Materials & Techniques: etching (printing process) / Period: 19th century / Subject Terms: architectural subject

1. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:: On view at YUAG

8. Frontispiece

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young Anglers

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Rome, Bridge and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Florence, from the Ponte alla Carria

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Line engraving, etching and graphite, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Rosslyn Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1822
Materials & Techniques:: Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Napoleon's Logement, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Lowestoffe Lighthouse (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; open etched state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Design for a Park Gateway

Creator:: Edward Blore, 1787–1879
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Rome; Bridge and Castle of St. Angelo on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Line engraving, and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hotel de Ville, Paris

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 3/8 × 9 1/4 inches (34 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Napoleon's Logement, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834-1836
Materials & Techniques:: Etching and engraving (Engraver's Proof) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's Proof (touched) on medium, slightly textured, cream laid paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Villa Madama (vignette)

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 9 3/4 inches (32.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Dumbarton Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, 1st published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Hotel de Ville, Paris

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, 1st published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

70. Bridge of St. Cloud and Sevres

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

71. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Lincoln from the Castle

Creator:: Frederick James Havell, 1801–1840
Date:: ca. 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 3/4 inches (13.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Frankley Chapel, S. E., Worcestershire

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1812
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Palace Doorway [North Italian Set: No. 22]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

79. The Abbazia, Venice

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

80. Porta del Molo, Genoa [North Italian Set: No. 23]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 8 inches (23.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

81. The Palace of the Stuarts

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

82. Siena

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. The Rialto

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 1/4 inches (33.3 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. St. Mark's No. 2

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

85. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Harlech

Creator:: Print made by Frederick Vango Burridge, 1869–1945
Date:: 1891
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 x 13 1/16 inches (28 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

87. Paisley Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1887
Materials & Techniques:: Etching on parchment
Dimensions:: Plate: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

88. Entrance to Lincoln Cathedral

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1837
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Witley Court in Worcestershire, the Seat of Lord Foley

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Martin's Church Westminster

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1810
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Cloisters of Worcester Cathedral

Creator:: John Greig, active 1803–1853
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 13/16 inches (9.8 × 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Keep of Dudley Castle

Creator:: Print made by John Greig, active 1803–1853
Date:: 1810
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 5 5/8 inches (22.9 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Map of Bewdley from the Ordnance Survey

Creator:: Print made by Robert Kearsley Dawson, 1798–1861
Date:: undated
Materials & Techniques:: Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 8 7/16 inches (34.4 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Cathedral Church of Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Map of Worcestershire Showing Western and Eastern Divisions

Creator:: Print made by Robert Kearsley Dawson, 1798–1861
Date:: undated
Materials & Techniques:: Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 12 5/8 inches (35.1 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques etching (printing process)

Period 19th century

Subject Terms architectural subject

Search Results

1. The Ruins of Netley Abbey

2. Christmas

3. The Herdsman's Cottage

4. The Herdsman's Cottage

5. The Lonely Tower

6. The Lonely Tower

7. Taj Mahal, Agra

8. Frontispiece

9. The Bridge in Middle Distance

10. Young Anglers

11. The Straw Yard

12. Crofton Hall, Yorkshire

13. The Rialto, Venice

14. The Rialto, Venice

15. The Rialto, Venice

16. Rome, Bridge and Castle of St. Angelo, on the Tyber

17. Naples, from the Mole

18. Florence, from the Ponte alla Carria

19. Florence, from the Ponte alla Carraia

20. The Little Devil's Bridge

21. Merrick Abbey, Swaledale

22. Merrick Abbey, Swaledale

23. Rosslyn Castle

24. Bell Rock Lighthouse

25. Lillebonne, Château and Tower

26. Napoleon's Logement, Quai Conti

27. Dunfermline

28. Cologne

29. Cologne

30. Cologne

31. Tivoli, a Composition

32. Cologne

33. Lowestoffe Lighthouse (vignette)

34. Design for a Park Gateway

35. Edinburgh Castle and Horse Fair

36. The Great Exhibition: Exterior View from the Southwest

37. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

38. The Rialto, Venice

39. Rome; Bridge and Castle of St. Angelo on the Tyber

40. Bridge at Narni

41. Bridge at Narni

42. Lillebonne, Château

43. Hotel de Ville, Paris

44. Napoleon's Logement, Quai Conti

45. Norham Castle - Moonrise

46. Villa Madama, Moonlight

47. The Rialto, Venice

48. Naples, from the Mole

49. Richmond, Yorkshire

50. St. Agatha's Abbey, Easby

51. Egglestone Abbey, near Barnard Castle

52. Egglestone Abbey, near Barnard Castle

53. Villa Madama (vignette)

54. Dunstaffnage

55. Dunstaffnage

56. Inverness

57. St. Michael's Mount, Cornwall

58. St. Michael's Mount, Cornwall

59. Turin from the Portico of the Superga Church

60. Richmond, Yorkshire

61. Richmond Castle and Town

62. Richmond Castle and Town

63. St. Agatha's Abbey, Easby

64. St. Agatha's Abbey, Easby

65. Dunfermline

66. Inverness

67. Dumbarton Castle

68. Hotel de Ville, Paris

69. Saint Stephen's, Walbrook

70. Bridge of St. Cloud and Sevres

71. Dinant, No. 1: Southwest View

72. Dinant, No. 1: Southwest View

73. The Grand Canal, Venice