The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
9
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
10
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
11
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
12
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
13
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
14
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
15
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
16
Print made by Robert Wallis, 1794–1878
Saumur
1830
17
Print made by Robert Wallis, 1794–1878
Havre
1833
18
Print made by Robert Wallis, 1794–1878
Havre
1832
19
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
20
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
21
Print made by David Lucas, 1802–1881
Flatford Mill
1844
22
Print made by David Lucas, 1802–1881
Summer Morning
1831
23
Print made by David Lucas, 1802–1881
Noon
1830
24
Print made by David Lucas, 1802–1881
A Mill
1830
25
Print made by David Lucas, 1802–1881
Summer Evening
1831
26
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
27
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
28
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
29
Print made by James Heath, 1757–1834
Inverary
1805
30
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
31
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
32
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
33
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
34
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
35
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
36
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
37
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1812
38
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorset
1813
39
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
40
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814
41
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
42
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
43
Print made by William Bernard Cooke, 1778–1855
Weymouth
1813
44
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
45
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
46
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814 to 1826
47
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
48
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
49
Print made by William Bernard Cooke, 1778–1855
Weymouth
1814-1826
50
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
51
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814 to 1826
52
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
53
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
54
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
55
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
56
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
57
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
58
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
59
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
60
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
61
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
62
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
63
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
64
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
65
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
66
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
67
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
68
William Tombleson, ca.1795–1835
Herstmonceux Castle, Sussex
undated
69
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
70
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
71
Print made by Henry Dawe, 1790–1848
River Meuse
undated
72
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
73
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
74
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
75
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
76
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
77
John Hill, 1770–1850
Pass-Room Bridewell
1808
78
John Hill, 1770–1850
Dining Hall, Asylum
1808
79
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
80
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
81
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
82
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
83
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
84
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
85
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
86
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
87
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
88
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
89
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
90
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
91
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
92
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
93
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
94
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
95
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629