Period: 19th century / Subject Terms: ruins / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

Etched by Joseph Mallord William Turner, 1775–1851

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851

Holy Island Cathedral

1808

Edward Lear, 1812–1888

Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

1841

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Thomas Girtin, 1775–1802

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Print made by John Sell Cotman, 1782–1842

Brandsby Tower, Yorkshire

ca. 1838

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by John Greig, active 1803–1853

Keep of Dudley Castle

1810

unknown artist

Margain Abbey, Glamorganshire

1805

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

James Charles Armytage, 1802–1897

Jumièges

1834

Print made by John Sell Cotman, 1782–1842

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

John Doyle ('H.B.') A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Print made by John Doyle ('H.B.'), 1797–1868

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

1847

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828

Tour aux Archives a Vernon

1824

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Albanian Scenes

after 1850

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Porte a Stirling

1826

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Tour Près de Lanark

1826

Print made by Edward Calvert, 1799–1883

The Bride

1828

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Frederick Goulding, 1842–1909

Ruins of the Old Bridge, Vernon

1879

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Johnson, 1803–1834

Music Has Charms

undated

Henry Griffiths, 1835–1849

Inverlochy Castle, Invernesshire

1836

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by Richard Earlom, 1743–1822

Landscape with Ruins

1817

Richard Parkes Bonington, 1802–1828

Lillebonne - Château d'Harcourt

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

Robert Dixon, 1780–1815

Remains of the Priory, Beeston Regis

1810

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Richard Parkes Bonington, 1802–1828

Lillebonne - Château d'Harcourt

1824

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by David Lucas, 1802–1881

Castle Acre Priory

1830 to 1831

Print made by John Sell Cotman, 1782–1842

Lakenham, near Norwich

ca. 1808

Robert Dixon, 1780–1815

The Black Tower Norwich

between 1810 and 1811

Print made by James Clark, 19th century

Cowdray Ruins

1824

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

John Greig, active 1803–1853

Dudley Castle from the Court

1810

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by James C. Allen, active 1821–1831

Aldborough

1819-1826

Print made by Richard Earlom, 1743–1822

A Study, with Ancient Ruins

1810

Christian Friedrich Duttenhoffer, 1778–1846

Solitude

1802

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832

Frederick James Havell, 1801–1840

Lincoln from the Castle

ca. 1836

Print made by Charles Baugniet, 1814–1886

David Roberts

1844

Print made by William Forrest, 1802–1889

Smailholm Tower

1836

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

Print made by Frederick Mackenzie, 1788–1854

View of St Stephen's Chapel as it appeared after the Fire in October 1834

1843

Print made by Robert William Billings, 1813–1874

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Le Keux, 1783–1846

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by unknown artist

Flower-Garden Porch at Farnley (Vignette)

1814

Print made by James H. Kernot, active early 19th century

Jumma Musjid, Mandoo

1834

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1828

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiae, Apollo and the Sibyl

1873

Bradshaw & Blacklock, active ca.1850

Scottish Scenes. Albanian Scenes

after 1850

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Period 19th century

Subject Terms ruins

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