Materials & Techniques: etching (printing process) / Image Available: Available / Subject Terms: clouds - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques etching (printing process)

Image Available Available

Subject Terms clouds

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Willow

Print made by Samuel Palmer, 1805–1881

The Willow

1850

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Joseph Mallord William Turner Basle

Etched by Joseph Mallord William Turner, 1775–1851

Basle

1807

Joseph Mallord William Turner The Fifth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner Original Sketch of a Picture for W. Leader, Esq.

Etched by Joseph Mallord William Turner, 1775–1851

Original Sketch of a Picture for W. Leader, Esq

1809

Joseph Mallord William Turner Ships in a Breeze

Etched by Joseph Mallord William Turner, 1775–1851

Ships in a Breeze

1808

Joseph Mallord William Turner The Fifth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner Flint Castle, Vessels Unloading

Etched by Joseph Mallord William Turner, 1775–1851

Flint Castle, Vessels Unloading

1807

Joseph Mallord William Turner Ships in a Breeze

Etched by Joseph Mallord William Turner, 1775–1851

Ships in a Breeze

1808

Joseph Mallord William Turner Ships in a Breeze

Etched by Joseph Mallord William Turner, 1775–1851

Ships in a Breeze

1808

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Air; Plate 6

Print made by William Blake, 1757–1827

Air; Plate 6

1793

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Help! Help!; Plate 12

Print made by William Blake, 1757–1827

Help! Help!; Plate 12

1793

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

Lydia Bates Coastal Scene

Print made by Lydia Bates, active 1784

Coastal Scene

1784

Edward Radclyffe Peat-Gatherers

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

Edward Radclyffe Lancaster Sands

Print made by Edward Radclyffe, 1809–1863

Lancaster Sands

undated

John Robert Cozens Bath: The Crescent

Print made by John Robert Cozens, 1752–1797

Bath: The Crescent

1773

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

John Robert Cozens Bath: The South Parade

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

William Byrne The Ruins of the College of Lincluden

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

John Robert Cozens Bath: The North Parade

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Frederik Christiaan Bierweiler De Hemelvaart

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Hemelvaart

ca. 1820

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

George Arnald Bouvignes and Dinant

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

John Bluck West India Docks

Print made by John Bluck, active 1791–1831

West India Docks

1810

Lydia Bates Little Missenden Church from the Southeast

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

David Lucas Cottage in a Cornfield

Attributed to David Lucas, 1802–1881

Cottage in a Cornfield

1844

Isaac Fuller Putto Holding a Torch

Print made by Isaac Fuller, 1606/20–1672

Putto Holding a Torch

undated

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Johann Jacobus Haid L'Amoureuse

Print made by Johann Jacobus Haid, 1704–1767

L'Amoureuse

undated

François M. la Cave The Foundlings

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

James Mitan Turin from the Portico of the Superga Church

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

unknown artist St. Martin's Church

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Pierre Charles Canot Marine Study No. 1

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 1

1773

Pierre Charles Canot Marine Study No. 3

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Pierre Charles Canot Marine Study No. 2

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Pierre Charles Canot Marine Study No. 4

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 4

1773

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855

Bradshaw & Blacklock Tintern Abbey

Bradshaw & Blacklock, active ca.1850

Tintern Abbey

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Pierre Charles Canot A Strong Gale or Squall

Print made by Pierre Charles Canot, ca. 1710–1777

A Strong Gale or Squall

1745

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Anthony Cardon Credulity

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Peter P. Benazech The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Sir Francis Seymour Haden Out of Study Window

Sir Francis Seymour Haden, 1818–1910

Out of Study Window

1859

Sir Francis Seymour Haden Out of Study Window

Sir Francis Seymour Haden, 1818–1910

Out of Study Window

1859

Sir Francis Seymour Haden Kilgaren Castle

Print made by Sir Francis Seymour Haden, 1818–1910

Kilgaren Castle

1864

Sir Francis Seymour Haden Sunset on the Thames

Sir Francis Seymour Haden, 1818–1910

Sunset on the Thames

1865

Anthony Cardon Cupid Wounded

Print made by Anthony Cardon, 1772–1813

Cupid Wounded

1801

Sir Francis Seymour Haden On the Test

Sir Francis Seymour Haden, 1818–1910

On the Test

1878

Sir Francis Seymour Haden Shere Mill Pond, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Shere Mill Pond, no. 1 (small plate)

1860

Sir Francis Seymour Haden Combe Bottom

Sir Francis Seymour Haden, 1818–1910

Combe Bottom

1860

Sir Francis Seymour Haden Kenarth

Sir Francis Seymour Haden, 1818–1910

Kenarth

1864

Sir Francis Seymour Haden Kenarth, South Wales

Sir Francis Seymour Haden, 1818–1910

Kenarth, South Wales

1864

Sir Francis Seymour Haden Newcastle Emlyn

Sir Francis Seymour Haden, 1818–1910

Newcastle Emlyn

1864

Sir Francis Seymour Haden Sunset on the Thames

Sir Francis Seymour Haden, 1818–1910

Sunset on the Thames

1865

Sir Francis Seymour Haden Cottages behind Horsley's House

Sir Francis Seymour Haden, 1818–1910

Cottages behind Horsley's House

1865

Sir Francis Seymour Haden Horsley's House at Willesley

Sir Francis Seymour Haden, 1818–1910

Horsley's House at Willesley

1865

Sir Francis Seymour Haden Battersea Bridge

Sir Francis Seymour Haden, 1818–1910

Battersea Bridge

1868