean Sybil on the Shore of the Lake Avernus
between 1740 and 1759
22
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
23
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
24
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
25
imitator of Thomas Gainsborough, 1727–1788
Landscape and Cattle
undated
26
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
27
Richard Bernard Godfrey, 1728–op.1794
Knighton, the Seat of George M. Bisset, Esq
before 1781
28
Anthony Devis, 1729–1817
Landscape with stream in foreground
undated
29
Anthony Devis, 1729–1817
Landscape with Shepherd and Sheep
undated
30
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
31
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
32
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
33
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
34
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
37
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
38
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
39
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
40
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
41
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
42
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
44
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
45
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
46
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
47
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
48
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
49
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
50
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
52
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
53
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
54
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
55
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
56
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
57
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
59
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
66
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
69
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
70
Alexander Cozens, 1717–1786
The Glade
ca. 1750
71
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
72
pupil of John Malchair, 1730–1812
Castle on a Distant Hill
undated
73
pupil of John Malchair, 1730–1812
Road Between Hills
undated
74
Giovanni Battista Borra, 1713–1770
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
75
Alexander Cozens, 1717–1786
Buildings by a River with Hills in Background
between 1746 and 1750
76
Alexander Cozens, 1717–1786
Landscape with a Ruined Temple
between 1746 and 1750
77
Sawrey Gilpin, 1733–1807
Studies of a Cattle
undated
78
Joseph Wright of Derby, 1734–1797
A Church in Italy
undated
79
Joseph Wright of Derby, 1734–1797
The Campagna
undated
80
Alexander Cozens, 1717–1786
Landscape with Mountain and Lake
1750s
81
Alexander Cozens, 1717–1786
Tree and Distant Hills
between 1750 and 1755
82
Giovanni Battista Borra, 1713–1770
View of Hill Towns or Ruins near Damascus
1751
83
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
84
Philippe-Jacques de Loutherbourg, 1740–1812
A Path on a Hilltop
undated
85
Francis Towne, 1740–1816
On the Side of the Rhine near the Source, Light Coming from the Right
undated
86
Alexander Cozens, 1717–1786
Study of Two Willows
ca. 1760
87
William Pars, 1742–1782
Landscape with Temple Ruins at Sunium
undated
88
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
89
Henry Swinburne, 1743–1803
Capuchins of Our Lady of Médoux
undated
90
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
91
Thomas Sunderland, 1744–1828
Landscape: Trees, Lakes and Mountains, Lake District
undated
92
Thomas Hearne, 1744–1817
Landscape
undated
93
Thomas Hearne, 1744–1817
Windsor Castle
undated
94
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
95
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Scenting a Hare
undated
96
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
97
attributed to Michael "Angelo" Rooker, 1746–1801
Carisbrooke Castle, Isle of Wight
undated
98
Michael "Angelo" Rooker, 1746–1801
Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House