Image Available: Available / Subject Terms: genre subject and women

Charles Heath, 1785–1848

Green Park

1825

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Francesco Bartolozzi, 1728–1815

The Daughters of Guercino

1772

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

Print made by Robert Sargent Austin, 1895–1973

Four Friends

1947

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: From the Dome

1901

Print made by Thomas Shotter Boys, 1803–1874

Quayside, Notre Dame in Distance

undated

Print made by William Day, 1764–1807

The High Street, Southampton

1828

Print made by Robert Barnes, 1840–1895

The Beehive

1854

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by John Doyle ('H.B.'), 1797–1868

"Concert Monstre" of "Musical Congress" Extraordinary!

1849

Print made by John Tinney, died 1761

A View of the Palace of Versailles towards ye Garden

Print made by John Maurer, active 1713–1761

A Perspective View of Covent Garden

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

1821

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827

Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Henry Thomas Alken, 1785–1851

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory

between 1822 and 1827

Possibly Samuel Howitt, 1756–1822

The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

undated

Charles Cooper Henderson, 1803–1877

A Hay Wagon Drawn by Four Horses

undated

Charles Cooper Henderson, 1803–1877

A French Diligence of 1830

undated

Samuel Howitt, 1756–1822

A Chaise and Pair, With Post-Boy

undated

Print made by George Cruikshank, 1792–1878

The First Step

undated

David Cox, 1783–1859

The Junction of the Severn and the Wye with Chepstow in the Distance

1830

Julius Caesar Ibbetson, 1759–1817

Forming the Civic Crown

undated

Julius Caesar Ibbetson, 1759–1817

Washing with Ashes

undated

Nicholas Pocock, 1740–1821

Welsh Peasant Women

undated

Peter DeWint, 1784–1849

The Cornfield

undated

Heinrich W. Schweickhardt, 1746–1797

Haymaking

undated

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by Sir Charles D'Oyly, 1781–1845

Nuts or Indian Jugglers

ca. 1830

Print made by Sir Charles D'Oyly, 1781–1845

A Punca Bearer

ca. 1830

Print made by Sir Charles D'Oyly, 1781–1845

Female Attendants

ca. 1830

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election

after 1832

Print made by Robert Sargent Austin, 1895–1973

Women at Prayer

1936

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by Robert Sargent Austin, 1895–1973

Salus Infirmorum

1922

Thomas Bowles III, ca. 1712–1767

The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Thomas Rowlandson, 1756–1827

Travelling in France

between 1785 and 1789

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Thomas Stothard, 1755–1834

August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

undated

Thomas Stothard, 1755–1834

October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

undated

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 10: Scenes with Wood-Cutters

1821

Henry Thomas Alken, 1785–1851

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

between 1818 and 1822

Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Henry Thomas Alken, 1785–1851

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

undated

Henry Thomas Alken, 1785–1851

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed

between 1822 and 1827

Samuel Howitt, 1756–1822

Going Home

undated

Julius Caesar Ibbetson A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Julius Caesar Ibbetson, 1759–1817

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

undated

Thomas Ross, active from 1753

Figures with a Wagon and Horses

undated

Thomas Ross, active from 1753

Riders, Figures and a Dog

undated

Thomas Rowlandson, 1756–1827

Evading the Toll

between 1805 and 1810

Print made by unknown artist

View of one Wing of Fountainebleau, taken from the Court of Fountains

Print made by Gabriel Charton, active 1810

Paysanne d'Ukraine; Juive

ca. 1810

Print made by Alfred Henry Forrester, 1804–1872

The Follies of Costume

undated

Richard Parkes Bonington, 1802–1828

The Use of Tears

1827

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by David Allan, 1744–1796

Peggy Advocates a Sweetheart

1808

Print made by David Allan, 1744–1796

Sir William Worthy and Patie

1808

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Day & Co., 1824–1913

The High Street, Southampton

1828

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Day & Co., 1824–1913

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Print made by Day & Co., 1824–1913

New Steine and Rock Gardens

1839

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Rowney & Forster, active 1820–1822

May Day

after 1821

Print made by Rowney & Forster, active 1820–1822

The Show

after 1821

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745