The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
9
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
10
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
12
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
13
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
14
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
15
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
16
Print made by David Lucas, 1802–1881
Flatford Mill
1844
17
Print made by David Lucas, 1802–1881
Noon
1830
18
Print made by David Lucas, 1802–1881
A Mill
1830
19
Print made by David Lucas, 1802–1881
Summer Morning
1831
20
Print made by David Lucas, 1802–1881
Summer Evening
1831
21
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
22
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
23
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
24
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
25
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
26
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
27
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
28
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
29
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
30
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
31
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
32
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
33
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
34
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
35
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
36
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
37
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
38
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1814 to 1826
39
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
40
Print made by William Bernard Cooke, 1778–1855
Margate
1822
41
Print made by William Bernard Cooke, 1778–1855
Margate
1822
42
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
43
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
44
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
45
Print made by William Bernard Cooke, 1778–1855
Margate
1822
46
Print made by William Bernard Cooke, 1778–1855
Margate
1823
47
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
48
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
49
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
50
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
51
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
52
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
53
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
54
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1825
55
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1825
56
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
57
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
58
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
59
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
60
Print made by William Miller, 1796–1882
Plymouth Dock, from Mount Edgecumbe
1820
61
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
62
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
63
Print made by William Bernard Cooke, 1778–1855
Plymouth, with Mount Batten
1817
64
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
65
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
66
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
67
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
68
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
69
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
70
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
71
Print made by George Hollis, 1792–1842
Rome, Bridge and Castle of St. Angelo, on the Tyber
1818
72
Print made by unknown artist
The Little Devil's Bridge
between 1816 and 1820
73
Print made by John Horsburgh, 1791–1869
Whitstable, Kent
1814 to 1826
74
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
75
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
76
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
77
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
78
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
79
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
80
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
81
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carria
1818-1820
82
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
83
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
84
Print made by George Hollis, 1792–1842
Rome; Bridge and Castle of St. Angelo on the Tyber
1818
85
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
86
Print made by James C. Allen, active 1821–1831
Addingham Mill on the Warfe
1821
87
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
88
Print made by Robert Wallis, 1794–1878
Saumur
1830
89
Print made by James C. Allen, active 1821–1831
The Custom House
1827
90
Print made by James C. Allen, active 1821–1831
The Custom House
1827
91
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
92
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
93
Print made by Robert Wallis, 1794–1878
Saumur
1830
94
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
95
Print made by Robert Wallis, 1794–1878
Havre
1833
96
Print made by Robert Wallis, 1794–1878
Havre
1832
97
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
98
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
99
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz