Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Subject Terms: man and woman

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene III

undated

Print made by Auguste Boulard, 1852–1927

A Difference of Opinion

1897

Print made by Gerald Leslie Brockhurst, 1890–1978

A Galway Peasant

1920

Print made by James Caldwall, 1739–1819

A Ladies Maid Purchasing a Leek

1772

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by John Copley, 1875–1950

An Autumn Afternoon on Hampstead Heath

1939

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by David Allan, 1744–1796

Bauldy and Mause

1808

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Print made by William Ellis, 1747–1810

Clapham

1792

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

Print made by John Copley, 1875–1950

Figures in the Wind

1940

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Richard Samuel Chattock, 1825–1906

Footbridge over the Wiley

1884

Print made by Robert Sargent Austin, 1895–1973

Four Friends

1946

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by David Allan, 1744–1796

Jenny and Roger

1808

Print made by Johann Jacobus Haid, 1704–1767

La bonheur du Mariage

undated

Print made by Johann Jacobus Haid, 1704–1767

Le jeu de dames

undated

Print made by Johann Jacobus Haid, 1704–1767

Le jeu de domino

undated

Print made by Henry William Bunbury, 1750–1811

Love and Wind

undated

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Print made by Jean B. C. Chatelain, 1710–1771

Man and Woman Digging

1737

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Herbert A. Freeth, 1912–1986

Morenta

1939

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by John Bogle, 1746–1804

Night Watchman

1776

Print made by Francesco Bartolozzi, 1728–1815

Paris and Oenone

1780

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by William Hogarth, 1697–1764

Paul Before Felix

1752

Print made by Luke Sullivan, 1705–1771

Paul Before Felix

1752

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by John Sell Cotman, 1782–1842

Spanish Student

ca. 1830

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

Print made by John Chalon, 1738 – 1795

Study

1789-1790

William Lee Hankey, 1869–1952

Sur la neige

1917

Print made by Robert Sargent Austin, 1895–1973

The Angelus

1922

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiae, Apollo and the Sibyl

1873

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by John Martin, 1789–1854

The Deluge

1828

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

William Lee Hankey, 1869–1952

The Flight from Belgium

1914

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Palace

1916

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Palace

1916

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Palace

1916

Sir William Russell Flint, 1880–1969

The Prison Door, Concaran

1929

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

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Materials & Techniques etching (printing process)

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