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Materials & Techniques etching (printing process)

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Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
William Bernard Cooke Dartmouth, Devon
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
William Bernard Cooke Dartmouth, Devon
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
William Bernard Cooke East & West Looe, Cornwall
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
William Bernard Cooke East & West Looe, Cornwall
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
Edward Goodall Rye, Sussex
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
Edward Goodall Rye, Sussex
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
Edward Goodall Boscastle, Cornwall
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
Edward Goodall Boscastle, Cornwall
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
Lydia Bates Landscape with Classical Ruins
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
M. J. Starling Belvoir Castle, Rutland
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
Alfred-Louis Brunet-Debaines Hardwicke Hall
Print made by Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Hardwicke Hall
undated
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The New Bridge
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Greenwich Hospital
Print made by Bradshaw & Blacklock, active ca.1850
Greenwich Hospital
after 1850
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Thomas Jeavons Arundel Castle and Town, Sussex
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
Sir Frank William Brangwyn The Bridge, Cahors
Print made by Sir Frank William Brangwyn, 1867–1956
The Bridge, Cahors
1911
Matthew Dubourg Snipe Shooting
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
Arthur John Reginald Trevor Briscoe Brightlingsea Hard, Landing Oysters
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Brightlingsea Hard, Landing Oysters
1929
Robert Bryden Auld Brig, Ayr
Print made by Robert Bryden, 1865–1939
Auld Brig, Ayr
1904
George Cruikshank Pisces - Too Deep!
Print made by George Cruikshank, 1792–1878
Pisces - Too Deep!
undated
Sir Francis Seymour Haden Twickenham Church
Print made by Sir Francis Seymour Haden, 1818–1910
Twickenham Church
1865
Thomas Girtin View of the Tuileries and Bridge taken from the Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
Sir Frank Short Bonneville, Savoy
Print made by Sir Frank Short, 1857–1945
Bonneville, Savoy
1887
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
Bradshaw & Blacklock Newstead Abbey
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
Bradshaw & Blacklock Osborne House
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
Bradshaw & Blacklock Balmoral Castle
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
Vincent Robert Alfred Brooks Ten Needle-Box Prints
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
David Lucas Salisbury Cathedral
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
Samuel Rawle Brignall Church
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Sir Francis Seymour Haden Cowdray
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Stirling
Print made by William Miller, 1796–1882
Stirling
1836
William Miller Inverness
Print made by William Miller, 1796–1882
Inverness
1836
William Miller Fort Augustus (Vignette)
Print made by William Miller, 1796–1882
Fort Augustus (Vignette)
1836
William Miller New Abbey, near Dumfries (Vignette Title)
Print made by William Miller, 1796–1882
New Abbey, near Dumfries (Vignette Title)
1834
Sir Frank William Brangwyn Bridge at Alcantara
Print made by Sir Frank William Brangwyn, 1867–1956
Bridge at Alcantara
1917
William Miller Brienne
Print made by William Miller, 1796–1882
Brienne
1834
William Miller St. Cloud
Print made by William Miller, 1796–1882
St. Cloud
1835
William Miller The Rhymer's Glen (Vignette)
Print made by William Miller, 1796–1882
The Rhymer's Glen (Vignette)
1835
William Miller Killiecrankie
Print made by William Miller, 1796–1882
Killiecrankie
1836
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
John Fairburn Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
Print made by John Fairburn, active 19th century
Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
1796
James Caldwall Ham Court, the Seat of John Martin, Esq.
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
Thomas Higham Red-Scar, the Residence of William Cross, Esquire
Thomas Higham, 1796–1844
Red-Scar, the Residence of William Cross, Esquire
1832
Charles Heath The Penitentiary and Distant View of Westminster Bridge
Charles Heath, 1785–1848
The Penitentiary and Distant View of Westminster Bridge
1825