Materials & Techniques: etching (printing process) / Period: 19th century / Subject Terms: literary theme

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

Print made by George Cruikshank, 1792–1878

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

after 1857

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by William Miller, 1796–1882

Abbotsford, Large Vignette

1841

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

William Greatbach, Born 1802

Falstaff and his Friends

ca. 1868

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by unknown artist

The Young Roscius

1804

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

Print made by George Cruikshank, 1792–1878

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

after 1857

Print made by George Cruikshank, 1792–1878

London. A Street: 'Henry IV Part II,' Act II, Scene I

after 1857

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by Henry J. Townsend, 1810–1890

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Sandy Knowe, or Smailholm Tower (Vignette)

1851

Print made by William Miller, 1796–1882

The Rhymer's Glen (Vignette)

1835

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

Print made by unknown artist

Grandpapa's Story or The Witches Frolick

1838

Print made by George Cruikshank, 1792–1878

Mrs. Sheppard Expostulating with her Son

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by Edward Goodall, 1795–1870

Carlisle

1834

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

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Materials & Techniques etching (printing process)

Period 19th century

Subject Terms literary theme

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