Materials & Techniques: etching (printing process) and stipple engraving / On-site Access: Accessible by appointment in the Study Room

James Gillray, 1756–1815

The Death of the Great Wolf

1795

Print made by Samuel Freeman, 1773–1857

Statue of Achilles in Hyde Park

1827

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by John Condé, 1765–1794

Melania

1792

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

William Birch, 1755–1834

A View in Kew Gardens

1789

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by Francesco Bartolozzi, 1728–1815

Night

undated

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Print made by Joseph Brown, 19th century

James Gillray

1848

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1762

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

Print made by unknown artist

Richard Cosway

1788

Print made by James Heath, 1757–1834

James Barry, Esq

after 1806

unknown artist

Henry Fuseli, Esq

1808

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by William Baillie, 1723–1810

Captain William Baillie

between 1750 and 1810

Print made by Samuel Freeman, 1773–1857

Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

1810

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

Print made by Matthew Darly, active 1754–1778

Matthew Darly

1775

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Print made by David Allan, 1744–1796

Alan Ramsay Scotus

1808

Print made by Richard Hamilton, 1922–2011

Picasso's Meninas

1973

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1793

Francesco Bartolozzi, 1728–1815

Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

1789

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by William Henry Simmons, 1811–1882

The Departure (Second Class)

1857

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Francesco Bartolozzi, 1728–1815

Portrait of Joseph Haydn

1791

Francesco Bartolozzi, 1728–1815

Title Page: Bartolozzi's Works

1796

Print made by Gerald Leslie Brockhurst, 1890–1978

Corinne

1925

Print made by Gerald Leslie Brockhurst, 1890–1978

Dorette

1932

Print made by Gerald Leslie Brockhurst, 1890–1978

Young Womanhood

1931

James Hardy, active 1770s

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

undated

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Francesco Bartolozzi, 1728–1815

The Nativity

Francesco Bartolozzi, 1728–1815

Flight Into Egypt

Francesco Bartolozzi, 1728–1815

The Adoration of the Shepherds

Francesco Bartolozzi, 1728–1815

Adoration of the Magi

Francesco Bartolozzi, 1728–1815

Raising of Lazarus

Francesco Bartolozzi, 1728–1815

Adam and Eve in Paradise

1790

Francesco Bartolozzi, 1728–1815

Cherubim and Seraphim

Francesco Bartolozzi, 1728–1815

Tobias and the Angel

Francesco Bartolozzi, 1728–1815

Virgin and Child and Tobias and the Archangel Raphael

Francesco Bartolozzi, 1728–1815

Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Francesco Bartolozzi, 1728–1815

Meleager and the Boar

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Francesco Bartolozzi, 1728–1815

As You Like It, Act IV, Orlando and Oliver

1788

James Fittler, 1758–1835

Benjamin West, P.R.A

1817

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Francesco Bartolozzi, 1728–1815

Bacchus on a Barrel

1796

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815

Lord FitzGibbon

1790

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by Henry Bonnart, 1642–1711

Mater Purissima

undated

Thomas Ryder, 1746–1810

The Murder of James I, King of Scotland

1792

Print made by Gerald Leslie Brockhurst, 1890–1978

Ophelia

1942

Print made by Gerald Leslie Brockhurst, 1890–1978

Almina

1924

Print made by Gerald Leslie Brockhurst, 1890–1978

The Dancer

1925

Print made by Gerald Leslie Brockhurst, 1890–1978

Viba

1929

Print made by Gerald Leslie Brockhurst, 1890–1978

The Black Cloak

1944

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Garden Flowers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Her Majesty Queen Victoria & Family

ca. 1851

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

after George Baxter, 1804–1867

Prince Albert

after 1855

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1830

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1830

Edward Scriven, 1775–1841

Sir Frederick William Herschel

ca.1830

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On-site Access Accessible by appointment in the Study Room

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