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Materials & Techniques etching (printing process)

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Joseph Mallord William Turner Original Sketch of a Picture for W. Leader, Esq.
Etched by Joseph Mallord William Turner, 1775–1851
Original Sketch of a Picture for W. Leader, Esq
1809
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Flint Castle, Vessels Unloading
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
Isaac Fuller Putto Holding a Torch
Print made by Isaac Fuller, 1606/20–1672
Putto Holding a Torch
undated
Lydia Bates Little Missenden Church from the Southeast
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
Lydia Bates Coastal Scene
Print made by Lydia Bates, active 1784
Coastal Scene
1784
David Lucas Cottage in a Cornfield
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
M. Coote Dudley Priory in Worcestershire, Plate 1
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
James Gillray Presages of the Millenium
James Gillray, 1756–1815
Presages of the Millenium
1795
William Angus Witley Court in Worcestershire, the Seat of Lord Foley
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
Charles Golding Constable Harbour Scene
Print made by Charles Golding Constable, 1821–1879
Harbour Scene
undated
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
John Boydell Evening
Print made by John Boydell, 1720–1804
Evening
1755
John Boydell Greenland Fishery
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
John Boydell Morning
Print made by John Boydell, 1720–1804
Morning
1753
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Newstead Abbey
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
Bradshaw & Blacklock Balmoral Castle
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
David Lucas Salisbury Cathedral
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
Frederick Landseer Maur Griggs Sellenger
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
Robert Spence George Fox Comes to London After the Great Fire
Print made by Robert Spence, 1871–1964
George Fox Comes to London After the Great Fire
between 1890 and 1911
Jacques Bouillard Franciscus Bartolozzi
Print made by Jacques Bouillard, 1744–1806
Franciscus Bartolozzi
undated
George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
William Sharp Niobe
Print made by William Sharp, 1749–1824
Niobe
1792
Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
James Caldwall Ham Court, the Seat of John Martin, Esq.
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
Francesco Bartolozzi St. Cecilia
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741