The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
2
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
3
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
4
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
5
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
6
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
7
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
8
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
9
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1814 to 1826
10
Print made by William Bernard Cooke, 1778–1855
Margate
1823
11
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
12
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1825
13
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
14
Print made by George Cooke, 1781–1834
Brighton
1825
15
Print made by William Bernard Cooke, 1778–1855
Margate
1823
16
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
17
Print made by John Horsburgh, 1791–1869
Whitstable, Kent
1814 to 1826
18
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
19
Print made by William Bernard Cooke, 1778–1855
Margate
1822
20
Print made by William Bernard Cooke, 1778–1855
Margate
1822
21
Print made by William Bernard Cooke, 1778–1855
Margate
1822
22
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
23
Print made by William Bernard Cooke, 1778–1855
Plymouth, with Mount Batten
1817
24
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
25
Print made by George Hollis, 1792–1842
Rome; Bridge and Castle of St. Angelo on the Tyber
1818
26
Print made by Edward Francis Finden, 1791–1857
Malta
1832-1834
27
Print made by Robert Brandard, 1805–1862
Blois
1833
28
Print made by Robert Brandard, 1805–1862
Beaugency
1833
29
Print made by Robert Brandard, 1805–1862
Tours
1833
30
Print made by William Miller, 1796–1882
Rouen, looking down the river
1834
31
Print made by John Cousen, 1804–1880
Honfleur
1834
32
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
33
Print made by James Charles Armytage, 1802–1897
Troyes
1835
34
Print made by W. Floyd, active 1845
Fish Market, Rotterdam
1834-1856
35
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
36
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
37
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828-1837
38
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
39
Print made by Robert Wallis, 1794–1878
Saumur
1830
40
Print made by Robert Wallis, 1794–1878
Saumur
1830
41
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
42
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
43
Print made by Robert Wallis, 1794–1878
Havre
1833
44
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
45
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
46
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
47
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
48
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
49
Print made by Robert Wallis, 1794–1878
Havre
1832
50
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
51
Print made by Robert Wallis, 1794–1878
Tours - looking backwards
1833
52
Print made by James T. Willmore, 1800–1863
Saumur
1833
53
Print made by William Radclyffe, 1780–1855
Mantes
1835
54
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
55
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
56
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
57
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
58
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and Pont-au-Change
1835
59
Print made by William Miller, 1796–1882
Melun
1835
60
Print made by George Hollis, 1792–1842
Rome, Bridge and Castle of St. Angelo, on the Tyber
1818
61
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
62
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
63
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carria
1818-1820
64
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
65
Print made by James Baylis Allen, 1803–1876
Havre
1834
66
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
67
Print made by William Miller, 1796–1882
Rouen, looking down the River
1834
68
Print made by Robert Brandard, 1805–1862
Tours
1833
69
Print made by John Cousen, 1804–1880
Honfleur
1834
70
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
71
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
72
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
73
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and Pont-au-Change
1835
74
Print made by W. Floyd, active 1845
Fish Market, Rotterdam
1834-1836
75
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
76
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
77
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
78
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
79
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
80
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
81
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
82
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
83
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1826-1837
84
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
85
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
86
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
87
Joseph Josiah Dodd, 1809–1894
View of Tonbridge During the Late Election
after 1832
88
Print made by Robert Brandard, 1805–1862
Blois
1833
89
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
90
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
91
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
92
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
93
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
94
unknown artist
The Royal Palace of St. James's next the Park
95
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
96
unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
97
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
98
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London