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Materials & Techniques line engraving

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Collection Prints and Drawings

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1. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/8 × 7 7/16 inches (23.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

3. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A view of the inside of Westminster Hall

A view of the inside of Westminster Hall
Creator:
unknown artist
Date:
ca. 1700
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Athenaeum

Athenaeum
Creator:
Print made by R. F. Cahusac, active 1830
Date:
1830
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Ceiling of the Star Chamber

Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Compartment on One Side, St Stephen's Chapel

Compartment on One Side, St Stephen's Chapel
Creator:
Print made by John Le Keux, 1783–1846
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Elevation of the River Front

Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Entrance of the House of Lords with the Office of Ordnance

Entrance of the House of Lords with the Office of Ordnance
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Exterior & Interior Views of the Painted Chamber & Old House of Lords
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Exterior of Painted Chamber, North View

Exterior of Painted Chamber, North View
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
Creator:
Print made by John Fairburn, active 19th century
Date:
1796
Materials & Techniques:
Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Geometrical Construction of the Freeze and Battlements in the House of Commons

Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. House of Commons, the Speaker Reprimanding a Person at the Bar

House of Commons, the Speaker Reprimanding a Person at the Bar
Creator:
Print made by Henry Melville, active 1826–1841
Date:
after 1850
Materials & Techniques:
Line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. House of Lords, Her Majesty Opening the Session of Parliament

House of Lords, Her Majesty Opening the Session of Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
ca. 1837
Materials & Techniques:
Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Interior of the Star Chamber, Westminster

Interior of the Star Chamber, Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1848
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. London - Blackfriars Bridge, St. Pauls

London - Blackfriars Bridge, St. Pauls
Creator:
Print made by Charles Pye, 1777–1864
Date:
undated
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Marriage of Henry the seventh

Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Oak Door Discovered in the Speaker's State Dining Room

Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Old London Bridge and Vicinity

Old London Bridge and Vicinity
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Palatium Regis Prope Londinum, Vulgo Whitehall

Palatium Regis Prope Londinum, Vulgo Whitehall
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1647
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Part of the Front of the Vestibule

Part of the Front of the Vestibule
Creator:
Print made by unknown artist
Date:
1843
Materials & Techniques:
Line engraving on smooth, thick, cream wove paper
Dimensions:
Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Part of Westminster

Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1828
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Creator:
Print made by William Francis Starling, active first half 19th century
Date:
1843
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Plate III: Crypt under St Stephen's Chapel

Plate III: Crypt under St Stephen's Chapel
Creator:
Print made by Thomas A. Woolnoth, 1785–1857
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Plate IX: St Stephen's Chapel

Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Plate VIII: St Stephen's Chapel

Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Plate X: St Stephen's Chapel

Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Plate XI: St Stephen's Chapel

Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Plate XII: St Stephen's Chapel

Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Plate XIII: St Stephen's Chapel

Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Plate XIX: St Stephen's Chapel

Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. PLATE XV. Elevation of a Window Bay &c

No cover image available
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1805
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 38 7/16 × 26 1/8 inches (97.6 × 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.
Creator:
Print made by George Gladwin, active 1820s–1830s
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Plate XXVII: St Stephen's Chapel, Looking East, Westminster
Creator:
Print made by John Le Keux, 1783–1846
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Creator:
Print made by John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving, proof before lettering on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 6 5/16 × 9 1/8 inches (16 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Plate XXXIX: House of Commons as Fitted Up in 1835

Plate XXXIX: House of Commons as Fitted Up in 1835
Creator:
Print made by unknown artist
Date:
ca. 1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Plate XXXVIII: House of Lords, as Fitted up in 1835

Plate XXXVIII: House of Lords, as Fitted up in 1835
Creator:
Print made by T. Clarke, 1799–1839
Date:
1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Richmond Hill

Richmond Hill
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1826-1832
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Richmond Hill

Richmond Hill
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1826
Materials & Techniques:
Line engraving, First published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Richmond Hill

Richmond Hill
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1826
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 7 5/16 × 9 1/2 inches (18.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Ruins of St. Paul Covent Garden

Ruins of St. Paul Covent Garden
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. St. Stephen's Chapel, Speaker's House, &c. from the River

St. Stephen's Chapel, Speaker's House, &c. from the River
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Staircase at Southeast Angle, Painted Chamber, Westminster

Staircase at Southeast Angle, Painted Chamber, Westminster
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving on slightly textured, moderately thick, whtie wove paper
Dimensions:
Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
Creator:
Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

73. The House of Commons

The House of Commons
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. The House of Lords, as Restored after the Fire

The House of Lords, as Restored after the Fire
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 7 13/16 inches (24.9 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Houses of Lords and Commons

The Houses of Lords and Commons
Creator:
Print made by Miss Mary Byrne, 1776–1846
Date:
1815
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Kind Proroguing Parliament

The Kind Proroguing Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The King on his Throne in the House of Lords

The King on his Throne in the House of Lords
Creator:
Print made by James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The King's Entrance to the House of Lords, From Poets Corner

The King's Entrance to the House of Lords, From Poets Corner
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, medium white wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Lower Lobby, House of Commons

The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The North Prospect of Westminster Abbey

The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Painted Chamber, Westminster

The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Parliament House, from Old Palace Yard, Westminster

The Parliament House, from Old Palace Yard, Westminster
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 4 15/16 × 7 inches (12.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

85. The South-East Prospect of King Henry The VII's Chapel at Westminster

The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched)
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. View of the East End of Henry VIIth Chapel as Restored in 1813

View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. View of the Higher House of Parliament in England

View of the Higher House of Parliament in England
Creator:
Print made by unknown artist
Date:
ca. 1695
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. View of the Office of Ordnance with the Entrance of the House of Lords

View of the Office of Ordnance with the Entrance of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection