A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
402
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
403
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
404
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
405
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
406
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
407
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
408
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
409
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
410
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
411
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
412
Henry Thomas Alken, 1785–1851
Two Riders Jumping a Wooden Fence
undated
413
Henry Thomas Alken, 1785–1851
Gone Away
undated
414
Henry Thomas Alken, 1785–1851
A Groom Leading a Bay Horse
undated
415
Henry Thomas Alken, 1785–1851
Jumping a Low Rail and a Brook
undated
416
Henry Thomas Alken, 1785–1851
Steeplechasing: Five Riders Galloping Right
undated
417
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
418
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
419
Henry Thomas Alken, 1785–1851
Steeplechasing: Four Riders Taking a Ditch and an Oxer
undated
420
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
421
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
422
unknown artist
The Race
ca. 1850
423
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
424
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
425
unknown artist
Evening
1799
426
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
427
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
428
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
429
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
430
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
431
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
432
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
433
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
434
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
435
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
436
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
437
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
438
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
439
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
440
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
441
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
442
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
443
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
444
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
445
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
446
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
447
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
448
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
449
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
450
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
451
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
452
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
453
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
454
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
455
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
456
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
457
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
458
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
459
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
460
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
461
Edward Duncan, 1803–1882
Pheasant Shooting
1825
462
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
463
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
464
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
465
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
466
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
467
William Heath, 1795–1840
Woodcock Shooting
undated
468
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
469
Samuel Howitt, 1756–1822
The Death
undated
470
Samuel Howitt, 1756–1822
Going out of Kennel
undated
471
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
472
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
473
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
474
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
475
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
476
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
477
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
478
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
479
James Seymour, 1702–1752
Coursing - After the Kill
undated
480
James Seymour, 1702–1752
Flying Childers and Grooms
undated
481
James Seymour, 1702–1752
Conqueror Going to Start
undated
482
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
483
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
484
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
485
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
486
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
487
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
488
Henry Thomas Alken, 1785–1851
Steeplechasing: Two Riders Taking a Wooden Fence
undated
489
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Taking a Brook, Spectators on Right
undated
490
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
491
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
492
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
493
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
494
George Denholm Armour, 1864–1949
Insult to Injury
undated
495
Brian Hatton, 1887–1916
A Huntsman on Horseback
undated
496
Robert Healy, 1743–1771
Tom Conolly of Castletown Hunting with His Friends