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On-site Access Accessible by appointment in the Study Room

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Associated Places City of Westminster

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Work Type intaglio print

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Classification Prints

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Exhibition of Royal Academy
Creator:
Print made by Pietro Antonio Martini, 1738–1797
Date:
1787
Materials & Techniques:
Etching
Dimensions:
Sheet: 15 x 20 1/2in. (38.1 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
York House: Longitudinal Section from North to South
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 11 9/16 inches (24.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Statue of Achilles in Hyde Park
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1827
Materials & Techniques:
Stipple engraving and etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 7 7/8 x 5 5/16 inches (20 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Royal Humane Society's Receiving House in Hyde Park
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on medium, smooth, beige laid paper
Dimensions:
Sheet: 3 × 4 13/16 inches (7.6 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Regent's Canal Basin, City Road
Creator:
Charles Heath, 1785–1848
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/4 × 5 7/16 inches (9.5 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
York House: Plan of the Ground Floor
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 11 5/16 inches (23.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
York House: Plan of Principle Floor
Creator:
George Gladwin, active 1820s–1830s
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 x 11 5/16 inches (23 x 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespeare Sacrificed; or, The Offering to Avarice
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The National Gallery
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Green Park
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Regent's Park
Creator:
Print made by John Cleghorn, active 1840–1881
Date:
1827
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 11/16 × 11 1/4 inches (22.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Penitentiary and Distant View of Westminster Bridge
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Athenaeum

Athenaeum
Creator:
Print made by R. F. Cahusac, active 1830
Date:
1830
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A South View of Westminster Abby & St. Margarets Church
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
Creator:
Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lovelace in Prison
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Somerset House
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Demolition of St. James's Hall, Interior
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1906
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery
Somerset House, London
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1910
Materials & Techniques:
Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Staircase at Southeast Angle, Painted Chamber, Westminster
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving on slightly textured, moderately thick, whtie wove paper
Dimensions:
Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXIX
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 21 7/8 × 15 1/8 inches (55.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
after 1819
Materials & Techniques:
Hand colored engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXXVIII: House of Lords, as Fitted up in 1835
Creator:
Print made by T. Clarke, 1799–1839
Date:
1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Houses of Lords and Commons
Creator:
Print made by Miss Mary Byrne, 1776–1846
Date:
1815
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The King's Entrance to the House of Lords, From Poets Corner
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, medium white wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Houses of Parliament
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Etching, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 14 13/16 inches (37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII Chapel (Exterior)
Creator:
Print made by unknown artist
Date:
ca. 1890
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry the Seventh's Chapel
Creator:
Print made by Edward Rooker, 1724–1774
Date:
undated
Materials & Techniques:
Etching on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret
Longitudinal Section of Westminster Hall
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Coronation Procession of George IV
Creator:
unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A view of the inside of Westminster Hall
Creator:
unknown artist
Date:
ca. 1700
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Stephen's Chapel, Speaker's House, &c. from the River
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eight Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South West view of St. Stephen's Chapel Westminster, Restored 1800
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1801
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Creator:
Print made by William Francis Starling, active first half 19th century
Date:
1843
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Creator:
Print made by John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.
Creator:
Print made by George Gladwin, active 1820s–1830s
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Front of the Vestibule
Creator:
Print made by unknown artist
Date:
1843
Materials & Techniques:
Line engraving on smooth, thick, cream wove paper
Dimensions:
Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Compartment on One Side, St Stephen's Chapel
Creator:
Print made by John Le Keux, 1783–1846
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
Creator:
Print made by John Le Keux, 1783–1846
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The House of Commons
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Higher House of Parliament in England
Creator:
Print made by unknown artist
Date:
ca. 1695
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Commons, the Speaker Reprimanding a Person at the Bar
Creator:
Print made by Henry Melville, active 1826–1841
Date:
after 1850
Materials & Techniques:
Line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection