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Materials & Techniques etching (printing process)

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Work Type intaglio print

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Flint Castle, Vessels Unloading
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
Joseph Mallord William Turner Original Sketch of a Picture for W. Leader, Esq.
Etched by Joseph Mallord William Turner, 1775–1851
Original Sketch of a Picture for W. Leader, Esq
1809
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
Frederik Christiaan Bierweiler De Hemelvaart
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Hemelvaart
ca. 1820
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
Johann Jacobus Haid L'Amoureuse
Print made by Johann Jacobus Haid, 1704–1767
L'Amoureuse
undated
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
Lydia Bates Little Missenden Church from the Southeast
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
David Lucas Cottage in a Cornfield
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
Lydia Bates Coastal Scene
Print made by Lydia Bates, active 1784
Coastal Scene
1784
William Byrne View of Leiston Abbey
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Isaac Fuller Putto Holding a Torch
Print made by Isaac Fuller, 1606/20–1672
Putto Holding a Torch
undated
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
A. Birrell John Home, Esq.
Print made by A. Birrell, ca.1770–ca. 1820
John Home, Esq
1799
unknown artist The South Sea House
Print made by unknown artist
The South Sea House
between 1720 and 1728
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
Thomas Bowles The Admiralty Office
Print made by Thomas Bowles, ca. 1712–died 1753
The Admiralty Office
1731
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
Pierre Charles Canot Marine Study No. 3
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
Pierre Charles Canot Marine Study No. 4
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Newstead Abbey
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Balmoral Castle
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Henry William Bunbury The Judgement of Paris
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
John Crome Wooded Landscape
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812