Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: oval

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c

1781

Print made by Joseph Brown, 19th century

James Gillray

1848

Print made by Thomas Chambars, ca. 1724–1789

Francesco Cleyn

undated

Print made by Thomas Chambars, ca. 1724–1789

Samuel Cooper

undated

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Isaac Fuller

undated

John Goldar, 1729–1795

The Refusal

1768

Print made by John Condé, 1765–1794

Sir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy

1793

Print made by Thomas Chambars, ca. 1724–1789

Sebastian Ricci

undated

Print made by Thomas Chambars, ca. 1724–1789

John Baptiste Monnoyer

undated

Print made by Thomas Chambars, ca. 1724–1789

Cornelius Polenburg

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Peter Paul Rubens

undated

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

Print made by Thomas Chambars, ca. 1724–1789

Peter Oliver

undated

Print made by Richard Dagley, ca. 1765–1841

Richard Morton Paye

1832

Charles Grignion, 1717–1810

James Paine

undated

Print made by Francesco Bartolozzi, 1728–1815

St. Cecilia

1784

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There's Rue for You, and Here's Some for Me

1784

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

John Goldar, 1729–1795

The Sacrifice

1767

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Hilliard

undated

Print made by Thomas Chambars, ca. 1724–1789

Claude la Fevre and Mr. John Hayls

undated

Print made by Thomas Chambars, ca. 1724–1789

William Hogarth

undated

Print made by Thomas Chambars, ca. 1724–1789

Gerard Honthorst

undated

Print made by Thomas Chambars, ca. 1724–1789

Abraham Vanderdort

undated

Print made by Thomas Chambars, ca. 1724–1789

Paul Van Somer

undated

Print made by Samuel Freeman, 1773–1857

Henry Tresham, R. A

1809

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by William Baillie, 1723–1810

Captain William Baillie

between 1750 and 1810

Print made by Francesco Bartolozzi, 1728–1815

John Dunning

1787

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by Thomas Chambars, ca. 1724–1789

George Vertue, Engraver

undated

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

Print made by Richard Earlom, 1743–1822

Giovanni Battista Cipriani, Esqr. R. A

1789

Print made by unknown artist

Trade Card for Billinge and Edwards, Clock and Watchmaker of Snow Hill, Birmingham

ca. 1770

Print made by John Condé, 1765–1794

Melania

1792

Print made by Thomas Anthony Dean, 1801–1860

Portrait of Lawrence When a Boy

1831

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Print made by Thomas Chambars, ca. 1724–1789

George Vertue, Engraver

undated

Print made by James Bretherton, ca. 1730–1806

Frederick Zincke and Liotard

1762

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by Charles Heath, 1785–1848

Thomas Gray

undated

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by James Basire the younger, 1769–1822

George Vertue, Engraver

1812

Print made by Thomas Chambars, ca. 1724–1789

Robert Walker

undated

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis

1781

Print made by Francesco Bartolozzi, 1728–1815

John Dunning

1787

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

Print made by Benoit Audran, 1661–1721

Guillaume Laud

undated

Print made by Francesco Bartolozzi, 1728–1815

Sir James Wishart

between 1794 and 1798

Print made by James Basire the younger, 1769–1822

Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum

undated

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Hannah Sparke

1785

Print made by A. Birrell, ca.1770–ca. 1820

Sir Peter Lely

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Horatio Gentileschi and Edward Mascall

undated

Print made by Thomas Chambars, ca. 1724–1789

John Baptiste Monnoyer

undated

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms oval

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