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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 19th century

Remove constraint Period: 19th century

Subject Terms hats

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Search Results

Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Joseph Mallord William Turner Lulworth Castle, Dorset
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
William Henry Hunt Two Peasants by a Window
attributed to William Henry Hunt, 1790–1864
Two Peasants by a Window
undated
Samuel Prout Study of Figures at Ulm
Samuel Prout, 1783–1852
Study of Figures at Ulm
undated
Samuel Prout Study of Figures at Schaffhausen
Samuel Prout, 1783–1852
Study of Figures at Schaffhausen
before 1841
Samuel Prout Two Boys
Samuel Prout, 1783–1852
Two Boys
undated
Samuel Prout Sketches of Peasants and Work-Horses
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
Robert Hills A Village Snow Scene
Robert Hills, 1769–1844
A Village Snow Scene
1819
Edmund Thomas Parris Sketches from Life
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
Edmund Thomas Parris Studies of Figures: Women, Tradespeople, etc.
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
Samuel Prout Figures on a Beach
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
Samuel Prout Fisherfolk on the Beach, Ostend
Samuel Prout, 1783–1852
Fisherfolk on the Beach, Ostend
undated
unknown artist Farmers Harvesting
unknown artist
Farmers Harvesting
undated
Sir David Wilkie The Interior of Pitlessie Mill with a Man Sieving Corn
Sir David Wilkie, 1785–1841
The Interior of Pitlessie Mill with a Man Sieving Corn
1818
Robert Hills Studies of Haymakers
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
unknown artist Two Seated Women
unknown artist
Two Seated Women
undated
William Parrott The Port of London
attributed to William Parrott, 1813–ca. 1869
The Port of London
1839
unknown artist Portuguese, Madeira, Jan 30, '68
unknown artist
Portuguese, Madeira, Jan 30, '68
1868
unknown artist Three Men (Jan 31/68)
unknown artist
Three Men (Jan 31/68)
1868
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
James Pollard A Fishmonger's Shop with Customers Outside
James Pollard, 1792–1867
A Fishmonger's Shop with Customers Outside
undated
Cornelius Varley Ship Study
Cornelius Varley, 1781–1873
Ship Study
1823
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
Samuel Prout Mechanical Grinder with Figures
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
Walter Geikie Edinburgh Castle and Horse Fair
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
Samuel Prout Coast Scene near Plymouth
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
Samuel Prout The Monnow Bridge, Monmouthshire
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
James Pollard The Meat Market
James Pollard, 1792–1867
The Meat Market
undated
James Pollard The Greengrocer
James Pollard, 1792–1867
The Greengrocer
ca. 1819
James Pollard The Poultry Market
James Pollard, 1792–1867
The Poultry Market
undated
Benjamin West Portrait of the Artist's Son, Raphael
Benjamin West, 1738–1820
Portrait of the Artist's Son, Raphael
1839
Thomas Shotter Boys Le Château de Blois
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
George Cruikshank Monstrosities of 1822 - Pt. 5
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
Robert Isaac Cruikshank Monstrosities of 1827
Print made by Robert Isaac Cruikshank, 1789–1856
Monstrosities of 1827
1835
Robert Isaac Cruikshank Dandies Having a Treat
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
George Cruikshank Specimens of Waltzing
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Print made by George Cruikshank, 1792–1878
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
Thomas Rowlandson The Vicar Selling his Horse
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
Thomas Rowlandson Jealousy, Rage, Disappointment...
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
Thomas Rowlandson The Welcome
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
Thomas Rowlandson The Vicar's Family on the Road to Church
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
Thomas Rowlandson Doctor Syntax loses his Money on the Race Ground at York
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
Thomas Rowlandson The Departure from Wakefield
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
Thomas Rowlandson The Vicar of Wakefield: Frontispiece
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
Thomas Rowlandson The Surprise
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
Thomas Rowlandson Attendance on a Nobleman
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
Thomas Rowlandson Diners in a Chop Shop
Thomas Rowlandson, 1756–1827
Diners in a Chop Shop
between 1800 and 1805
Ambrose Poynter Scenes from Life in Paris: Man Seated and Man Carrying Basket
Ambrose Poynter, 1796–1886
Scenes from Life in Paris: Man Seated and Man Carrying Basket
ca. 1835
George Henry Harlow Sailors on Board H.M.S. Royal William
George Henry Harlow, 1787–1819
Sailors on Board H.M.S. Royal William
ca. 1806
Thomas Heaphy Robbing a Market Girl
Thomas Heaphy, 1775–1835
Robbing a Market Girl
1807
James Duffield Harding The Grand Canal, Venice
James Duffield Harding, 1798–1863
The Grand Canal, Venice
1835
Thomas Rowlandson The Gaming Table
Thomas Rowlandson, 1756–1827
The Gaming Table
1801
Thomas Rowlandson A Book Auction
Thomas Rowlandson, 1756–1827
A Book Auction
between 1810 and 1815
Thomas Rowlandson The Billiard Room
Thomas Rowlandson, 1756–1827
The Billiard Room
ca. 1801
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
Sir David Wilkie Two Riders Seen from Behind, Oct. 10, 1822
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
Henry Thomas Alken Jumping a Low Rail and a Brook
Henry Thomas Alken, 1785–1851
Jumping a Low Rail and a Brook
undated
James Pollard Grouse Shooting
James Pollard, 1792–1867
Grouse Shooting
undated
James Pollard The Derby Day: Tits and Trampers on the Road to Epsom
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom
undated
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Alfred Henry Forrester Alfred Crowquill's Christmas
Print made by Alfred Henry Forrester, 1804–1872
Alfred Crowquill's Christmas
undated
Thomas Rowlandson Viewing at the Royal Academy
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
James Pollard The North Country Mails at The Peacock Inn, Islington
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
Michael Angelo Hayes Two Shakos of the Dublin Militia: One Green, One Red
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red
undated
James Pollard Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
unknown artist Messrs. Morgan & Sanders, Catherine St., Strand
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
Henry Heath Ominum Gatherum, Second Series, No. 5
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
Henry Heath Omnium Gatherum, No. 7
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
George Cooke Part of Waterloo Bridge with the Shot Tower, &c.
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
Thomas Rowlandson The Exhibition Stare-Case, Somerset House
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
Thomas Rowlandson Dr. Syntax Copying the Wit of the Window
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
Thomas Rowlandson A Group of Figures
Thomas Rowlandson, 1756–1827
A Group of Figures
ca. 1820
Thomas Rowlandson An Artist's Studio
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
Thomas Shotter Boys Quayside, Notre Dame in Distance
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
William Day The High Street, Southampton
Print made by William Day, 1764–1807
The High Street, Southampton
1828
George Cruikshank Frontispiece: The Progress of a Midshipman
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
Day & Co. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
William James Muller Study of a Group of Children
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
Haveill Gillbank The Benevolent Heir or The Tenant Restored to his Family
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
Haveill Gillbank The Rapacious Steward or Unfortunate Tenant
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
James C. Allen Penzance, Cornwall
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
James Basire the younger Frankley Chapel, S. E., Worcestershire
Print made by James Basire the younger, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
Thomas Rowlandson A Crowded Race Meeting
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
Thomas Rowlandson Evading the Toll
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
Henry Thomas Alken 'Getting Across the Country Like a Gentleman'
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated