Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
214
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
215
Valentine Green, 1739–1813
Rinaldo and Armida
1775
216
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
217
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
218
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
219
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
220
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
221
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
222
Print made by unknown artist
Prométhée
undated
223
Print made by George Arnald, 1763–1841
Choquer
1821
224
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
225
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
226
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
227
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
228
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
229
Print made by George Arnald, 1763–1841
Choquer
1821
230
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
231
Capt. Thomas Hastings, 1778–1854
On Hounslow Heath, Outer Suburb, West
1820
232
Thomas Gaugain, 1748–1812
An Airing in Hyde Park
1796
233
Print made by Francis Dodd, 1874–1949
The Garden Door
1909
234
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stevenage
1902
235
Print made by Frederick Landseer Maur Griggs, 1876–1938
St. Ippolyts, no. 2, 1903
1903
236
Print made by Sir David Young Cameron, 1865–1945
A Valley of the Ardennes [Belgian Set: No. 10]
1907
237
Print made by Sir David Young Cameron, 1865–1945
Ben Ledi
1911
238
Print made by Sir David Young Cameron, 1865–1945
The Tay
1912
239
Print made by Sir David Young Cameron, 1865–1945
Inverlochy
1914
240
Print made by Sir David Young Cameron, 1865–1945
Craigievar
1908
241
Print made by C. R. W. Nevinson, 1889–1946
Wind
1918
242
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
243
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
244
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
245
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
246
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
247
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
248
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
249
Sir Francis Seymour Haden, 1818–1910
Egham
1859
250
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
251
Print made by Samuel Freeman, 1773–1857
Iris
1808
252
Print made by Alexander Browne, active 1660–1683
The Right Honorable Elizabeth, Countess of Northumberland
between 1681 and 1685
253
Francis David Soiron, Born 1764
St. James's Park
1790
254
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
255
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
256
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
257
John Greig, active 1803–1853
Godalming, Surrey
1820
258
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
259
Print made by Sir David Young Cameron, 1865–1945
Dunvalanree
1910
260
James McNeill Whistler, 1834–1903
Chelsea
undated
261
Print made by George Cruikshank, 1792–1878
Lismahago's Retaliation
undated
262
Print made by George Cruikshank, 1792–1878
Adams's Visit to Parson Trulliber
ca. 1831
263
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
264
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
265
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
266
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
267
James Fittler, 1758–1835
Mail Coach
ca. 1787
268
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
269
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
270
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
271
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
272
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
273
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
274
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
275
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
276
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
277
Print made by unknown artist
A View of the Royal Palace at Naples
undated
278
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
279
Print made by William Richardson, active 1842–1877
Ashestiel
1835
280
Print made by unknown artist
Spanish Palace at Naples
undated
281
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
282
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
283
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf