The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
9
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
10
William Tombleson, ca.1795–1835
Herstmonceux Castle, Sussex
undated
11
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
12
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
13
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
14
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
15
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
16
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
17
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
18
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
19
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
20
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
21
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
22
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
23
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
24
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
25
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
26
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
27
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
28
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
29
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
30
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
31
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
32
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
33
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
34
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
35
Print made by David Lucas, 1802–1881
A Mill
1830
36
Print made by David Lucas, 1802–1881
Summer Morning
1831
37
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
38
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
39
Print made by David Lucas, 1802–1881
Flatford Mill
1844
40
Print made by David Lucas, 1802–1881
Noon
1830
41
Print made by David Lucas, 1802–1881
Summer Evening
1831
42
Print made by Robert Wallis, 1794–1878
William Tell's Chapel (vignette)
1830
43
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1830
44
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
45
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
46
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
47
Print made by Robert Wallis, 1794–1878
Havre
1832
48
Print made by Robert Wallis, 1794–1878
Havre
1833
49
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
50
Print made by James C. Allen, active 1821–1831
The Custom House
1827
51
Print made by James C. Allen, active 1821–1831
The Custom House
1827
52
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
53
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
54
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
55
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
56
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828-1837
57
Print made by Robert Wallis, 1794–1878
Saumur
1830
58
Print made by Robert Wallis, 1794–1878
Saumur
1830
59
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
60
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
61
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
62
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
63
Print made by W. Floyd, active 1845
Fish Market, Rotterdam
1834-1856
64
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and the Pont-au-Change
1835
65
Print made by S. Fisher, active 1831–1844
Bridge of St. Cloud and Sevres
1835
66
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
67
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
68
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
69
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
70
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
71
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
72
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1815
73
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
74
Print made by John Landseer, 1769–1852
Casade of Terni
1819
75
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
76
Print made by Robert Wallis, 1794–1878
Havre
1833
77
Print made by Robert Wallis, 1794–1878
Havre
1833
78
Joseph Gray, 1890–1962
North Sea
undated
79
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
80
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
81
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
82
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
83
Sir Francis Seymour Haden, 1818–1910
Egham
1859
84
Print made by Hester Gwynne-Evans Frood, 1882–1971