On-site Access: Accessible by appointment in the Study Room / Work Type: intaglio print / Subject Terms: architectural subject

Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, &c

1802

Thomas Girtin, 1775–1802

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

1802

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1803

Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1802

Thomas Girtin, 1775–1802

View of the Village of Chaillot &c., taken from Pont de la Concorde

1802

Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton

1803

Thomas Girtin, 1775–1802

View of the Village of Chaillot and &c., taken from Pont de la Concorde

1803

Paul Fourdrinier, 1698–1758

The Section of the Design of a Triangular House by Theodore Jacobsen Esqr

undated

Paul Fourdrinier, 1698–1758

A Plan of a Triangular House Designed by Theodore Jacobsen Esqr

undated

Paul Fourdrinier, 1698–1758

The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr

undated

Paul Fourdrinier, 1698–1758

The Elevation of the Design of a Triangular House by Theodore Jacobsen Esqr

undated

Giovanni Piranesi, 1720–1778

Giardino Colonna nel clivo del Quirinale

undated

Giovanni Piranesi, 1720–1778

Palazzo Pontificio sul Quirinale

undated

unknown artist

Westminster Hall

ca. 1820

unknown artist

A view of the inside of Westminster Hall

ca. 1700

Print made by John Thomas Smith, 1766–1833

Four Illustrations of Westminster

1804

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

Print made by James Basire the younger, 1769–1822

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

unknown artist

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Henry Melville, active 1826–1841

The House of Commons

1834

Print made by James Fittler, 1758–1835

The King on his Throne in the House of Lords

1804

Print made by Henry Melville, active 1826–1841

House of Commons, the Speaker Reprimanding a Person at the Bar

after 1850

Print made by unknown artist

Plate XXXIX: House of Commons as Fitted Up in 1835

ca. 1836

Print made by John Thomas Smith, 1766–1833

A Doorway in one of the Cellars Under the Old House of Lords

1804

unknown artist

Exterior of Painted Chamber, North View

undated

Print made by John Greig, active 1803–1853

The Painted Chamber, Westminster

1804

Print made by unknown artist

Staircase at Southeast Angle, Painted Chamber, Westminster

1835

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Print made by unknown artist

Houses of Parliament

undated

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

Print made by Thomas Sutherland, ca. 1785–1838

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

1811

Print made by Edward Rooker, 1724–1774

Henry the Seventh's Chapel

undated

Print made by unknown artist

Henry VII Chapel (Exterior)

ca. 1890

Print made by Herbert Railton, 1857–1910

Henry VII's Shrine

ca. 1890

James Basire the younger The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Print made by James Basire the younger, 1769–1822

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

1815

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

1802

Thomas Girtin, 1775–1802

View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

1802

Thomas Girtin, 1775–1802

View of Thuilleries and Bridge taken from the Quay d'Orsai

1802

Thomas Girtin, 1775–1802

View of Pont St. Michel, taken from Pont Neuf

1803

Thomas Girtin, 1775–1802

A General View of Paris taken from Chaillot

1802

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1802

etching by Thomas Girtin, 1775–1802

A General View of Paris taken from Chaillot

1803

Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

1802

Thomas Girtin, 1775–1802

View of Pont St. Michel, taken from Pont Neuf

1802

Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

1803

Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, &c

1803

Thomas Girtin, 1775–1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

1803

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1802

Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi on the Banks of the Seine

1802

Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi on the Banks of the Seine

1803

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1803

Thomas Girtin, 1775–1802

The Waterworks at Marli; and St. Germain en Laye seen in the distance

1802

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745