Period: 19th century / Subject Terms: palace - YCBA Collections Search Search Results

1. Corso Sant'Anastasia, Verona

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Oil on millboard
Dimensions:: 25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Jami Masjid, Delhi

Creator:: Thomas Daniell, 1749–1840
Date:: 1811
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 54 inches (101.6 x 137.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A View of Theobald's Park, Hertfordshire

Creator:: John James Chalon, 1778–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 31 3/4 inches (62.2 x 80.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Great Exhibition of 1851

Creator:: James Duffield Harding, 1798–1863
Date:: 1851
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 21 inches (35.6 × 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Ariccia, near Rome, Italy

Creator:: John William Inchbold, 1830–1888
Date:: 1860
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 12 1/8 inches (20.3 x 30.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

7. Lambeth Palace from the West

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 24 inches (45.7 × 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Ruins of the Naurattan, Sasaram, Bihar

Creator:: Thomas Daniell, 1749–1840
Date:: 1811
Materials & Techniques:: Oil on canvas
Dimensions:: 38 9/16 x 53 5/8 inches (97.9 x 136.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Lambeth Palace

Creator:: Henry Pether, active 1828–1865
Date:: 1858
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 × 24 1/4 inches (46.4 × 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Belshazzar's Feast

Creator:: John Martin, 1789–1854
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 31 1/2 x 47 1/2 inches (80 x 120.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Piazzetta, Venice

Creator:: Edward Pritchett, active ca. 1828–1864
Date:: mid-19th century
Materials & Techniques:: Oil on board
Dimensions:: 5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 5/8 inches (13.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Entrance to King John's Palace, Eltham, Kent

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Dilkoosha, Lucknow in the Distance

Creator:: William Simpson, 1823–1899
Date:: 1866
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Versailles

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1837
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1825
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 14 5/8 inches (29.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Florence, from the Ponte alla Carria

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Enter Malvolio, Crossgartered...

Creator:: Sir John Gilbert, 1817–1897
Date:: 1863
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. View of Kensington Palace from across the Round Pond

Creator:: William Evans of Bristol, 1809–1858
Date:: 1832
Materials & Techniques:: Watercolor, white gouache, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 14 1/4 inches (21.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Long Library at Blenheim Palace

Creator:: attributed to David Cox, 1783–1859
Date:: mid-19th century
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 13 7/8 inches (26 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

Creator:: Robert Dighton, 1752–1814
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 10 1/8 inches (32.7 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Roma/ Palace of Caesars

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 17in. (26.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

31. Palace on a River

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Graphite with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, third state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hampton Court

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Queen Victoria

Creator:: after George Baxter, 1804–1867
Date:: ca. 1860
Materials & Techniques:: Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hotel de Sens, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1830
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Rouen - Entre de la Salle des Pas Perdus

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 10 9/16 x 7in. (26.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream laid paper
Dimensions:: Sheet: 8 1/8 x 5 11/16 inches (20.6 x 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna, B.A. 1910

45. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:: Sheet: 8 1/8 x 5 13/16 inches (20.6 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

46. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 1/2 x 6 5/8 inches (21.6 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, touched (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof, (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 9/16 inches (27.6 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Brighthelmstone, Sussex

Creator:: Print made by George Cooke, 1781–1834
Date:: 1825
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Engraving and etching (Second State) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Florence, from the Ponte Alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Versailles

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Graphite, watercolor, white gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; intermediate engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/8 × 19 5/8 inches (33.3 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Marche aux Fleurs and the Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

66. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

67. Chapel of the Archbishop's Palace, Croydon: View from the East End

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1827
Materials & Techniques:: Graphite and pen and red ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 7/8 × 10 1/2 inches (22.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Royal Palace, Madrid, 1832

Creator:: David Roberts, 1796–1864
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Bishop's Palace, Wells, Somerset: First Floor Plan of Octagon Tower

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 10 1/2 inches (37.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. "Antony and Cleopatra," Act III, Scene XI

Creator:: Georg Goldberg, 1830–1894
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Bishop's Palace, Wells, Somerset: Plan of the Great Hall

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black and violet ink with gray wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 1/8 inches (26.7 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Bishop's Palace, Wells, Somerset: Section of Turret

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black ink, and purple wash applied with brush and pen on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 x 9 inches (38.4 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Bishop's Palace, Wells, Somerset: Elevation of the Great Hall

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black, gray and violet ink with graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 x 9 inches (38.4 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and violet ink with purple wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 9 11/16 inches (37.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black and violet ink with graphite and purple ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 15 1/4 inches (25.1 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 inches (26.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Bishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black and violet ink with purple wash and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 16 5/16 inches (27.3 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Bishop's Palace, Wells, Somerset: Lower Floor Plan of Octagon Tower

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Pen and black ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 1/2 inches (37.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Bishop's Palace, Wells, Somerset: Elevations of the Great Hall

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black and violet ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 19 3/8 inches (39.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Bishop's Palace, Wells, Somerset: Plan through Battlements of Octagon Tower

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Graphite with pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 10 1/4 inches (37.9 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Death of the First Born

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Palace Doorway [North Italian Set: No. 22]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. The Palace, Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. Topkapi Palace, Istanbul

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 9/16 inches (26.4 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Unidentified Palace

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/2 inches (26.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

93. Paris from the Barriere de Passy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Scotland, Cheshire, &c.

Creator:: Maria Leycester, 1798–1870
Date:: 1819 to 1823
Materials & Techniques:: Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Emanuel

95. Westminster Abbey, Hospital &c.

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on thick, slightly textured, cream card
Dimensions:: Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

96. Doorhead of the Palazzo Contarini della Porta di Ferro

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

97. Seran Raja's Palace

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

98. Palace, Church, and Baptistery of the Lateran

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 6 1/2 × 15 7/8 inches (16.5 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

99. The Cathedral and Palace of the Popes, Avignon

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: 1836
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 x 10 inches (15.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Court of the Bargello, Florence

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: 1839
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 9 1/8in. (31.3 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

Subject Terms palace

Search Results

1. Corso Sant'Anastasia, Verona

2. Jami Masjid, Delhi

3. A View of Theobald's Park, Hertfordshire

4. The Great Exhibition of 1851

5. Kensington Gardens

6. Ariccia, near Rome, Italy

7. Lambeth Palace from the West

8. Ruins of the Naurattan, Sasaram, Bihar

9. Lambeth Palace

10. Belshazzar's Feast

11. The Piazzetta, Venice

12. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

13. The Entrance to King John's Palace, Eltham, Kent

14. The Dilkoosha, Lucknow in the Distance

15. Versailles

16. Brighton

17. Lake of Nemi

18. Florence, from the Ponte alla Carria

19. Lake of Nemi

20. Paris from the Barriere de Passy

21. Paris from the Barriere de Passy

22. Marche aux Fleurs and Pont-au-Change

23. Brighton

24. Florence, from the Ponte alla Carraia

25. Enter Malvolio, Crossgartered...

26. View of Kensington Palace from across the Round Pond

27. Long Library at Blenheim Palace

28. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

29. Roma/ Palace of Caesars

30. L'Adieu

31. Palace on a River

32. Marche aux Fleurs and Pont-au-Change

33. George Pritchard, Her Britannic Majesty's Consul

34. Hampton Court

35. Eaton Hall

36. Osborne House

37. Queen Victoria

38. Balmoral Castle

39. Lady Mortimer's Welsh Song

40. Hotel de Sens, Paris

41. Feste, as Sir Topas, addressing Malvolio

42. Pomare, Queen of Tahiti

43. Rouen - Entre de la Salle des Pas Perdus

44. Kensington Gardens, no. 1 (small plate)

45. Kensington Gardens, no. 1 (small plate)

46. Kensington Gardens, no. 1 (small plate)

47. Paris from the Barriere de Passy

48. Paris from the Barriere de Passy

49. Paris from the Barriere de Passy

50. Paris from the Barriere de Passy

51. Marche aux Fleurs and Pont-au-Change

52. Marche aux Fleurs and Pont-au-Change

53. Florence

54. Blenheim, Oxfordshire

55. Brighthelmstone, Sussex

56. Lake of Nemi

57. Florence, from the Ponte Alla Carraia

58. Blenheim, Oxfordshire

59. Blenheim, Oxfordshire

60. Blenheim, Oxfordshire

61. Blenheim, Oxfordshire

62. Destruction of Both Houses of Parliament

63. Versailles

64. Brighton

65. Marche aux Fleurs and the Pont-au-Change

66. Paris from the Barriere de Passy

67. Chapel of the Archbishop's Palace, Croydon: View from the East End

68. The Royal Palace, Madrid, 1832

69. Blenheim, Oxfordshire

70. Florence

71. Florence

72. Destruction of Both Houses of Parliament

73. Bishop's Palace, Wells, Somerset: First Floor Plan of Octagon Tower

74. "Antony and Cleopatra," Act III, Scene XI