Materials & Techniques: etching (printing process) / Creator Gender: male / Period: 19th century / Subject Terms: men

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Lake of Thun, Switzerland

1808

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Walter Geikie, 1795–1837

Edinburgh Castle and Horse Fair

1830

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

Print made by John Bluck, active 1791–1831

West India Docks

1810

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Begraving

ca. 1820

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Hemelvaart

ca. 1820

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Kruisiging

ca. 1820

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by George Cruikshank, 1792–1878

The First Step

undated

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

The Arrest of Lord Edward Fitzgerald

undated

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by George Cruikshank, 1792–1878

Poor Little Rose

undated

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by George Cruikshank, 1792–1878

Untitled

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by George Cruikshank, 1792–1878

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878

The Tailors Baffling the Bailiff

undated

Print made by George Cruikshank, 1792–1878

The Capture of Coldough and Harvey

undated

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

Print made by George Cruikshank, 1792–1878

"Captain Kelly conveys a slight remonstance"

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

James Gillray, 1756–1815

A Morning Ride

1804

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

Print made by John Bell, 1811–1895

The City of the Pestilence

between 1826 and 1852

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

John Greig, active 1803–1853

Cloisters of Worcester Cathedral

1807

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Frederick James Havell, 1801–1840

The Stone Bow, Lincoln

1836

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Robert Isaac Cruikshank, 1789–1856

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

Print made by Robert Isaac Cruikshank, 1789–1856

Dandies Having a Treat

1818

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Sir Francis Seymour Haden, 1818–1910

Dusty Millers

1877

Sir Francis Seymour Haden, 1818–1910

Dusty Millers

1877

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by James McNeill Whistler, 1834–1903

Tilbury

1887

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

Print made by David Allan, 1744–1796

Sir William Worthy's Blessing

1808

Print made by Sir David Young Cameron, 1865–1945

Via ai Prati, Genoa [North Italian Set: No. 8]

1896

Print made by Sir David Young Cameron, 1865–1945

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Print made by Sir David Young Cameron, 1865–1945

Siena

1900

Print made by Sir David Young Cameron, 1865–1945

The Palace of the Stuarts

1898

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

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Materials & Techniques etching (printing process)

Creator Gender male

Period 19th century

Subject Terms men

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Materials & Techniques etching (printing process)

Creator Gender male

Period 19th century

Subject Terms men

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