Materials & Techniques: aquatint and etching (printing process) / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Classification: Prints - YCBA Collections Search Search Results

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Materials & Techniques aquatint

Materials & Techniques etching (printing process)

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Classification Prints

Joseph Mallord William Turner Junction of Severn and Wye

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Robert Havell Crofton Hall, Yorkshire

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Thomas Girtin View of the City with the Louvre & Taken from Pont Marie

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Thomas Girtin A General View of Paris, taken from Chaillot 1803.

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

Thomas Girtin Views of the Pantheon, taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

John Augustus Atkinson Fools; or Jesters

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

George Baxter The Belle of the Village

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

George Baxter George Pritchard, Her Britannic Majesty's Consul

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Bradshaw & Blacklock Cathedrals in England

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Bradshaw & Blacklock Castles in England

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Set of Needle-Box Prints

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Bradshaw & Blacklock Tintern Abbey

Bradshaw & Blacklock, active ca.1850

Tintern Abbey

after 1850

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855

Vincent Robert Alfred Brooks Ten Needle-Box Prints

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Thomas Malton the Younger Cambridge University: Queens College

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Matthew Dubourg Grouse Shooting

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Matthew Dubourg Partridge Shooting

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Matthew Dubourg Pheasant Shooting

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Matthew Dubourg Snipe Shooting

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

William Daniell A View of the East India Docks

Print made by William Daniell, 1769–1837

A View of the East India Docks

1808

George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

George Cruikshank Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

George Cruikshank Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Print made by George Cruikshank, 1792–1878

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

George Cruikshank Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

George Cruikshank Mr. B seeking the Bubble reputation - Plate 5

Print made by George Cruikshank, 1792–1878

Mr. B seeking the Bubble reputation - Plate 5

1820

Frederick Rosenberg The Mail Coach in a Flood

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

unknown artist View of the Coronation Procession of George IV

unknown artist

View of the Coronation Procession of George IV

ca. 1821

John Bluck Clare Hall

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Bradshaw & Blacklock The Crimean War

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

Bradshaw & Blacklock Bacharach

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Bradshaw & Blacklock View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Bradshaw & Blacklock Bacharach and View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock Double Hairpin Set

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Greenwich Hospital

Print made by Bradshaw & Blacklock, active ca.1850

Greenwich Hospital

after 1850

Bradshaw & Blacklock Her Majesty Queen Victoria & Family

Print made by Bradshaw & Blacklock, active ca.1850

Her Majesty Queen Victoria & Family

ca. 1851

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter Queen Victoria

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Set of Needle-Box Prints

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

John Bruce Chain Pier at Brighton

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Samuel Freeman Mamma at Romps

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Charles Rosenberg The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

John Hassell Clapham Manor-House, Surry

John Hassell, 1767–1825

Clapham Manor-House, Surry

between 1804 and 1822

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Print made by James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

1802

Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai

Print made by Thomas Girtin, 1775–1802

View of the Tuilleries and Bridge taken from the Quay D'Orsai

1802

Thomas Girtin A General View of Paris taken from Chaillot

Print made by Thomas Girtin, 1775–1802

A General View of Paris taken from Chaillot

1803

Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802

View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

1803

Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations

Print made by Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre and the College of Four Nations

1803

Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Print made by Thomas Girtin, 1775–1802

View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame

1803

Thomas Girtin A View of Pont Neuf, the Mint and etc.

Print made by Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint and etc

1803

Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs

Print made by Thomas Girtin, 1775–1802

View of the Gate of the St. Denis taken from the Suburbs

1803

Thomas Girtin View of the City with the Louvre taken from Pont Marie

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre taken from Pont Marie

1802

Thomas Girtin View of Pont St. Michael taken from Pont Neuf

Print made by Thomas Girtin, 1775–1802

View of Pont St. Michael taken from Pont Neuf

1803

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Print made by Robert Isaac Cruikshank, 1789–1856

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

George Cruikshank Fitting out. - Plate 1

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi on the Banks of the Seine

1803

Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli and St. German en Laye seen in the distance

1803

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Print made by Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

1802

Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

1803

Thomas Girtin The Water Mill above the Bridge at Charenton

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton

1803