Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Image Use: Free to Use / Subject Terms: women - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Image Use Free to Use

Subject Terms women

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

William Blake Fear & Hope Are -- Vision; Plate 15

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision; Plate 15

1793

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Sir Muirhead Bone Glasgow Exhibition: From the Dome

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: From the Dome

1901

Sir Muirhead Bone The Fishmarket, Venice, No. 2

Print made by Sir Muirhead Bone, 1876–1953

The Fishmarket, Venice, No. 2

1912

Sir Muirhead Bone Glasgow Exhibition: Entrance from the Piazza

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: Entrance from the Piazza

1901

Sir Muirhead Bone Glasgow Exhibition: Ireland and Russia

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: Ireland and Russia

1901

Richard Parkes Bonington Bologna

Print made by Richard Parkes Bonington, 1802–1828

Bologna

1828

Richard Earlom A Landscape with Cattle

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

Robert Charles Goff Coffee House and Mosque Entrance, Cairo

Robert Charles Goff, 1837–1922

Coffee House and Mosque Entrance, Cairo

undated

George Cruikshank The Triumph of Cupid: A Reverie

Print made by George Cruikshank, 1792–1878

The Triumph of Cupid: A Reverie

undated

William Ellis Bordesley Hall, the Seat of John Taylor, Esq.

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Placido Columbani At Rome

Placido Columbani, born ca. 1744, active 1801

At Rome

undated

Frederick James Havell The Stone Bow, Lincoln

Frederick James Havell, 1801–1840

The Stone Bow, Lincoln

1836

Ebenezer Challis Entrance to Lincoln Cathedral

Print made by Ebenezer Challis, active 1837–1859

Entrance to Lincoln Cathedral

1837

James Basire the younger Frankley Chapel, S. E., Worcestershire

Print made by James Basire the younger, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

James Gillray Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Print made by James Gillray, 1756–1815

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

John Greig Cloisters of Worcester Cathedral

John Greig, active 1803–1853

Cloisters of Worcester Cathedral

1807

John Cousen Manse and Church of Cults, the Birthplace of Wilkie

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

George Cruikshank Virgo - Unmatched Enjoyment

Print made by George Cruikshank, 1792–1878

Virgo - Unmatched Enjoyment

undated

Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

George Cruikshank Lismahago's Retaliation

Print made by George Cruikshank, 1792–1878

Lismahago's Retaliation

undated

George Cruikshank Capricornus - A Caper- o' - corns

Print made by George Cruikshank, 1792–1878

Capricornus - A Caper- o' - corns

undated

Francesco Bartolozzi Noon

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Francesco Bartolozzi Evening

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

George Cruikshank Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Charles Grignion, 1717–1810

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Robert Pollard View of Queen Square

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

John Chalon Study

Print made by John Chalon, 1738 – 1795

Study

1789-1790

unknown artist A View of the Piazza del Popolo in the City of Rome

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

unknown artist Spanish Palace at Naples

Print made by unknown artist

Spanish Palace at Naples

undated

unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

unknown artist A View of the Piazza Navona in the City of Rome

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

unknown artist A View of the Royal Palace at Naples

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Francesco Bartolozzi The Virgin

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

William Ellis The House of George Humphrys, Esq., Spark Brook

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

Charles Heath Green Park

Charles Heath, 1785–1848

Green Park

1825

Charles Heath Tower Hill

Charles Heath, 1785–1848

Tower Hill

1825

Robert Havell View of the Old Corn Market and Tuns Inn, Guildford

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Louisa Augusta Greville Five People Praying

Louisa Augusta Greville, 1743–active 1762

Five People Praying

1760