Materials & Techniques: wove paper / Associated Places: London / Work Type: intaglio print / Image Use: Free to Use

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pass-Room Bridewell

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

9. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving, First published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Old London Bridge and Vicinity

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Westminster Hall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Ticket: For the Benefit of Mr. Salomon

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 7 5/16 × 9 1/2 inches (18.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Four Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Lower Lobby, House of Commons

Creator:: Print made by James Sands, active 1813–1846
Date:: 1815
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Geometrical Construction of the Freeze and Battlements in the House of Commons

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Plate XIX: St Stephen's Chapel

Creator:: Print made by John Carter, 1748–1817
Date:: 1811
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Plate III: Crypt under St Stephen's Chapel

Creator:: Print made by Thomas A. Woolnoth, 1785–1857
Date:: ca. 1836
Materials & Techniques:: Engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Creator:: Print made by John Le Keux, 1783–1846
Date:: ca. 1836
Materials & Techniques:: Engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Plate XXXIX: House of Commons as Fitted Up in 1835

Creator:: Print made by unknown artist
Date:: ca. 1836
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Painted Chamber, Westminster

Creator:: Print made by John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Exterior of Painted Chamber, North View

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Staircase at Southeast Angle, Painted Chamber, Westminster

Creator:: Print made by unknown artist
Date:: 1835
Materials & Techniques:: Line engraving on slightly textured, moderately thick, whtie wove paper
Dimensions:: Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Kind Proroguing Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: 1834
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Creator:: Print made by unknown artist
Date:: 1823
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Houses of Lords and Commons

Creator:: Print made by Miss Mary Byrne, 1776–1846
Date:: 1815
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Houses of Parliament

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Etching, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 14 13/16 inches (37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Henry VII's Shrine

Creator:: Print made by Herbert Railton, 1857–1910
Date:: ca. 1890
Materials & Techniques:: Etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Henry VII Chapel (Exterior)

Creator:: Print made by unknown artist
Date:: ca. 1890
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

66. Battersea Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1868
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

67. St. Martin's Church Westminster

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1810
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Pool of London

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 6 9/16 inches (11.1 × 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Tower from the River

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Athenaeum

Creator:: Print made by R. F. Cahusac, active 1830
Date:: 1830
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1882
Materials & Techniques:: Etching and drypoint on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

77. York House: Plan of the Ground Floor

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 11 5/16 inches (23.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. York House: Plan of Principle Floor

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 11 5/16 inches (23 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. York House: Longitudinal Section from North to South

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 11 9/16 inches (24.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Chelsea

Creator:: James McNeill Whistler, 1834–1903
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 3/4 inches (24.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

81. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Opening of Waterloo Bridge

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 13 1/2 inches (29.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Drawing Study of a Man

Creator:: Drawing by Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1764
Materials & Techniques:: Black ink and graphite on verso of etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Monument of King Henry III, in Westminster Abbey

Creator:: Jacob van Schley, 1715–1779
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, white wove paper
Dimensions:: Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

86. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Interior of the Star Chamber, Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1848
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Westminster Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A view of the inside of Westminster Hall

Creator:: unknown artist
Date:: ca. 1700
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Cotton Garden, Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Eight Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. St. Stephen's Chapel, Speaker's House, &c. from the River

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

Creator:: Print made by John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. South West view of St. Stephen's Chapel Westminster, Restored 1800

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

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1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

2. The First Stage of Cruelty: Children Torturing Animals

3. London from Greenwich

4. Ruins of St. Paul Covent Garden

5. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

6. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

7. Pass-Room Bridewell

8. Saint Stephen's, Walbrook

9. Destruction of Both Houses of Parliament

10. Richmond Hill

11. Richmond Hill

12. The Tower of London

13. The Tower of London

14. Destruction of Both Houses of Parliament

15. The Custom House

16. The Custom House

17. Traitor's Gate - Tower of London

18. Old London Bridge and Vicinity

19. The Great Exhibition: Exterior View from the Southwest

20. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

21. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

22. Westminster Hall

23. Ticket: For the Benefit of Mr. Salomon

24. Richmond Hill

25. The Tower of London

26. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

27. Elevations and Plans of the Court of Kings Bench

28. Four Illustrations of Westminster

29. Plate IX: St Stephen's Chapel

30. The Lower Lobby, House of Commons

31. Plate XII: St Stephen's Chapel

32. Geometrical Construction of the Freeze and Battlements in the House of Commons

33. Plate XIII: St Stephen's Chapel

34. Compartment on One Side, St Stephen's Chapel

35. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

36. Plate XIX: St Stephen's Chapel

37. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

38. Oak Door Discovered in the Speaker's State Dining Room

39. Plate III: Crypt under St Stephen's Chapel

40. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

41. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

42. Plate XXXIX: House of Commons as Fitted Up in 1835

43. The Painted Chamber, Westminster

44. Exterior of Painted Chamber, North View

45. Staircase at Southeast Angle, Painted Chamber, Westminster

46. The Kind Proroguing Parliament

47. Vol. 6, Plate XXVII: The Painted Chamber

48. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

49. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

50. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

51. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

52. Exterior & Interior Views of the Painted Chamber & Old House of Lords

53. The Houses of Lords and Commons

54. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

55. The North Prospect of Westminster Abbey

56. Houses of Parliament

57. Elevation of the River Front

58. North East View of Henry VII Chapel Westminster

59. North East View of Henry VII Chapel Westminster

60. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

61. Henry VII's Shrine

62. Henry VII Chapel (Exterior)

63. Marriage of Henry the seventh

64. Plan of the West India Docks

65. Kensington Gardens, no. 2 (large plate)

66. Battersea Bridge

67. St. Martin's Church Westminster

68. Traitor's Gate - Tower of London

69. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

70. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

71. Part of Waterloo Bridge with the Shot Tower, &c.

72. Pool of London