On-site Access: Accessible by appointment in the Study Room / Associated Places: United Kingdom / Work Type: intaglio print

1. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

5. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

6. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Bath: The North Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. South View of Bath

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Bath: The Circus

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The South-West View of Battel-Abbey, in the County of Sussex

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 17 13/16 inches (28.4 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Belvoir Castle, Rutland

Creator:: M. J. Starling, active 1830
Date:: 1835
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof, early
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Llanthony, Monmouthshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Lyme Regis

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/4 inches (41.9 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; second published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 × 11 7/8 inches (25.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Althorp Castle, Northamptonshire

Creator:: James Redway, active 1827–1838
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Cottage in a Cornfield

Creator:: Attributed to David Lucas, 1802–1881
Date:: 1844
Materials & Techniques:: Etching and roulette on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 7 inches (20.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Bath: The Crescent

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 14 7/8 inches (28.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Bath: Queen Square

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The City of Bath taken from the London Road

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Bath: The New Bridge

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Weymouth, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving. on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching; open etched state, touched proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 5/8 inches (21.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and line engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Lyme Regis

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and line engraving, first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving, engraver's Proof on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Plymouth, with Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, Engraver's proof (touched) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. East & West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Margate

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ramsgate

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ramsgate

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Portsmouth, Hampshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Open etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Line engraving, unfinished on thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/16 inches (21.6 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Associated Places United Kingdom

Work Type intaglio print

Search Results

1. The Ruins of Netley Abbey

2. The Lonely Tower

3. The Lonely Tower

4. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

5. The First Stage of Cruelty: Children Torturing Animals

6. Dumblain Abbey, Scotland

7. Dumblain Abbey, Scotland

8. Bath: The North Parade

9. South View of Bath

10. Bath: The South Parade

11. Bath: The Circus

12. Maxstoke Priory

13. The South-West View of Battel-Abbey, in the County of Sussex

14. Belvoir Castle, Rutland

15. Bedford, Bedfordshire

16. Warwick Castle, Warwickshire

17. Blenheim, Oxfordshire

18. Blenheim, Oxfordshire

19. Carew Castle, Pembroke

20. Arundel Castle and Town, Sussex

21. Arundel Castle and Town, Sussex

22. Llanthony, Monmouthshire

23. Lyme Regis, Norfolk

24. Lyme Regis

25. Crickieth Castle, North Wales

26. Aldborough

27. Aldborough

28. Orfordness

29. Richmond Hill

30. The Tower of London

31. Saltash, Cornwall

32. Saltash, Cornwall

33. Saltash, Cornwall

34. Saltash, Cornwall

35. Saltash, Cornwall

36. Barnard Castle, Durham

37. Barnard Castle, Durham

38. Barnard Castle, Durham

39. Colchester, Essex

40. Colchester, Essex

41. Dartmouth Cove

42. Althorp Castle, Northamptonshire

43. Cottage in a Cornfield

44. Bath: The Crescent

45. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

46. Bath: Queen Square

47. The City of Bath taken from the London Road

48. Bath: The New Bridge

49. Weymouth, Dorset

50. Lulworth Cove, Dorset

51. Lulworth Cove, Dorset

52. Dartmouth, Devon

53. Teignmouth, Devon

54. Lyme Regis

55. Falmouth, Cornwall

56. Falmouth, Cornwall

57. Plymouth, with Mount Batten

58. Plymouth, from Mount Batten

59. Plymouth from Mount Batten

60. Pendennis Castle and Entrance of Falmouth Harbour

61. Pendennis Castle, and Entrance of Falmouth Harbour

62. East & West Looe, Cornwall

63. Ilfracombe, North Devon

64. Pendennis Castle and Entrance of Falmouth Harbour

65. Bridport, Dorsetshire

66. Watchet, Somersetshire

67. Torbay from Brixham

68. Torbay from Brixham

69. Rye, Sussex

70. Margate

71. Clovelly Bay and Lundy Island

72. Clovelly Bay and Lundy Island

73. Rye, Sussex