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Edwin Austin Abbey A Dialogue Betwixt Himself, and Mistress Eliza Wheeler by Robert Herrick
Print made by Edwin Austin Abbey, 1852–1911
A Dialogue Betwixt Himself, and Mistress Eliza Wheeler by Robert Herrick
1880
Edwin Austin Abbey To an Old Woman, by Robert Herrick
Print made by Edwin Austin Abbey, 1852–1911
To an Old Woman, by Robert Herrick
1883
John White Abbott Canonteign, Devon
John White Abbott, 1763–1851
Canonteign, Devon
1804
John White Abbott View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
John White Abbott, 1763–1851
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
John White Abbott The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
John White Abbott Trees in a Wood
John White Abbott, 1763–1851
Trees in a Wood
1807
John White Abbott Trees Overhanging a Lake
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
John White Abbott The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
John White Abbott, 1763–1851
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
John White Abbott The Courtyard of Mr. Bank's House, Northernhay, Exeter
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
John White Abbott The Mouth of the Cavern at Castleton in the Peak of Derby
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
John White Abbott Slate Quarry at Widecombe, Devon
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
John White Abbott Canonteign
John White Abbott, 1763–1851
Canonteign
1808
John White Abbott Figures on a Rocky River Bank at Canonteign, Devon
John White Abbott, 1763–1851
Figures on a Rocky River Bank at Canonteign, Devon
1801
John Absolon Trees by a Pool
John Absolon, 1815–1895
Trees by a Pool
Undated
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
John Absolon Family Group
John Absolon, 1815–1895
Family Group
undated
John Absolon Group of Peasants with Musical Instruments
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
Rudolf Ackermann The Repository of Arts, Royal Waterloo Bath
Published by Rudolf Ackermann, 1764–1834
The Repository of Arts, Royal Waterloo Bath
1819
Rudolf Ackermann The Castle of Isola, Italy
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
Robert Adam Headfort House: Moldings
Robert Adam, 1728–1792
Headfort House: Moldings
undated
Robert Adam Figures in a Lakeside Romantic Landscape
Robert Adam, 1728–1792
Figures in a Lakeside Romantic Landscape
1787
Alfred Adlard The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
Print made by Alfred Adlard, 1803–1869
The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
1820
Henry Adlard The Gothic Bridge of Eudes, Tours
Print made by Henry Adlard, active 19th century
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
John Samuel Agar Lady Dalrymple Hamilton
John Samuel Agar, ca. 1773–1858
Lady Dalrymple Hamilton
1812
John Samuel Agar Anne (née Bermingham) Caulfield, Countess of Charlemont
Print made by John Samuel Agar, ca. 1773–1858
Anne (née Bermingham) Caulfield, Countess of Charlemont
1812
John Samuel Agar Lady Katherine Sophia (née Manners) Heathcote
John Samuel Agar, ca. 1773–1858
Lady Katherine Sophia (née Manners) Heathcote
1812
John Samuel Agar Sir George Beaumont, Bart.
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
John Samuel Agar Illustration for 'Mickle'
Print made by John Samuel Agar, ca. 1773–1858
Illustration for 'Mickle'
1808
Jacques-Laurent Agasse Saddled Gray Horse Walking
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
Agostino Aglio the elder An Imaginary Design for a Monument to Lord Nelson
Agostino Aglio the elder, 1777–1857
An Imaginary Design for a Monument to Lord Nelson
1805
Agostino Aglio the elder Scene on Brighton Beach
Attributed to Agostino Aglio the elder, 1777–1857
Scene on Brighton Beach
1847
Agostino Aglio the elder Two Fishing Boats at Brighton Beach
Attributed to Agostino Aglio the elder, 1777–1857
Two Fishing Boats at Brighton Beach
1819
Agostino Aglio the elder Landscape with a Distant Ridge
Attributed to Agostino Aglio the elder, 1777–1857
Landscape with a Distant Ridge
undated
Augustine Aglio the younger Flounder's Monument From the Race Course, Ludlow
Augustine Aglio the younger, 1816–1885
Flounder's Monument From the Race Course, Ludlow
undated
Rev. Alexander Colvin Ainslie Summer Shade (Gate)
Rev. Alexander Colvin Ainslie, 1830–1903
Summer Shade (Gate)
1867 or 1868
James Akerman View of the Cloisters, Salisbury Cathedral
Print made by James Akerman, active 1873–1908
View of the Cloisters, Salisbury Cathedral
1897
W. E. Albutt High Street, Oxford (small replica)
Print made by W. E. Albutt, active 1836–1863
High Street, Oxford (small replica)
1828
Cecil Charles Windsor Aldin 'The Hounds Began Suddenly to Howl in Chorus'
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
Cecil Charles Windsor Aldin Up and Over
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
Cecil Charles Windsor Aldin Full Cry
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
Cecil Charles Windsor Aldin `Ar Never Gets Off' - Hunting Scene
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
Cecil Charles Windsor Aldin `Hold Back, Sir!'
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
William Alexander Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
William Alexander The Traveling Barge
William Alexander, 1767–1816
The Traveling Barge
undated
William Alexander A Raree Show
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
William Alexander Wigmore Castle, Herefordshire
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
William Alexander A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
William Alexander The Dent de Lion, Margate, Kent
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
William Alexander A Mandarin in his Court Dress
William Alexander, 1767–1816
A Mandarin in his Court Dress
undated
William Alexander Street in Maidstone
William Alexander, 1767–1816
Street in Maidstone
undated
William Alexander A Chinese Beggar
William Alexander, 1767–1816
A Chinese Beggar
undated
William Alexander Frontispiece for Costume of China
William Alexander, 1767–1816
Frontispiece for Costume of China
ca. 1804
William Alexander Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
William Alexander View Near the City of Tientsin
William Alexander, 1767–1816
View Near the City of Tientsin
1800
William Alexander Portrait of a Chinese Man
William Alexander, 1767–1816
Portrait of a Chinese Man
undated
William Alexander Three Chinese Women Street Vendors
William Alexander, 1767–1816
Three Chinese Women Street Vendors
undated
William Alexander Mourning at a Tomb
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
William Alexander Group of English Children: Distant View of St. Paul's
William Alexander, 1767–1816
Group of English Children: Distant View of St. Paul's
undated
William Alexander A View of the Coast of China
William Alexander, 1767–1816
A View of the Coast of China
undated
William Alexander Fisherpeople on a Junk
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
William Alexander A Chinese Warrior
William Alexander, 1767–1816
A Chinese Warrior
undated
William Alexander Chinese Carrier with His Sail-Set Barrow
William Alexander, 1767–1816
Chinese Carrier with His Sail-Set Barrow
undated
William Alexander Portrait of a Soldier
William Alexander, 1767–1816
Portrait of a Soldier
undated
William Alexander Lady Macartney's Villa at Chiswick
William Alexander, 1767–1816
Lady Macartney's Villa at Chiswick
after 1808
William Alexander View in China: Figures with Pagoda and Mountain
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
William Alexander Natives of Cochin Playing Shuttlecock in China
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
William Alexander View in the Province of Kiang-nan, China, Taken from Nature
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
William Alexander One of the Embassy Yachts
William Alexander, 1767–1816
One of the Embassy Yachts
ca. 1794
George Alken Exercising a Racehorse
George Alken, 1794–active 1837
Exercising a Racehorse
undated
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
George Alken Full Cry. 1821: Riders Taking a Wooden Fence
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
George Alken Releasing a Bag-Fox
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
George Alken Foxhunting: Rider, Taking a Fence
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
George Alken Foxhunting: Drawing Covert
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Home
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827