"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
5
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
6
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
7
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
8
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
9
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
10
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
11
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
12
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
13
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
14
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
15
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
16
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
17
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
18
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
19
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
20
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
21
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
22
Henry Thomas Alken, 1785–1851
The Ice-Wagon
undated
23
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
24
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
25
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
26
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
27
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
28
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
29
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
30
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
31
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
32
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
33
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
34
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
35
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
36
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
37
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
38
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
39
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
40
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
41
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
42
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
43
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
44
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
45
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
46
Print made by David Allan, 1744–1796
Glaud and Symon
1808
47
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
48
Print made by David Allan, 1744–1796
Madge and Bauldy
1808
49
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
50
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
51
Thomas Allom, 1804–1872
The Terrace of a Mandarin's House in Peking
undated
52
Thomas Allom, 1804–1872
The House of a Chinese Merchant near Canton
undated
53
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
54
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
55
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
56
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
57
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
58
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
59
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
60
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
61
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
62
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
63
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
64
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
65
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
66
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
67
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
68
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
69
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
70
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
71
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
72
Print made by Richard Parkes Bonington, 1802–1828
Le Retour
1826
73
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
74
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
75
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
76
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
77
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
78
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
79
Print made by Richard Parkes Bonington, 1802–1828
Bergues - La Tour du Marché
1824
80
Print made by Richard Parkes Bonington, 1802–1828
Caen - Eglise Saint-Sauveur
1824
81
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
82
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
83
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
84
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
85
Thomas Shotter Boys, 1803–1874
A Christening
undated
86
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
87
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
88
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
89
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
90
Print made by Thomas Shotter Boys, 1803–1874
Westminster Abbey, Hospital &c
1842
91
Print made by Thomas Shotter Boys, 1803–1874
Buckingham Palace from St. James's Park
1842
92
Print made by Thomas Shotter Boys, 1803–1874
St. Paul's from Ludgate Hill
1842
93
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
94
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
95
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
96
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
97
Print made by Bradshaw & Blacklock, active ca.1850
Highland Dancers
after 1850
98
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
99
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
100
Print made by Bradshaw & Blacklock, active ca.1850