On-site Access: Accessible by appointment in the Study Room / Work Type: intaglio print / Subject Terms: men

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: From the Dome

1901

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: Entrance from the Piazza

1901

Print made by Thomas Shotter Boys, 1803–1874

Quayside, Notre Dame in Distance

undated

Print made by Henry Wilfrid Deville, 1871–?

Singer Building

undated

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

A. J. Finberg, 1866–1939

Calais

1924

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Alexander Bannerman, ca. 1730–1780

Talman, Sir Ralph Cole and Marco Ricci

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Godfrey Kneller and John Zackary Kneller

undated

Print made by Thomas Chambars, ca. 1724–1789

Horatio Gentileschi and Edward Mascall

undated

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

The First Step

undated

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878

The Capture of Coldough and Harvey

undated

Print made by John Robert Cozens, 1752–1797

Ariccia

between 1783 and 1789

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

James Gillray, 1756–1815

A Morning Ride

1804

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Pool

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Pool

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Print made by Pierre Charles Canot, ca. 1710–1777

Morning

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Noon

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Evening

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by Pieter van Bleeck, 1700–1764

Griffin and Johnson

1748

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Sir David Young Cameron, 1865–1945

Dunvalanree

1910

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

Print made by George Cruikshank, 1792–1878

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878

Poor Little Rose

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Alexander Bannerman, ca. 1730–1780

Louis Laguerre, Bernard Lens and Charles Jervas

Between 1750 and 1775

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Alexander Bannerman, ca. 1730–1780

Talman, Sir Ralph Cole, and Marco Ricci

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Charles Grignion, 1717–1810

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Print made by Alexander Bannerman, ca. 1730–1780

Sevonyans and Herbert Tuer

1762

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Stone Sr. and Nicholas Stone Jr

undated

Print made by David Allan, 1744–1796

Sir William Worthy and Patie

1808

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

Alexander Bannerman, ca. 1730–1780

Boit. Baker

undated

Alexander Bannerman, ca. 1730–1780

Boit. Baker

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by Thomas Dale, active ca. 1921

Interior of the Chapel of the Holy Trinity

1825

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by James McBey, 1883–1959

A Flood in the Fens

1922

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by Robert Havell, 1769–1832

View of the Front of the New Public Buildings, Guildford

1819

Print made by George Baxter, 1804–1867

The Conversion of the Proconsul

after 1855

after George Baxter, 1804–1867

The Death of Ananias

after 1855

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

Print made by Ebenezer Challis, active 1837–1859

View between the Roofs of King's College Chapel

1836

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

Print made by James McNeill Whistler, 1834–1903

Visitors' Boat

1887

Print made by James McNeill Whistler, 1834–1903

Monitors

1887

Print made by James McNeill Whistler, 1834–1903

Bunting

1887

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

James McNeill Whistler, 1834–1903

Landscape with a Fisherman

1861

James McNeill Whistler, 1834–1903

Île de la Cité, Paris

1859

James McNeill Whistler, 1834–1903

Battersea Reach

1863

Print made by James McNeill Whistler, 1834–1903

Portrait Sketches

between 1870 and 1873

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

Print made by Robert Spence, 1871–1964

George Fox Talks to the People About Dreams

between 1890 and 1911

Thomas Gainsborough, 1727–1788

A Moonlit Landscape with Cattle by a Pool

ca. 1780

Edward Luttrell, active 1680–1724

Keay Nabee Naia-wi-Praia & Keay Abi Jaya Sedana, Ambassadors from the Sultan of Bantam to His Majesties of Great Britain

1682

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox at Launceston Gaol

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox in the Garden of Dr. Craddock at Coventry

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Is Stoned by the Crowd at Walney Island

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

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