Materials & Techniques: etching (printing process) / Genre: genre subject / Image Use: Free to Use

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

Edward Francis Finden, 1791–1857

Yarmouth, Norfolk

1837

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Francesco Bartolozzi, 1728–1815

Bacchus on a Barrel

1796

Henry Heath, active 1824–1835

Ominum Gatherum No. 6

undated

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Print made by unknown artist

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

1755

Print made by James Bretherton, ca. 1730–1806

The Houndsditch Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

I Will Pay No More Debts of Her Contracting

1772

Print made by Henry William Bunbury, 1750–1811

The Judgement of Paris

1771

Print made by William Strang, 1859–1921

The Pirate's Council

1893

Print made by James Bretherton, ca. 1730–1806

John Jehu L'Inghilterra

1772

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by George Quinton, born 1779

Magdalen Hospital

undated

Francesco Bartolozzi, 1728–1815

Title Page: Bartolozzi's Works

1796

Francesco Bartolozzi, 1728–1815

La Passione

1779

Francesco Bartolozzi, 1728–1815

Premio Della Virtu

1779

Print made by George Cruikshank, 1792–1878

The Triumph of Cupid: A Reverie

undated

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Arthur Evershed, 1836–1919

On the Banks of the Thames

1876

Robert Charles Goff, 1837–1922

Coffee House and Mosque Entrance, Cairo

undated

Print made by Richard Earlom, 1743–1822

View with several Vessels lying close to the Shore

1774

Print made by Richard Earlom, 1743–1822

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by Richard Earlom, 1743–1822

Scene of a Storm, with a Vessel Wrecked

1774

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

Arthur Evershed, 1836–1919

At Twickenham

1876

Print made by Sir David Young Cameron, 1865–1945

Birth Place & Early Home of Professor Wilson

1887

Sir Francis Seymour Haden, 1818–1910

A Lady Reading

1858

Francesco Bartolozzi, 1728–1815

Man Stirring a Cauldron Over an Open Hearth

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Print made by Sir Francis Seymour Haden, 1818–1910

Hampton Court

1864

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Sir Francis Seymour Haden, 1818–1910

Kew

1864

Sir Francis Seymour Haden, 1818–1910

Ô Laborum

1865

Sir Francis Seymour Haden, 1818–1910

Hands Drypointing

1877

Sir Francis Seymour Haden, 1818–1910

Battersea Reach

1863

Sir Francis Seymour Haden, 1818–1910

Battersea Reach

1863

Print made by Paul Angier, active 1749

A View of Paris

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Robert Bryden, 1865–1939

Auld Brig, Ayr

1904

Print made by Sir David Young Cameron, 1865–1945

Cour des Bons Enfants, Rouen

1897

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Print made by unknown artist

A View of Campo Vaccino at Rome

undated

Print made by unknown artist

A View of the Mole and the New Castle at Naples

undated

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by George Cruikshank, 1792–1878

Finding things not exactly what he expected - Plate 2

1820

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by Francesco Bartolozzi, 1728–1815

Night

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

William Lee Hankey, 1869–1952

La toilette

between 1912 and 1916

William Lee Hankey, 1869–1952

Temps Difficiles

1917

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745