etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
3
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
4
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
5
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
6
attributed to William Henry Hunt, 1790–1864
Two Peasants by a Window
undated
7
Samuel Prout, 1783–1852
Study of Figures at Ulm
undated
8
Samuel Prout, 1783–1852
Study of Figures at Schaffhausen
before 1841
9
Samuel Prout, 1783–1852
Two Boys
undated
10
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
11
Robert Hills, 1769–1844
A Village Snow Scene
1819
12
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
13
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
14
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
15
Samuel Prout, 1783–1852
Fisherfolk on the Beach, Ostend
undated
16
unknown artist
Farmers Harvesting
undated
17
Sir David Wilkie, 1785–1841
The Interior of Pitlessie Mill with a Man Sieving Corn
1818
18
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
19
unknown artist
Two Seated Women
undated
20
attributed to William Parrott, 1813–ca. 1869
The Port of London
1839
21
unknown artist
Portuguese, Madeira, Jan 30, '68
1868
22
unknown artist
Three Men (Jan 31/68)
1868
23
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
24
James Pollard, 1792–1867
A Fishmonger's Shop with Customers Outside
undated
25
Cornelius Varley, 1781–1873
Ship Study
1823
26
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
27
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
28
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
29
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
30
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
31
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
32
James Pollard, 1792–1867
The Meat Market
undated
33
James Pollard, 1792–1867
The Greengrocer
ca. 1819
34
James Pollard, 1792–1867
The Poultry Market
undated
35
Benjamin West, 1738–1820
Portrait of the Artist's Son, Raphael
1839
36
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
37
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
38
Print made by Robert Isaac Cruikshank, 1789–1856
Monstrosities of 1827
1835
39
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
40
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
41
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
42
Print made by George Cruikshank, 1792–1878
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
43
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
44
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
45
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
46
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
47
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
48
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
49
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
50
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
51
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
52
Thomas Rowlandson, 1756–1827
Diners in a Chop Shop
between 1800 and 1805
53
Ambrose Poynter, 1796–1886
Scenes from Life in Paris: Man Seated and Man Carrying Basket
ca. 1835
54
George Henry Harlow, 1787–1819
Sailors on Board H.M.S. Royal William
ca. 1806
55
Thomas Heaphy, 1775–1835
Robbing a Market Girl
1807
56
James Duffield Harding, 1798–1863
The Grand Canal, Venice
1835
57
Thomas Rowlandson, 1756–1827
The Gaming Table
1801
58
Thomas Rowlandson, 1756–1827
A Book Auction
between 1810 and 1815
59
Thomas Rowlandson, 1756–1827
The Billiard Room
ca. 1801
60
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
61
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
62
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
63
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
64
Henry Thomas Alken, 1785–1851
Jumping a Low Rail and a Brook
undated
65
James Pollard, 1792–1867
Grouse Shooting
undated
66
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom
undated
67
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
68
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
69
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
70
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
71
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
72
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
73
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
74
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
75
Print made by Alfred Henry Forrester, 1804–1872
Alfred Crowquill's Christmas
undated
76
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
77
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
78
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red
undated
79
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
80
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
81
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
82
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
83
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
84
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
85
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
86
Thomas Rowlandson, 1756–1827
A Group of Figures
ca. 1820
87
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
88
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
89
Print made by William Day, 1764–1807
The High Street, Southampton
1828
90
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
91
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
92
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
93
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
94
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
95
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
96
Print made by James Basire the younger, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
97
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets