The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by unknown artist
Panthei Fidelissime Dimensi Exterior et Interior
1553
9
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
10
Print made by unknown artist
Panthei Fidelissime Dimensi Exterior et Interior
1553
11
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
12
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
13
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
14
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
15
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
16
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
17
Print made by John Bogle, 1746–1804
Night Watchman
1776
18
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
19
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
20
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
21
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
22
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
23
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1812
24
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
25
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
26
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
27
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
28
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814 to 1826
29
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
30
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
31
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814
32
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
33
Print made by William Bernard Cooke, 1778–1855
The Mewstone, Entrance of Plymouth Sound
1815
34
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
35
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
36
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1815
37
Print made by William Miller, 1796–1882
Plymouth Dock, from Mount Edgecumbe
1820
38
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
39
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
40
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
41
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
42
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
43
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
44
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
45
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
46
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
47
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
48
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
49
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
50
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
51
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
52
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
53
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
54
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
55
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
56
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
57
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
58
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
59
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
60
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
61
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
62
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
63
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
64
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
65
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
66
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
67
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
68
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
69
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
70
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
71
Print made by W. R. Smith, active 1819–1851
Amboise
1833
72
Print made by Robert Brandard, 1805–1862
Blois
1933
73
Print made by Robert Brandard, 1805–1862
Beaugency
1833
74
Print made by Thomas Jeavons, ca. 1800–1867
Canal of the Loire and Cher, Near Tours
1833
75
Print made by Robert Brandard, 1805–1862
Tours
1833
76
Print made by James T. Willmore, 1800–1863
The Lanterne of St. Cloud
1835
77
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
78
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
79
Print made by Ambrogio Brambilla, active ca. 1579–1599
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
80
Print made by Ambrogio Brambilla, active ca. 1579–1599
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
81
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
82
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
83
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
84
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
85
Print made by Henry Dawe, 1790–1848
River Meuse
undated
86
Print made by James T. Willmore, 1800–1863
Montjen
1833
87
Print made by Robert Brandard, 1805–1862
Rietz, near Saumur
1833
88
Print made by James T. Willmore, 1800–1863
Le Havre
1833
89
Print made by Robert Wallis, 1794–1878
Scene on the Loire
1833
90
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1833
91
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and the Pont-au-Change
1835
92
William Lee Hankey, 1869–1952
The Flight from Belgium
1914
93
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
94
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
95
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
96
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
97
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
98
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628