Image Use: Free to Use / Subject Terms: landscape / Classification: Prints

John Tinney, died 1761

A View of the Flower Gardens of Seaux & of ye great Canal at a Distance

undated

Print made by Paul Angier, active 1749

A View of Paris

Nathaniel Parr, active 1742–1751

A Perspective View of the Cascade of St. Cloud

John S. Muller, ca. 1715–1792

A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

Anthony Walker, 1726–1765

A View of the Earl of Radnor's House at Twickenham

unknown artist

A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London

unknown artist

Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

Giles King, active 1732–1746

A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

James Mason, 1710–1783

A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

Giles King A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

Giles King, active 1732–1746

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth..

Giles King, active 1732–1746

Salmon Leap at Leixlip

Pierre Charles Canot, ca. 1710–1777

A View from one Tree-Hill in Greenwich Park

unknown artist

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

unknown artist

View of the Flower Garden, & part of the Palace of Fountainbleau

unknown artist

The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..

Nathaniel Parr, active 1742–1751

A Prospect of St. James's Park

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1917

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1917

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sellenger

1921

Print made by Richard Ansdell, 1815–1885

The Sentinel

1857

Print made by David Lucas, 1802–1881

River Stour, Suffolk

1831

Paul Sandby, 1731–1809

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

ca. 1785

Print made by Alfred Dawson, active 1860–1894

Val d'Aosta

1885

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Frederick Goulding, 1842–1909

Ruins of the Old Bridge, Vernon

1879

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by David Lucas, 1802–1881

A Mill

1830

Print made by David Lucas, 1802–1881

Castle Acre Priory

1830 to 1831

Print made by Charles Henry Baskett, 1872–1953

The Mill by the Sea

1914

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by Samuel Freeman, 1773–1857

Iris

1808

Print made by Richard Samuel Chattock, 1825–1906

The Holt

undated

Print made by Frederick Landseer Maur Griggs, 1876–1938

Meppershall Chapel

1915

Louis Haghe, 1806–1885

Newstead Abbey, The Seat of the Late Lord Byron

undated

Print made by Thomas Gainsborough, 1727–1788

Wooded Upland Landscape with Riders and Packhorse

1797

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

John Graham, 1754–1817

Knowle Park, the Seat of the Earl of Plymouth

1837

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by John Browne, 1741–1801

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

after 1762

Print made by Charles Heath, 1785–1848

Benevento, Kingdom of Naples

undated

Print made by Thomas Gainsborough, 1727–1788

Travellers by a Clump of Trees in a Rocky Landscape with Stream

undated

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Louisa Augusta Greville, 1743–active 1762

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by Sir David Young Cameron, 1865–1945

Robin Hood's Bay

1907

Engraved by Welby Sherman, active 1827

The Shepherd

between 1827 and 1836

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Apollo and Marsyas

1775

Print made by Richard Earlom, 1743–1822

Landscape with Ruins

1817

Print made by Richard Earlom, 1743–1822

A Landscape with Buildings

1807

Print made by Richard Earlom, 1743–1822

A Study

1817

Print made by Richard Earlom, 1743–1822

A Study

1810

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Edwin Edwards, 1823–1879

Landscape

1868

Print made by William Faithorne, ca. 1620–1691

Henry More

1675

Robert Charles Goff, 1837–1922

The Nile

1897

Sir Francis Seymour Haden, 1818–1910

Encombe Woods, no. 2

1881-1882

Print made by Philip Gilbert Hamerton, 1834–1894

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

William Lee Hankey, 1869–1952

In Belgium

1917

Sir Francis Seymour Haden, 1818–1910

A Lancashire River

1881

Sir Francis Seymour Haden, 1818–1910

Shere Mill Pond, no. 2 (large plate)

1860

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stepping Stones

1915

Print made by Robert Brandard, 1805–1862

The Bay of Baiæ

between 1859 and 1861

Print made by Edward P. Brandard, 1819–1898

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

Print made by Thomas Abiel Prior, 1809–1886

The Golden Bough

1875

Print made by William Miller, 1796–1882

Modern Italy

between 1859 and 1861

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

Print made by James T. Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Print made by John Sell Cotman, 1782–1842

Castle at Tancarville

1821

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by Alfred W. Cooper, active 1850–1901

The Farmer's Boy

undated

Print made by unknown artist

Harvest

undated

Print made by Robert Brandard, 1805–1862

Rietz near Saumur

1833

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1834

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print formerly attributed to Thomas Girtin, 1775–1802

Cottage and Two Cows Being Milked

1805

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745