East Bergholt Church, Looking Out the South Archway of the Ruined Tower
1806
21
John Constable, 1776–1837
Two Studies of Dedham Church from the East
between 1806 and 1808
22
John Constable, 1776–1837
Stoke Poges Church
1834
23
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
24
John Constable, 1776–1837
Leatherhead Church, Near Epsom, from the Northeast
1806
25
Print made by William Hogarth, 1697–1764
The Sleeping Congregation
1736
26
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
27
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
28
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
29
Edward Lear, 1812–1888
Agios Prokopios, Corfu, 12 May 1862
1862
30
Edward Lear, 1812–1888
View Across a Meadow to a Church
ca. 1834
31
Edward Lear, 1812–1888
English Country Town
undated
32
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
33
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
34
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
35
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
36
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
37
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
38
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
39
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
40
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
41
Wenceslaus Hollar, 1607–1677
In Saint Paul's Church, One of the Choir Doors
between 1656 and 1658
42
J. Harrison, active 1821
Boston Church, Lincolnshire
1821
43
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
44
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
45
unknown artist
Landscape with Trees and Church Spire
undated
46
Ambrose Poynter, 1796–1886
Larchant near Fontainebleau
undated
47
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
48
Sir George Howland Beaumont seventh Baronet, 1753–1827
Two Figures by the Side of a Pond and a Church in a Hilly Landscape
undated
49
James Holland, 1799–1870
Interior of the Church of San Giovanni e Paolo, Venice
1835ated
50
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
51
Charles Gore, 1729–1807
Lorch on the Rhine
between 1790 and 1799
52
Charles Gore, 1729–1807
View of Dürrenstein
undated
53
Charles Gore, 1729–1807
Konigstein
1789
54
Thomas Hearne, 1744–1817
Edinburgh
ca. 1778
55
John Henderson, 1764–1843
Castle on the Sea Coast
undated
56
Cecil Eldred Hughes, 1875–
Santa Maria della Salute
1929
57
Claude de Jongh, ca. 1600–1663
A Tudor Manor House and Church
1625
58
Francis Place, 1647–1728
City of Bath
1678
59
Henry Morton, ca. 1807–1825
Ore Church and House
undated
60
unknown artist
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
undated
61
unknown artist
Shanklin Church/ Isle of Wight
undated
62
John Baverstock Knight, 1785–1859
Tyn Dhu Mill, North Wales
undated
63
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
64
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
1838
65
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
66
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
67
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
68
Amelia Long, 1762–1837
Old Church and House
undated
69
Alexander Monro, 1802–1844
Knaresborough
undated
70
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
71
Attributed to William Pearson, 1772–1849
Landscape with a Church among Trees
undated
72
William Pearson, 1772–1849
Unidentified Landscape: Trees with Church
undated
73
unknown artist
Church Interior
undated
74
unknown artist
Church Interior
undated
75
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
76
unknown artist
Croydon Church
undated
77
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
78
James Duffield Harding, 1798–1863
Minster
1861
79
Walter Greaves, 1846–1930
Old Chelsea Church
undated
80
Thomas Hearne, 1744–1817
Landscape
undated
81
Thomas Hearne, 1744–1817
Brackenborough Church, Wiltshire
undated
82
Imitator of Thomas Girtin, 1775–1802
Icklesham Church
undated
83
William Inwood, ca. 1771–1843
The Interior of St. Pancras Church
undated
84
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
85
John Frederick Lewis, 1804–1876
Roman Pilgrims
1854
86
John Linnell, 1792–1882
Widecombe Village
undated
87
Thomas Hearne, 1744–1817
Thaxted Church, Essex
ca. 1800
88
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
89
Samuel Jackson, 1794–1869
Two Riders Fording a River
undated
90
John Linnell, 1792–1882
Netley Abbey
1810
91
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
92
William Henry Hunt, 1790–1864
Bushey Church from the South West
ca. 1820
93
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
94
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
95
William Henry Hunt, 1790–1864
The Essex Chantry, Watford Church
ca. 1820
96
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
97
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
98
Print made by Robert Brandard, 1805–1862
Beaugency
1833
99
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
100
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V