Collection: Prints and Drawings / Associated Places: United Kingdom / Subject Terms: architectural subject

1. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Castle with Figures in a Classical Landscape

Creator:: Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Watercolor, pen, and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 12 inches (24.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Kirkdale House, Kirkcudbright, Scotland

Creator:: Robert Adam, 1728–1792
Date:: ca. 1786
Materials & Techniques:: Pen and brown ink with watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 14 1/2 inches (27.3 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Conway, North Wales: The Castle and the Old College House

Creator:: William Alexander, 1767–1816
Date:: 1802
Materials & Techniques:: Gray wash, yellow wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 11 7/8 inches (20.3 × 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Dent de Lion, Margate, Kent

Creator:: William Alexander, 1767–1816
Date:: ca. 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 3/8 inches (24.4 × 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Street in Maidstone

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 4 1/2 inches (8.9 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Village Street, Figures by Old Cottages

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 10 1/2 inches (35.2 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Lady Macartney's Villa at Chiswick

Creator:: William Alexander, 1767–1816
Date:: after 1808
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Kentish Street Scene

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Knaresborough Castle

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/2 × 9 5/8 inches (34.3 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Lowestoffe Lighthouse (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; open etched state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Lowestoffe Lighthouse (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Plans for Hinton St. George: Design for Gateway with Heraldic Lions

Creator:: James Allen, active 18th century
Date:: undated
Materials & Techniques:: Pen and black ink and wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 14 7/8 × 12 1/8 inches (37.8 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Old Vauxhall Gardens, Ancient Manor House

Creator:: Thomas Allen, active 1767–1772
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 7in. (24.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Smithfield

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: undated
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 15/16 x 14 5/8 inches (32.9 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22. Horse Guards

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

24. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

25. Sir Christopher Wren

Creator:: Bruce Angrave, 1914–1983
Date:: 1964
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 38 3/8 x 25 inches (97.5 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

26. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Witley Court in Worcestershire, the Seat of Lord Foley

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Devil's Bridge, Aberystwyth

Creator:: Rev. Charles Annesley, 1787–1863
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Richmondshire Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Warwick Castle

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 17 3/4 inches (24.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

35. Ladies' Drawing Room, Midland Adelphi Hotel, Liverpool

Creator:: Robert Frank Atkinson, 1869 or 1871–1923
Date:: ca. 1911
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 19 1/4 inches (35.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

36. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool

Creator:: Robert Frank Atkinson, 1869 or 1871–1923
Date:: ca. 1911
Materials & Techniques:: Pen and black ink, brown ink, and graphite on thick, moderately textured, cream board
Dimensions:: Sheet: 18 1/4 × 11 1/2 inches (46.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

37. The Bell, No.1 at Wareham, Dorest

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

38. Church Tower at Stretton, Leicestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1915
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. Springtime at Fulham

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1921
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

40. The Bell at Abberton Church, Essex

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 8 3/8 inches (30.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

41. St. Paul's from Charing Cross

Creator:: Print made by Johnstone Baird, active 1900–1935
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 10 1/4 inches (37.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

42. The Monument

Creator:: Print made by Johnstone Baird, active 1900–1935
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 x 9 3/16 inches (45.7 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

43. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Pont Mallwyd

Creator:: Samuel Henry Baker, 1824–1909
Date:: 1863
Materials & Techniques:: Graphite on moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 8 15/16 × 13 11/16 inches (22.7 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stephen Wildman

45. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. London Museum

Creator:: Carol Barker, born 1938
Date:: 1969
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 38 7/8 x 24 15/16 inches (98.7 x 63.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

47. A Cottage in the Isle of Wight

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured cream wove paper
Dimensions:: Sheet: 6 × 10 1/4 inches (15.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Broom House, Fulham, London

Creator:: William Augustus Barron, active 1777
Date:: 1774
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Doorway, Dean's Yard, Westminster

Creator:: Attributed to Sir Charles Barry, 1795–1860
Date:: 1837
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Chatsworth House, Derbyshire

Creator:: William Henry Bartlett, 1809–1854
Date:: between 1823 and 1830
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of the Cathedral of Christ Church and Part of Corpus Christi College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of the Cathedral of Christ Church and Part of Corpus Christi College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1811
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Inside View of the East End of Merton College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Frankley Chapel, S. E., Worcestershire

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1812
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Interior of Hall of Christ Church

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1815
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: after 1819
Materials & Techniques:: Hand colored engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. South West view of St. Stephen's Chapel Westminster, Restored 1800

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. PLATE XV. Elevation of a Window Bay &c

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1805
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 38 7/16 × 26 1/8 inches (97.6 × 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:: Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Abbey Church at St. Albans

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1781
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Harlech Castle, North Wales

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

100. Syon House

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. A View of Core's Library, Dawlish, Devon

2. The Courtyard of Mr. Bank's House, Northernhay, Exeter

3. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

4. Castle with Figures in a Classical Landscape

5. Kirkdale House, Kirkcudbright, Scotland

6. Conway, North Wales: The Castle and the Old College House

7. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

8. The Dent de Lion, Margate, Kent

9. Street in Maidstone

10. A Village Street, Figures by Old Cottages

11. Lady Macartney's Villa at Chiswick

12. Kentish Street Scene

13. Knaresborough Castle

14. The Custom House

15. The Custom House

16. Lowestoffe Lighthouse (vignette)

17. Lowestoffe Lighthouse (vignette)

18. Plans for Hinton St. George: Design for Gateway with Heraldic Lions

19. Old Vauxhall Gardens, Ancient Manor House

20. The Ceremony of Opening London Bridge, August 1, 1831

21. Smithfield

22. Horse Guards

23. Somerset House, London

24. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

25. Sir Christopher Wren

26. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

27. Witley Court in Worcestershire, the Seat of Lord Foley

28. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

29. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

30. The Devil's Bridge, Aberystwyth

31. Richmond Castle and Town

32. Richmondshire Castle and Town

33. Richmond Castle and Town

34. Warwick Castle

35. Ladies' Drawing Room, Midland Adelphi Hotel, Liverpool

36. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool

37. The Bell, No.1 at Wareham, Dorest

38. Church Tower at Stretton, Leicestershire

39. Springtime at Fulham

40. The Bell at Abberton Church, Essex

41. St. Paul's from Charing Cross

42. The Monument

43. Plan of the West India Docks

44. Pont Mallwyd

45. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

46. London Museum

47. A Cottage in the Isle of Wight

48. Marriage of Henry the seventh

49. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

50. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

51. Broom House, Fulham, London

52. Perspective View: the New Houses of Parliament

53. Doorway, Dean's Yard, Westminster

54. Chatsworth House, Derbyshire

55. A View of the Chapel and Hall of Oriel College

56. View of the Cathedral of Christ Church and Part of Corpus Christi College

57. View of the Cathedral of Christ Church and Part of Corpus Christi College

58. Inside View of the East End of Merton College Chapel

59. Inside View of the East End of Merton College

60. Frankley Chapel, S. E., Worcestershire

61. A View of the Chapel and Hall of Oriel College

62. Interior of Hall of Christ Church

63. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

64. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

65. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

66. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

67. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

68. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

69. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

70. South West view of St. Stephen's Chapel Westminster, Restored 1800

71. Plate XI: St Stephen's Chapel

72. Vol. 6, Plate XXVII: The Painted Chamber

73. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults