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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
unknown artist Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
unknown artist
Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
1825
William Daniell A View of the East India Docks
Print made by William Daniell, 1769–1837
A View of the East India Docks
1808
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
George Cruikshank Mr. B seeking the Bubble reputation - Plate 5
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
George Cruikshank Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
George Cruikshank Frontispiece: The Progress of a Midshipman
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated
J. Hill A Seventy-four in a Fresh Gale
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
J. Hill A First Rate after a Storm
J. Hill, active 19th century
A First Rate after a Storm
1811
Henry Papprill This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
Thomas Girtin View of the Village of Chaillot and &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
Robert Havell View of the Front of the New Public Buildings, Guildford
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
unknown artist View of the Coronation Procession of George IV
unknown artist
View of the Coronation Procession of George IV
ca. 1821
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
George Cruikshank Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
Bradshaw & Blacklock The Crimean War
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
George Baxter The Conversion of the Proconsul
Print made by George Baxter, 1804–1867
The Conversion of the Proconsul
after 1855
George Baxter The Miraculous Draught of Fishes
after George Baxter, 1804–1867
The Miraculous Draught of Fishes
after 1855
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
George Baxter St Paul Preaching in Athens
George Baxter, 1804–1867
St Paul Preaching in Athens
after 1855
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
Richard Gilson Reeve Clare Hall, Cambridge
Print made by Richard Gilson Reeve, 1803–1889
Clare Hall, Cambridge
1807
Richard Gilson Reeve Peterborough Cathedral
Print made by Richard Gilson Reeve, 1803–1889
Peterborough Cathedral
1809
Richard Gilson Reeve Malmsbury Abbey
Print made by Richard Gilson Reeve, 1803–1889
Malmsbury Abbey
1809
Richard Gilson Reeve Peterborough Cathedral
Print made by Richard Gilson Reeve, 1803–1889
Peterborough Cathedral
1809
Robert Havell Cassiobury, Herfordshire, The Seat of the Earl of Essex
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
Robert Havell Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
John Hill North-West Front, Cassiobury
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
Robert Havell Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
John Hill North-West Front, Cassiobury
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
John Hill The Great Cloister, Cassiobury
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
John Hill The Great Cloister, Cassiobury
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
Matthew Dubourg Snipe Shooting
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
George Baxter Little Red Riding Hood
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
George Baxter Pomare, Queen of Tahiti
Print made by George Baxter, 1804–1867
Pomare, Queen of Tahiti
1845
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Albanian Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
Bradshaw & Blacklock Constantinople
Print made by Bradshaw & Blacklock, active ca.1850
Constantinople
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855