Subject Terms: windows and women - YCBA Collections Search Search Results

1. The Lady Betty Germain Bedroom at Knole, Kent

Creator:: James Holland, 1799–1870
Date:: 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 37 1/2 inches (68.6 x 95.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Interior of Westminster Abbey

Creator:: unknown artist
Date:: ca. 1714
Materials & Techniques:: Oil on canvas
Dimensions:: 48 1/8 x 38 1/2 inches (122.2 x 97.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Christening of the Heir

Creator:: William Redmore Bigg, 1755–1828
Date:: ca. 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. London from Greenwich Hill

Creator:: Henry Dawson, 1811–1878
Date:: 1869 to 1870
Materials & Techniques:: Oil on canvas
Dimensions:: 72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. North Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A London Church

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1924
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

7. Olivia Returns to Her Family

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Creator:: Francis Wheatley, 1747–1801
Date:: 1795
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Loading Sacks into a Cart

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Undergraduate's Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Le Château de Blois

Creator:: attributed to Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Globe Inn

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured cream wove paper
Dimensions:: Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Lismore Castle, Ireland

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Winchester Tower, Windsor Castle

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Roman Pilgrims

Creator:: John Frederick Lewis, 1804–1876
Date:: 1854
Materials & Techniques:: Watercolor, gouache, gum and graphite on thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 21 7/8 × 30 1/8 inches (55.6 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lyons from Quayside on the Rhone

Creator:: James Duffield Harding, 1798–1863
Date:: ca. 1824
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Grand Canal, Venice

Creator:: James Duffield Harding, 1798–1863
Date:: 1835
Materials & Techniques:: Watercolor, with pen in brown and blue ink, gouache and arabic gum over graphite on moderately thick, moderately textured, cream wove paper, stretched over solid wooden frame
Dimensions:: Sheet: 30 x 41 3/16 inches (76.2 x 104.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Guildhall, Exeter

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Cathedral, Palma

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1928
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. La rue des Prouvaires et l'église saint Eustache, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Corner of the Palais de Justice, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Newstead Abbey, The Seat of the Late Lord Byron

Creator:: Louis Haghe, 1806–1885
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Comforts of Bath: The Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Entrance to Lincoln Cathedral

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1837
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Glaud and Peggy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

38. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

39. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

40. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Set of Needle-Box Prints

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Façade de l'Eglise de Brou

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Pilgrims Paying Their Devotion in St. Peters at Rome

Creator:: Print made by David Allan, 1744–1796
Date:: between 1773 and 1775
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Ratisbonne

Creator:: Print made by François-Séraphin Delpech, 1778–1825
Date:: between 1818 and 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

46. A Spanish Good Friday

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1925
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Stockholm

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1923
Materials & Techniques:: Drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 16 3/4 inches (29.9 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. St. Paul's from Ludgate Hill

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

49. Ponte Vecchio [North Italian Set: No. 21]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 8 1/4 inches (24.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

50. A Venetian Fountain [North Italian Set: No. 7]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1894
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. Porta del Molo, Genoa [North Italian Set: No. 23]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 8 inches (23.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. The Palace of the Stuarts

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. Dinant [Belgian Set: No. 9]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. Notre Dame, Dinant [Belgian Set: No. 8]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

55. Beauvais

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. The Mosque Doorway, Cairo

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

57. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Quay

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1916
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Palace, Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

60. Belgian Set: Damme [No. 5]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. The Belfry of Bruges [Belgian Set: No. 6]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching with drypoint
Dimensions:: Sheet: 16 3/4 × 7 7/8 inches (42.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. Bergues - La Tour du Marché

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Caen - Eglise Saint-Sauveur

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

65. Messrs. Morgan & Sanders, Catherine St., Strand

Creator:: Print made by unknown artist
Date:: 1809
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Calais

Creator:: A. J. Finberg, 1866–1939
Date:: 1924
Materials & Techniques:: Etching and drypoint on moderately thick, textured, blue laid paper
Dimensions:: Sheet: 10 3/16 x 12 1/4 inches (25.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Beehive

Creator:: Print made by Robert Barnes, 1840–1895
Date:: 1854
Materials & Techniques:: Wood-engraving and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Twelfth Night, Act V, Scene I: The Street

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Quay

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1916
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. Yvon

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1911
Materials & Techniques:: Etching with drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

74. Early Spring, Gloucestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

75. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

78. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

79. The Preacher

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800 to 1810
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. A Village Scene with Peasants Resting

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red and black ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Île de la Cité, Paris

Creator:: James McNeill Whistler, 1834–1903
Date:: 1859
Materials & Techniques:: Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

84. The Comforts of Bath: The Breakfast

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Butterfly Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1806
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Conversion of Elizabeth Trelawney

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1909
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

88. The Surprise

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Quakers' Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Elegant Company Dancing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/8 inches (11.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Pottery Shop

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 13/16 x 6 1/4 inches (9.7 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Bodmin Cornwall: French Prisoners on Parole

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Lichfield Cathedral, Staffordshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1794
Materials & Techniques:: Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:: Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Lady Betty Germain Bedroom at Knole, Kent

2. The Interior of Westminster Abbey

3. Christening of the Heir

4. London from Greenwich Hill

5. North Country Mails at the Peacock, Islington

6. A London Church

7. Olivia Returns to Her Family

8. High Street at Bushey, Hertfordshire

9. Country Scene: Figures by a Cottage Door and Cattle in a Stream

10. Loading Sacks into a Cart

11. The Undergraduate's Room

12. Le Château de Blois

13. The Globe Inn

14. Lismore Castle, Ireland

15. A View of Core's Library, Dawlish, Devon

16. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

17. Winchester Tower, Windsor Castle

18. Roman Pilgrims

19. Lyons from Quayside on the Rhone

20. The Grand Canal, Venice

21. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

22. The Guildhall, Exeter

23. St. Martin's Church

24. The South Sea House

25. Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall

26. The Cathedral, Palma

27. La rue des Prouvaires et l'église saint Eustache, Paris

28. Château des Comtes de Flandre, Ghent

29. Corner of the Palais de Justice, Paris

30. Thornbury Castle, Gloucestershire

31. Newstead Abbey, The Seat of the Late Lord Byron

32. Greenwich

33. A Ball at Scarborough

34. Comforts of Bath: The Bath

35. Entrance to Lincoln Cathedral

36. The Canterbury-Dover Coach Passing Vanbrugh Castle

37. Glaud and Peggy

38. Saint Stephen's, Walbrook

39. 'The Gamester,' Act V, Scene IV

40. Eaton Hall

41. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

42. Set of Needle-Box Prints

43. Façade de l'Eglise de Brou

44. Pilgrims Paying Their Devotion in St. Peters at Rome

45. Ratisbonne

46. A Spanish Good Friday

47. Stockholm

48. St. Paul's from Ludgate Hill

49. Ponte Vecchio [North Italian Set: No. 21]

50. A Venetian Fountain [North Italian Set: No. 7]

51. Porta del Molo, Genoa [North Italian Set: No. 23]

52. The Palace of the Stuarts

53. Dinant [Belgian Set: No. 9]

54. Notre Dame, Dinant [Belgian Set: No. 8]

55. Beauvais

56. The Mosque Doorway, Cairo

57. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

58. The Quay

59. The Palace, Stirling Castle

60. Belgian Set: Damme [No. 5]

61. The Belfry of Bruges [Belgian Set: No. 6]

62. Bergues - La Tour du Marché

63. Caen - Eglise Saint-Sauveur

64. L'Eglise de St. Gervais et St. Protais

65. Messrs. Morgan & Sanders, Catherine St., Strand

66. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

67. The High Street, Southampton

68. Calais

69. The Beehive

70. Twelfth Night, Act V, Scene I: The Street

71. The North Country Mails at The Peacock Inn, Islington

72. The Quay

73. Yvon

74. Early Spring, Gloucestershire