Design for a Chapel at Enfield: Longitudinal Section
undated
202
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
203
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Transverse Sections of the East and West End
undated
204
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
205
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
206
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
207
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
208
Thomas Bowles, ca. 1712–died 1753
A View of Somerset House with St. Mary's Church in the Strand London
209
Thomas Bowles, ca. 1712–died 1753
The Church of St. Mary Le Bow in Cheapside London
210
Rev. William Warren Porter, 1776–1804
Christ Church Cathedral, Oxford
undated
211
Rev. William Warren Porter, 1776–1804
Pangbourne, Berkshire
undated
212
Rev. William Warren Porter, 1776–1804
Saint John's, Oxford
undated
213
Print made by Sir Francis Seymour Haden, 1818–1910
Twickenham Church
1865
214
Print made by Charles Golding Constable, 1821–1879
Harbour Scene with Town
undated
215
Henry Edridge, 1769–1821
Shere Church, Surrey
1805
216
John Faulkner, active 1848–1890
Near Long Buckby
undated
217
Print made by Charles Golding Constable, 1821–1879
Harbour Scene with Town
undated
218
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
219
Print made by Robert Sargent Austin, 1895–1973
Before Mass
1927
220
Print made by Richard Parkes Bonington, 1802–1828
Façade de l'Eglise de Brou
1825
221
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
222
Print made by Miriam Garratt
Coventry Cathedral Service, Good Friday, 1943
after 1943
223
Sir Robert Smirke the younger, 1781–1867
Nuns Praying at Altar of a Church
1802-1804
224
Print made by Rudolph Stanley-Brown, 1889–1944
Woman Praying in Church
undated
225
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
226
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
227
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
228
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
229
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
230
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
231
Print made by Richard Parkes Bonington, 1802–1828
La Prière
1826
232
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
233
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
234
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
235
Print made by James Caldwall, 1739–1819
A French Physician with His Retinue Going to Visit His Patients
1771
236
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
237
Print made by John Browne, 1741–1801
Evening
ca. 1797
238
Sir William Nicholson, 1872–1949
Canterbury Gate, Christ Church, Oxford
1903
239
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
240
Print made by unknown artist
Part of Westminster
ca. 1850
241
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
242
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
243
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
244
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
245
Print made by unknown artist
Part of the Front of the Vestibule
1843
246
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
247
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
248
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
249
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
250
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
251
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
252
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
253
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
254
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
255
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
256
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
257
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
258
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
259
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
260
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
261
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
262
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
263
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
264
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
265
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
266
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
267
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
268
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
269
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
270
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
271
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
272
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
273
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
274
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
275
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
276
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
277
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
278
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
279
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
280
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
281
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
282
Philip Roberts, active 1960
Country Markets
1960
283
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
284
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
285
James Moore, 1762–1799
Salisbury Cathedral
1791
286
James Moore, 1762–1799
The Old Church Portland
1791
287
James Moore, 1762–1799
Wimborne Minster, Dorset, Englad
1791
288
unknown artist
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
289
Print made by William Francis Starling, active first half 19th century
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
290
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
291
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
292
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
293
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
294
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
295
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
296
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
297
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
298
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
299
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
300
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel