Materials & Techniques: laid paper / Creator Gender: male / Image Use: Free to Use / Subject Terms: architectural subject

1. A Cottage

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

2. The White House (Gould's Farm Luppitt)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1920
Materials & Techniques:: Black Chalk, white chalk, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/4 × 14 3/4 inches (33.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Cottage among Trees

Creator:: John Constable, 1776–1837
Date:: ca. 1795
Materials & Techniques:: Graphite and gray wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 14 3/8 inches (28.9 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Richard Cumberland Frontispiece

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 5 3/8 inches (18.4 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

10. Richard Cumberland Frontispiece

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 4 3/8 inches (15.9 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11. Richard Cumberland Frontispiece

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 4 3/4 x 6 1/4 inches (12.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

12. Richard Cumberland Frontispiece

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 5 7/8 inches (12.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

13. Richard Cumberland Frontispiece

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 6 1/2 inches (20 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

14. Possibly Saint Paul's, London

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 7 5/8 inches (18.4 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

15. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, sligihtly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Winchester Tower, Windsor Castle

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. East Side of Sheriff Hutton Castle

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Farningham, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1784
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Title page from She Stoops to Conquer

Creator:: Alfred Parsons, 1847–1920
Date:: 1884
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 8 3/4in. (30.2 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection (The Edwin Abbey Memorial Collection)

30. The Diana Fountain, Bushy Park: Original Design

Creator:: Edward Pierce, c.1630–1695
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 19 9/16in. (38.1 x 49.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Design for an Urn

Creator:: Joseph Wilton, 1722–1803
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Hubertusburg Château

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Garden of Vieux Joncs near Maestricht

Creator:: Charles Gore, 1729–1807
Date:: between 1784 and 1794
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and brown ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 21 5/16 × 15 1/4 inches (54.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Gateway at Bamburgh Castle

Creator:: Edward Hastings, active 1804–1861
Date:: 1810
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 8 5/8 inches (18.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Liverpool: The Windmill on the Edge of the Quarry

Creator:: John Samuel Hayward, 1778–1822
Date:: 1803
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Ruins of the College of Lincluden, near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1806
Materials & Techniques:: Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Icklesham Church

Creator:: Imitator of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Beaudesert, Staffordshire

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 18 1/2 inches (32.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of Erthig, Denbigshire, Wales

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of Erthig, Denbigshire, Wales

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured cream laid paper
Dimensions:: Sheet: 9 1/2 x 18 7/8in. (24.1 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of Baron Hill, Anglesey, Wales

Creator:: Moses Griffith, 1747–1819
Date:: 1776
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 17 1/2in. (25.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Near Edgware Road, London

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, blue laid paper
Dimensions:: Contemporary drawn border: 7 x 13 1/4 inches (17.8 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Plan for Entrance at Hinton St. George

Creator:: John Kempshead, active 1808
Date:: 1812
Materials & Techniques:: Graphite, pen and black ink, watercolor, pen and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 22 13/16 × 18 3/8 inches (57.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Netley Abbey

Creator:: John Linnell, 1792–1882
Date:: 1810
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Cascade at Chiswick House, Middlesex: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: between 1720 and 1735
Materials & Techniques:: Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Severn-Henbury Village and Blaize Castle from the road in the Mill

Creator:: Attributed to J. Hadley, active 1730–1758
Date:: undated
Materials & Techniques:: Gray wash, and pen and black ink on four joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 12 3/4 inches (10.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Villa Adrianna, Rome

Creator:: James William Giles, 1801–1870
Date:: 1824
Materials & Techniques:: Brown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 11/16 x 9 15/16 inches (6.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 13 1/16 inches (11.4 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Design for a Country House

Creator:: James Lewis, 1751–1820
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper
Dimensions:: Sheet: 8 5/8 × 25 5/8 inches (21.9 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Seat of Stafford Briscoe

Creator:: Samuel Lewis, ca. 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 13/16 inches (32.7 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration

Creator:: William Kent, ca.1686–1748
Date:: between 1728 and 1732
Materials & Techniques:: Graphite, pen and black and brown ink, brown and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 12 1/2 inches (38.4 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Unidentified Country House: Ground Floor Plan

Creator:: Attributed to John Sanderson, active 1730; died 1774
Date:: undated
Materials & Techniques:: Pen and black ink with gray and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 3/8 inches (36.5 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Sundorne Castle, Near Shrewsbury, Shropshire

Creator:: John Sanders, 1768–1826
Date:: 1783
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 10 1/4 x 16in. (26 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hawkstone Hall, Shropshire

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, chalk and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/16 × 19 3/8 inches (33.8 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Design for a Door-knocker

Creator:: Attributed to office of Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and brown ink on slightly textured, moderately thin, white laid paper
Dimensions:: Sheet: 14 13/16 × 9 1/8 inches (37.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Design for the Gothic Library at Felbrigg Hall in Norfolk

Creator:: James Paine, 1717–1789
Date:: ca. 1750
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Design for a Ceiling

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 7/8 inches (39.5 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Bushey Church from the South West

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Farmyard

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 x 12 3/4 inches (26.7 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. St. Paul's Cathedral and Blackfriar's Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Design for a Pavilion in a Deer Park

Creator:: William Kent, ca.1686–1748
Date:: ca. 1735
Materials & Techniques:: Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 12 3/8 inches (28.6 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Treasury, Whitehall, London: Alternate Elevations of the Facade

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 17 1/4 inches (21.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Townsend's Building at Rousham, Oxfordshire: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Graphite, pen and brown wash within single-ruled pencil border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 11/16 inches (34.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Old Farm Buildings

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 16 5/8 inches (33 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Lodge at Cassiobury

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Stowe House, Buckinghamshire: Elevation and Section of Chimney Piece in the Hall

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. King's Mews, Charing Cross, London: Section

Creator:: William Kent, ca.1686–1748
Date:: 1731
Materials & Techniques:: Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Design for an Unidentified Gothic Structure

Creator:: attributed to William Kent, ca.1686–1748
Date:: undated
Materials & Techniques:: Graphite, pen and black ink with brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 8 1/8in. (35.6 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Elevation of Ruined Temple

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Sketches of architectural detail of temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite; verso: pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:: Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Inside of Castle Gate, Taunton, Somerset

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1752
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Colonnade with Vaulted Roof

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 3 5/8 inches (12.1 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Bridgenorth Bridge

Creator:: Attributed to Peter Rashleigh, active 1775
Date:: 1775
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Mill at Load Water

Creator:: Thomas Stowers, 1754–active 1814
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Kirkstall Abbey near Leeds

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 3 15/16 x 5 15/16 inches (10 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Apollo and the Muses

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 15/16 inches (21.9 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A View at Lucerne

Creator:: William Pars, 1742–1782
Date:: 1775
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 × 23 1/8 inches (41.9 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Herstmonceux Castle, East Sussex: South View of the Green Court

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8in. (64.1 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Herstmonceux Castle, East Sussex: North View of the Green Court

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Design of Masks

Creator:: Francois Boitard, ca. 1670–1715
Date:: 1710
Materials & Techniques:: Pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 20 13/16 inches (37.1 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort

Creator:: Thomas Wyck, 1616–1677
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Coutances Cathedral

Creator:: William Frome Smallwood, 1806–1834
Date:: undated
Materials & Techniques:: Watercolor, brown wash, and graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Ponte delle Torri, Seen Through an Arch

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Architectural detail of Column of Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. XXIV Lybian Mausoleum at Dougga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured,cream laid paper
Dimensions:: Sheet: 15 3/8 × 19 1/8 inches (39.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Elevation of Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 39 inches (65.1 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Tomb de la Chretienne/ Juba and Cleopatra

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. XXII Side View of Temple at Dougga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 19 3/4 inches (38.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, red pencil, graphite on moderately thick, moderately textured,cream laid paper
Dimensions:: Sheet: 21 1/2 × 12 3/16 inches (54.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

Creator Gender male

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Search Results

1. A Cottage

2. The White House (Gould's Farm Luppitt)

3. The Herdsman's Cottage

4. The Lonely Tower

5. The Lonely Tower

6. Cottage among Trees

7. The Bridge in Middle Distance

8. The Straw Yard

9. Richard Cumberland Frontispiece

10. Richard Cumberland Frontispiece

11. Richard Cumberland Frontispiece

12. Richard Cumberland Frontispiece

13. Richard Cumberland Frontispiece

14. Possibly Saint Paul's, London

15. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

16. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

17. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

18. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

19. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

20. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

21. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

22. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

23. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

24. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

25. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

26. Winchester Tower, Windsor Castle

27. East Side of Sheriff Hutton Castle

28. Farningham, Kent

29. Title page from She Stoops to Conquer

30. The Diana Fountain, Bushy Park: Original Design

31. Design for an Urn

32. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

33. Hubertusburg Château

34. Garden of Vieux Joncs near Maestricht

35. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

36. Gateway at Bamburgh Castle

37. Liverpool: The Windmill on the Edge of the Quarry

38. The Ruins of the College of Lincluden, near Dumfries

39. Icklesham Church

40. Beaudesert, Staffordshire

41. View of Erthig, Denbigshire, Wales

42. View of Erthig, Denbigshire, Wales

43. View of Baron Hill, Anglesey, Wales

44. Near Edgware Road, London

45. Plan for Entrance at Hinton St. George

46. Netley Abbey

47. The Cascade at Chiswick House, Middlesex: Elevation and Plan

48. Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan

49. The Severn-Henbury Village and Blaize Castle from the road in the Mill

50. The Villa Adrianna, Rome

51. The Ruins of Leiston Abbey

52. The Gateway of Lancaster Castle

53. The Chapel of the Foundling Hospital, London

54. The Chapel of the Foundling Hospital, London

55. Design for a Country House

56. The Seat of Stafford Briscoe

57. Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration

58. Unidentified Country House: Ground Floor Plan

59. Sundorne Castle, Near Shrewsbury, Shropshire

60. Hawkstone Hall, Shropshire

61. Design for a Door-knocker

62. Design for the Gothic Library at Felbrigg Hall in Norfolk

63. Design for a Ceiling

64. Bushey Church from the South West

65. A Farmyard

66. St. Paul's Cathedral and Blackfriar's Bridge

67. Design for a Pavilion in a Deer Park

68. Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation

69. The Treasury, Whitehall, London: Alternate Elevations of the Facade

70. The Building of Waterloo Bridge

71. Townsend's Building at Rousham, Oxfordshire: Elevation and Plan

72. Old Farm Buildings